Chopthebass Posted August 31, 2020 Share Posted August 31, 2020 I am curious to know if anyone owns a multi-scale bass (fanned fret) and also regular parallel fretted basses. Do you have an issue switching between the two? I have messed around in music shops on multi scale Dingwalls and they are very easy to adjust to. Just wondering if hard adjusting back the other way. Quote Link to comment Share on other sites More sharing options...
Paulhauser Posted August 31, 2020 Share Posted August 31, 2020 I have no fanned fretted basses in my possession right now. But I have owned a Dingwall ABZ5 for a few years while I was also owning and using 'normal' fretted basses like a host of Spector basses, a Sadowsky and Ibanez SR Prestige basses. I have gigged the latter ones but for some reason never the Dingwall but I have used them all pretty evenly for practice, writing etc. I personally have never had an issue switching between the Dingwall and my other basses. It was never even a thought, using/switching the fanned frets vs the parallel ones was just as natural as grabbing one form the rack and playing really. 1 Quote Link to comment Share on other sites More sharing options...
Rexel Matador Posted August 31, 2020 Share Posted August 31, 2020 I just built a multiscale 4 string - 900mm to 850mm, with the perpendicular fret at the 7th a la Dingwall. I leave it in the rehearsal room, while all my other basses at home are standard frets, 34 inch scale or shorter. I've had no problems switching between the two - it's really not that much of an adjustment. 1 Quote Link to comment Share on other sites More sharing options...
therealting Posted August 31, 2020 Share Posted August 31, 2020 I have several fanned fret instruments - I’ve had three Dingwalls (still have a Super P), have a RedSub fanned six string bass, and also have several fanned fret guitars (an Avian acoustic, two Ibanez acoustics and an Ormsby electric 7 string). I don’t find I have any issues switching between them, but some things are easier on fanned and some things easier on parallel. I find it easier than going from lo to short scale to be honest. 1 Quote Link to comment Share on other sites More sharing options...
Woodinblack Posted September 1, 2020 Share Posted September 1, 2020 I now mostly play either a Shuker parallel fret or an ibanez fan fret. I have no problem going between the two. Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted September 1, 2020 Share Posted September 1, 2020 I have a 5-string Dingwall (32in-35in scale fan-fret) and two 4-string Precisions (regular 34in scale) and have no problem at all switching between them, even in the middle of a gig. The only time I have to do anything different on the Dingwall is when going from the D to G string on the same fret from about the 14th fret upwards, where I have to remember to compensate for the slant, otherwise I end up one fret too high on the G string. Quote Link to comment Share on other sites More sharing options...
Machines Posted September 1, 2020 Share Posted September 1, 2020 I have a fanned fret 6, and 2 normal 5 strings (34" and 35" scales). After playing the multiscale for a while and going back to the normal, it feels a lot easier, but didn't feel hard on the former. Going from parallel to fanned after a while feels weird, but the adjustment is pretty quick and improves with familiarity. Quote Link to comment Share on other sites More sharing options...
Woodinblack Posted September 1, 2020 Share Posted September 1, 2020 4 minutes ago, Machines said: Going from parallel to fanned after a while feels weird, but the adjustment is pretty quick and improves with familiarity. Thats weird, I get it the other way round. Going from parallel to fanned seems fine, but going from fanned to parallel feels a little odd for a bit until I get used to it. Does depend on what I am playing though, if I am playing higher up the neck the transition to parallel from fanned seems awkward for a bit. Again these are only minor things. I think if all my basses were fanned, that would be the ideal. Quote Link to comment Share on other sites More sharing options...
Machines Posted September 1, 2020 Share Posted September 1, 2020 (edited) 1 hour ago, Woodinblack said: Thats weird, I get it the other way round. Going from parallel to fanned seems fine, but going from fanned to parallel feels a little odd for a bit until I get used to it. It's mostly the scale length over fret angle I think, i'm going from a 34" to 36.25". Edited September 1, 2020 by Machines Quote Link to comment Share on other sites More sharing options...
Rexel Matador Posted September 1, 2020 Share Posted September 1, 2020 56 minutes ago, Machines said: It's mostly the scale length over fret angle I think, i'm going from a 34" to 36.25". I suspect it also depends where the perpendicular fret is. I put mine at 7 as I thought it would make things feel a bit more familiar at the lower frets, compared to having it up at 12 - seems to have worked. Quote Link to comment Share on other sites More sharing options...
Woodinblack Posted September 1, 2020 Share Posted September 1, 2020 1 hour ago, Rexel Matador said: I suspect it also depends where the perpendicular fret is. I put mine at 7 as I thought it would make things feel a bit more familiar at the lower frets, compared to having it up at 12 - seems to have worked. The perpendicular one on the ibanez is around 5 Quote Link to comment Share on other sites More sharing options...
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