agedhorse Posted 15 hours ago Posted 15 hours ago 4 hours ago, itu said: We could... FLTP 1000 km is a real life test for electric cars. It is something completely different from what car manufacturers are telling us. Any bass meeting could make tests of the amps and cabs and publish results to some webpage like BC. Requirements and tests are pretty straightforward if someone has a 1 m stick, a noise source, and a decent audio analyzer. Not as straight forward as you think. Sure you can generate numbers, but how accurate and also how useful is more difficult. The more you measure, the more difficult you realize the task becomes. 3 hours ago, tauzero said: I would suggest that rather than using actual noise (antisocial and not necessarily easily reproduced), a better approach would be to create a dummy load that would emulate a speaker and measure the voltage across that to establish output power. A crucial point would be a means of measuring THD and maybe have two sets of measurements, one at 1% THD and one at 10% THD. Then do four plots, two with tone controls set at 12 o'clock at 1% and 10% THD respectively, and another two with tone controls set where they give the flattest frequency response (and document those settings), again at 1% and 10% THD. This is just off the top of my head, I'm sure there are lots of holes that can be picked in it. Agreed, there are lots of holes in your good intensions. It’s in part equating the numbers to real world performance is much more difficult than it appears. 1 Quote
DGBass Posted 11 hours ago Posted 11 hours ago Maybe it's as simple as popping the "hood" on your modern class D amp of choice, checking out what kind of class-d module is fitted and comparing the amp manufacturers specifications to the module manufacturers specifications? Not that I'm advocating breaking the warranty seal on your fave amp to find out. As an example, and one I'm familiar with, the ICEPower 300AS1 module is quoted as 300 watts RMS @ 1% THD+N into 4 ohms , 20Hz-20Khz. Curiously, if you tab down on the data sheet they also say the same module will output 380watts @ 10% THD running at 4 ohms. If you tab down some more, they say the same module will output 450W at 1% THD+N, 2.7Ohms. There is plenty of room there for marketing to do there thing with regard to output watts. In the interests of longevity and reliability, I suspect the 300watts rating is nominal and probably the most honest output specs the module can achieve in real world applications and use without a high failure rate. I own an amp with this module and it's sold as per the ICE Power 300watt rating which I feel is reasonable and accurate. It feels like 300 watts at 4 ohms with no weak wattage. @agedhorse is probably in a unique position as a knowledgeable designer to give insights into how off the shelf amplifier module components and specifications translate to real world performance in products he has had a hand in designing. I'm Assuming Mesa doesn't use proprietary class-d designs like Markbass do? It would be very interesting as an example to have an insight in to how the subway class-d product output power ratings were specified and the technology they use... eg the D350 and the D800. Quote
agedhorse Posted 10 hours ago Posted 10 hours ago 24 minutes ago, DGBass said: Maybe it's as simple as popping the "hood" on your modern class D amp of choice, checking out what kind of class-d module is fitted and comparing the amp manufacturers specifications to the module manufacturers specifications? Not that I'm advocating breaking the warranty seal on your fave amp to find out. As an example, and one I'm familiar with, the ICEPower 300AS1 module is quoted as 300 watts RMS @ 1% THD+N into 4 ohms , 20Hz-20Khz. Curiously, if you tab down on the data sheet they also say the same module will output 380watts @ 10% THD running at 4 ohms. If you tab down some more, they say the same module will output 450W at 1% THD+N, 2.7Ohms. There is plenty of room there for marketing to do there thing with regard to output watts. In the interests of longevity and reliability, I suspect the 300watts rating is nominal and probably the most honest output specs the module can achieve in real world applications and use without a high failure rate. I own an amp with this module and it's sold as per the ICE Power 300watt rating which I feel is reasonable and accurate. It feels like 300 watts at 4 ohms with no weak wattage. @agedhorse is probably in a unique position as a knowledgeable designer to give insights into how off the shelf amplifier module components and specifications translate to real world performance in products he has had a hand in designing. I'm Assuming Mesa doesn't use proprietary class-d designs like Markbass do? It would be very interesting as an example to have an insight in to how the subway class-d product output power ratings were specified and the technology they use... eg the D350 and the D800. Good question. Spec sheets are simplistic guides for what an average designer might expect to achieve when designing around it, but there are a lot of specs that are not on the spec sheet because they become more application specific and depend on the skill and experience of the designer in order to exploit more performance. For example, one of ICEPower's older module families did not specify 4 ohm BTL operation and in fact warned against it, yet in spite of all the other manufacturers who had no first hand experience with the platform (and end users with even less knowledge and experience) expressing their doubt and prognosticating that it couldn't possibly work, that the amps would blow up by the thousands, I developed a pair of simultaneous technique that we at Genz Benz/KMC received a patent for that allowed this module family to work without any issues (performance or reliability) into 4 ohms BTL. I worked with the engineers at ICEPower to validate the design (so that our contract could include ICEPower's warranty of an off sheet application), and we built close to 10,000 amplifiers using this technique and have had way LESS issues than other manufacturers attempting do do this their own way once they ran into the patent. These amps are now approaching 18-20 years old, and through my factory service program I replace maybe one or two power modules a year (less than 2% of amps serviced under this program need new module). This IP transferred over to Fender when we were acquired, around the same time that Fender introduced the Rumble V3 series. This is similar to how we obtain a 2 ohm rating on all of the Subway 800 models, 2 ohms was an off-sheet application that required design validation in order for the modules to be covered. Again, well over 10,000 amps with no problems. This is not accidental success, it's the result of understanding to a very deep level the underlying technology. Making a mistake in this sort of application can be very costly, in fact it can ruin a company, that's why we analyze and test and test and test... I typically use the 10% THD threshold in most of my bass amp models because there are elements and techniques that I use in both the preamp and power amp circuits to emulate various aspects of pre and power tube performance. Since tube circuit performance generally includes the addition of harmonic components (the particular harmonic series that's generated varies depending on what's being emulated, the pre and power tube emulation is different too), these added harmonics show up in the output measurement as THD. Most players seem to prefer somewhere between 5 and 20%THD when driving their amps hard (towards rated power), so I chose a mid-point value that represents the average player's sweet spot. This agrees with the experimentation we did when using a Bass 400+ and allowing a group of players to drive the amp where they felt it was in their sweet spot, and it was all in the same 5%-20% range. This is exactly why there is a notation in the specifications that the THD number in the rated power spec includes preamp AND power amp, the rated power is with full context, it can't be separated out. 3 Quote
Leonard Smalls Posted 2 hours ago Posted 2 hours ago I remember back in the 80s a M8 of mine had an Amstrad Tower System that he proudly told me was 500W... It even said it on the box. But that was the only quoted figure, and it said in tiny letters, PMPO. So things haven't changed! By contrast, my hifi power amplifier comes with an individual test certificate for that particular amp, signed by the tester, which quoted a whole raft of figures for outputs at various loads and frequencies, slew rates and who knows what else+ the most exciting of which was 962W/ch @4ohms for 1KHz with THD <0.05%. There was also a 20 year guarantee, which has just run out! Quote
Twigman Posted 2 hours ago Posted 2 hours ago 23 minutes ago, Leonard Smalls said: There was also a 20 year guarantee, which has just run out! Caps will go pop any day now, no doubt. 1 Quote
Leonard Smalls Posted 1 hour ago Posted 1 hour ago 20 minutes ago, Twigman said: Caps will go pop any day now, no doubt. They're big fellas, two are about the size of a beer can! I suspect they'll be alright for a bit, the ones at BBC Maida Vale are still going and they're older and more heavily used than mine... Quote
TimR Posted 1 hour ago Posted 1 hour ago They're usually ok unless you keep your amp in the garage. Quote
tauzero Posted 1 hour ago Posted 1 hour ago 13 hours ago, agedhorse said: Agreed, there are lots of holes in your good intensions. It’s in part equating the numbers to real world performance is much more difficult than it appears. I was thinking in terms of relative measurements rather than absolute ones - an inexpensive and easily reproducible means of comparing amps, at distortion levels that those of us that don't like overdriven amps are happy with and at those that those who do like overdriven amps are happy with. Quote
lemmywinks Posted 59 minutes ago Posted 59 minutes ago On 08/02/2026 at 01:20, tauzero said: Still managed to blow an Eminence Deltalite 2510 mk2 with it (poxy "Made in USA" rubbish, give me reliable Chinese stuff any day). I blew the same driver with a LMII (8ohm nominal load) and the volume at what I thought was a sensible level. Looked online to check how much replacements were (paid about £55 for it new back in the day) and had a bit of a cry. Quote
tauzero Posted 44 minutes ago Posted 44 minutes ago 13 minutes ago, lemmywinks said: I blew the same driver with a LMII (8ohm nominal load) and the volume at what I thought was a sensible level. Looked online to check how much replacements were (paid about £55 for it new back in the day) and had a bit of a cry. You have my sympathy. It does point to that speaker not being suitable for, well, anything, except as a large and very expensive paperweight. Quote
lemmywinks Posted 18 minutes ago Posted 18 minutes ago (edited) 25 minutes ago, tauzero said: You have my sympathy. It does point to that speaker not being suitable for, well, anything, except as a large and very expensive paperweight. I had mine in a 1x10 cab and it was actually brilliant, blew it with a massive peak of high frequencies doing silly popping rather than over excursion with really low bass. It dealt with a full band practice but couldn't handle my p155 poor Flea impersonation. Managed to replace it with a Basslite scored for under £30 off eBay back when they weren't also crazy expensive. Edited 18 minutes ago by lemmywinks Quote
Phil Starr Posted 11 minutes ago Posted 11 minutes ago 18 hours ago, tauzero said: I would suggest that rather than using actual noise (antisocial and not necessarily easily reproduced), a better approach would be to create a dummy load that would emulate a speaker and measure the voltage across that to establish output power. A crucial point would be a means of measuring THD and maybe have two sets of measurements, one at 1% THD and one at 10% THD. Then do four plots, two with tone controls set at 12 o'clock at 1% and 10% THD respectively, and another two with tone controls set where they give the flattest frequency response (and document those settings), again at 1% and 10% THD. This is just off the top of my head, I'm sure there are lots of holes that can be picked in it. I think that by 'noise' we mean pink noise, electronically produced random noise filtered to mimic music content. The idea of hundreds of watts produced by 50 bass players all playing different things... No, wait,that is a Bass Bash 😁 Quote
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