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Big Muff Bass PI vs Audio Source Aftershock


chris7273
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HiĀ 

I am not a pro for effects and I only use three for the songs of our band setlist : a Big Muff, a Boss OC-3 octaver and a TC Spark Booster. The octaver is only used for Uprising ans sometimes at home for my own fun.

I plan to buy an Audio Source Synth C4 just for me because I like the sound ofĀ the eighties šŸ™‚Ā 

But it seems that this pedal can also emulate an octaver : interesting as this could replace the OC-3 on my tiny pedalboard.... and then why not replace the big muff that generates some noise by the Aftershock ?Ā 

Is the aftershock a good alternative to the big muff ?

Thank you for your return of experience šŸ™‚Ā Ā 

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I never tried to make the Aftershock sound *exactly* like my big muff, but I got in the vicinity without trying very hard. It is super-tweakable (even too much! :D) so if you want it to sound just like it, I am pretty confident with a few tweaks on the Neuro app (which opens up a lot of additional parameters) you can get it to sound much like it. It can do anything, it seems.Ā 

Ā 

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The C4 does have some drive capabilitiesĀ and,Ā depending on your needs, it might be enough. The Aftershock has waaaaay more drive models and tweakable options though. I wouldnā€™t be using the C4 as a standalone distortion if I had other options, personally. HereĀ are someĀ screenshots of the C4ā€™sĀ drive parameters:

8A43CBF1-5ABA-4183-9E9A-971E564598CE.thumb.jpeg.f8716710a989714f84821e5af86c3878.jpeg4EEED5AF-6E27-4FCC-B1BB-05FDBE6C4A05.thumb.jpeg.6f9789538860dd40186a3682a40784a3.jpegD99F6B9E-7BD2-49CB-BF14-3D9B2FB34AA0.thumb.jpeg.d9449cc468973254d5e9a656bcb3fbcd.jpeg

Edited by CameronJ
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The Aftershock has way more drive-specific control, as well as way more drive models which are designed to sound good standalone with a bass or guitar signal -Ā many of which are modelled on actual pedals. In fact, it actually has a Bass Big Muff Pi model! So Iā€™d be going with the Aftershock if I were you.

Edited by CameronJ
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I got better sounds from the Aftershock than the BBM! Being able to blend it in parallell with a RAT or a Darkglass style drive gives you a lot more options.

I didn't like the low gain overdrive sounds of the Aftershock, but it was great for heavy fuzz/distortion.

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Got a C4 a while back and yeah.... itā€™ll do ā€œclose enoughā€ Muff. Iā€™ve got a pretty good copy of my EHX Deluxe Pi going on.... I reckon itā€™ll be indistinguishable once the drums and guitars are on top.

Plus itā€™sĀ going to mean the end of my EBSĀ Octabass and MXR Filter.... if you canā€™t find an octave and/or filter sound you like from the C4 then youā€™re just being difficultĀ šŸ˜€

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Great. Thank you for your experience sharing. I think I am going for the C4 and thenĀ add The aftershock if I donā€™t get the sound I want. I am not Too ā€œdifficultā€ and once he heavy guitars and drums are there I feel that all the finesse is lost šŸ˜€

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17 hours ago, chris7273 said:

Thank you. I donā€™t want an exact copy :Ā if itā€™s close enough thatā€™s good for me.Ā 
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Ā 

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Then you'll like it. It gets VERY close with minimum effort without getting into deep menus or anything, just from the default parameters accessed on the pedal controls.Ā 

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  • 1 month later...

Something about the Aftershock didn't do it for me. I bought it to replace a big muff and an overdrive but I found it wasn't quite as good at either of them - very close though. It's a good versatile pedal but perhaps jack of all trades and master of none?

Possibly that's me being unfair and its a mental thing: I might have been put off by too much choice and endless fine tuning - too much mucking about via laptop and phone when I'm trying to get away from them when playing Bass. It gave a feel of being clinical rather than soulful/musical analog pedals that you learn idiosyncrasies and what works with them in a way that feels more like learning a musical instrument than how to programme software.Ā Ā 

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