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"all I nil" - work in progress bass/drums/vocals psychedelic progressive stoner rock/metal solo project, and something about my 5 string Ibanez Mikro Bass! (Now with some actual sound clips!!!)By Baloney Balderdash
Here is the Ibanez GSRM25 5 string Mikro that I mentioned in the "Show off you short scales" thread, where I posted a picture of and talked about my main 4 string Ibanez Mikro Bass:
It got a poplar body and a maple neck with a jatoba fretboard, and I also did some visual mods on it, among other added a silver lotus flower decal with an OM sign in the middle and painted the pickup covers grey, the 2 stock J pickups I wired in series directly to the output jack socket, bypassing the pots, which means that the knobs and the switch are just there for the sake of being decorative.
To be honest, in my opinion, as the pickups were wired from stock they sounded like crap, no matter how I adjusted them, they sounded like a caricature of the famous Jazz Bass burp, a really over emphasized burp there was no way of getting rid of, on top of them just sounding somewhat underwhelming and anemic, except, as I found out by wiring the pickups in series, which not only got rid of the ludicrous bad sounding burping sound entirely, but actually also made them capable of a genuine great full sounding tone overall.
Otherwise this bass was perfect from factory, and I mean absolutely perfect, just to mention one example I would be able to get ridiculously low action if I wanted to without any fret buzz whatsoever, the frets are just dead on perfectly leveled.
On the particular picture above it was actually strung with the 5 lightest strings of a 6 string D'Addario set, gauge .100 to .032, but I later put on the Ernie Ball set meant for Bass VI type instruments, using the 5 lowest strings, gauge .090 to .030, and tuned it F# to D, as in F# standard tuning, 2 half steps above regular 4 string bass E standard tuning, threading the strings through the cut off ball ends of some old bass strings I had, to be able to fit it on the bass's bridge, since those Ernie Ball strings have guitar sized ball ends.
I intend to use it as the main instrument for some songs in the making for a sort of progressive psychedelic stoner rock/metal solo project I am working on called "all I nil", which is supposed to have the fundamental, primary, instrumentation consist of just bass, programmed and physically recorded drums and various percussion, as well as vocals, though a much more sparingly use of additional instrumentation, like for instance programmed or physically recorded organ/synth, piano, electric or acoustic guitar, cello, flute, glockenspiel/bells, as well as eventual more ambience based effects, will be added for certain parts of the songs, restricted to fill out a, in no way dominating, fundamental or essential, more flavor oriented, secondary function.
I am still working on my setup/rig for this thing, but one thing that is certain is that an octave up effect will be added to my bass signal, sometimes with separate effects used respectively for the octave up signal and the regular bass signal, sort of giving an effect similar to a 10 string octave bass with pairs of bass and octave strings, just with the advantage I get from doing it this way of being able to process the bass and octave up signal separately.
For this I am using a TC Electronic Sub 'n' Up Mini, which seems to actually work really well for this, as good as flawless and super fast tracking, and in my opinion being capable of sounding more natural/realistic than for instance the EHX POG pedals, which tend to have a slight somewhat organ or synth like quality to the octave up signal.
Pitching your signal up a whole octave is always going to sound somewhat artificial though, no matter how well it is processed, but it has actually still worked surprisingly well and sounded reasonable naturally in my preliminary test runs of this idea, and adds a lot of extra sonic space and flavor, exactly as will be needed for this project, where my bass is going to be the main, and most of the time only, instrument that carries the melodic content of the tracks (well beside the vocals of course).
Other than that heavy thick distortion with fuzz like qualities mixed with a bit of clean signal, and secondarily chorus, flanger and phaser, will see a lot of use for this project.
Just in the process of figuring out which kind of setup will give me the best results for what I have in mind currently, and so far only got fair deal of the basic bass parts down so far (I believe I more or less got the bass parts and final form for 4 to 5 tracks at the moment), then when I got my setup perfected the actual recordings can start, then the programming of the drum/percussion parts and eventual additional flavor instruments comes, and eventually writing the lyrics and getting the vocals laid down.
All in all I think at least another 6 months, very likely even more, before I got an EP, or less likely a full length album, ready for release on Bandcamp and various online digital music streaming services and shops, perhaps even a self released physical version, but we'll see about that when it eventually that time comes.
Here's a short sound sample of a preliminary distortion tone, using some riffs I have been working on for this project (notice that if you are not logged into Dropbox a box might pop up when you click the link, encouraging you to sign up, blocking for the audio player, in that case you just click somewhere outside that box and it will disappear, making the audio player accessible):
https://www.dropbox.com/s/8m02vfjf7dv5ojx/all I nil - New Distortion Sample.mp3?dl=0
And here's a couple of older very rough takes of 2 songs in the making, respectively with the working titles "3rd Eye of Hypnos" and "In Orbit", playing both of them in a bit faster tempo than was is really intended ("3rd Eye of Hypnos" since this recording having had a much melodically expanded variation of the intro and outro riff added) :
https://www.dropbox.com/s/3u06k5cct75coi9/all I nil - 3rd Eye of Hypnos.mp3?dl=0
https://www.dropbox.com/s/7f5wbstq5wh318w/all I nil - In Orbit (Take 2 F%23).mp3?dl=0
Please note that the above linked to recordings are fairly old, recorded directly and not with a miked up amp or any form of amp emulator added or other post production done to them, as well as this was a preliminary temporary setup, and as a result the tone/sound of these recordings are admittedly pretty crappy, and pretty seriously far from how it is actually eventually going to sound after I have managed to find just the right pedals for the effects I intend to utilize, just the right setup for these, recorded with a properly miked up amp, and having been edited, mixed and mastered properly, it is not even remotely close to how it eventually is going to sound live either, as it, already at this point, where I haven't actually found just the right setup that I am 100% satisfied with, sounds way way better than these recordings, but thought those crappy sound snips might still be able to give you at least some idea of what I am heading at with this project.
Did ANYONE ever buy an Ibanez Artcore AGB205-DVS? I’ve searched high and low on eBay and Reverb and AliExpress and elsewhere, and cannot find one for love or money! Was it a limited-edition only (what years?), or so good that no-one wants to sell, or so bad no-one ever bought one? Please help!
Thanks & keep thumping,
By Lukasz Chyla
The Ibanez Bass Workshop SRMS805-DTW Multiscale Deep Twilight Flat is a first-class 5-string electric bass with a trendy multi-scale scale, whose broad and well-defined sound fits almost any music style. The 5-string not only offers a mahogany body with a chic Poplar Burl blanket, but also a playable Jatoba walnut neck with a fan-shaped Panga panga fingerboard. In addition, two Bartolini BH2 pickups with Ibanez Custom Electronics 3-band tone control take over the electrical sound conversion for versatile sound images. Last but not least, the Ibanez SRMS805 has five Ibanez MR5S single bars and precise Ibanez bass mechanics.
With multi-scale scale to a cleanly defined tone
The most striking feature of the Ibanez SRMS805-DTW Multiscale Deep Twilight Flat is undoubtedly the construction with individual scale for each string, which rises from 34 inches for the G-string to 35.5 inches for the low H-stringand results in the strikingly fan-shaped frets of the Panga Panga fingerboard. Due to the principle known from the piano, each string vibrates at the optimal length for its tuning, so that every note sounds cleanly defined. At the same time, the balanced string tension ensures comfortable playability in all positions.
Ibanez SRMS with typical sonudgear playing comfort
In addition, the Ibanez SRMS805, representing the Soundgear design, offers a high level of playing comfort and a perfectly matched selection of wood. Accordingly, the body is made of mahogany with typical ergonomic lines and provided with a top of intensively grained Poplar Burl, which is set off by a decorative walnut veneer. The fourfold bolted neck is also made of five stripes of jatoba and walnut, with the slim "SRMS5" profile lying comfortably in the hand.
Bartolini pickups and active 3-band tone control
The Ibanez Bass Workshop SRMS805-DTW Multiscale Deep Twilight Flat is equipped with two Bartolini BH2 pickupsfor electrical sound conversion. As passive humbuckers with a narrow magnetic field and blade pole pieces, the pickups deliver a finely articulated bass sound that brings every note with a firm bass foundation, powerful mids and clear highs to your ears. In addition, the Ibanez Custom Electronics 3-band tone control is available, which allows particularly precise tuning of the sound image with a semi-parametric mid-band. The EQ bypass switch can also be used to deactivate the tone control and passively play the bass.
High quality Ibanez hardware
Last but not least, the Ibanez Bass Workshop SRMS805 is equipped with high-quality Ibanez hardware. Five Ibanez MR5S single bridges are used on the body, not only guaranteeing an optimal adjustment of intonation and string position, but also making it possible to adjust the string spacing. In addition, the mutual decoupling of the strings supports a defined sound development and an even sustain. In addition, five Ibanez die-cast bass tuners ensure precise and stable tuning.
The Ibanez Bass Workshop SRMS805-DTW Multiscale Deep Twilight Flat at a glance:
5-String Electric Bass from the Ibanez Bass Workshop Series Soundgear Multiscale Design with 34 inch to 35.5 inch scale (864 mm to 902 mm) Mahogany body with two-ply walnut and burl poplar top (Poplar Burl) Screwed, five-part jatoba walnut neck with "SRMS5" profile Panga Panga fingerboard with Fanned Frets Two Bartolini BH2 pickups and neck and bridge position Active Ibanez Custom Electronics 3-band tone control with semi-parametric mids and EQ bypass switch Five Ibanez MR5S single bars Ibanez Die-Cast Bass Tuner It's in great condition, fully setup, easy to play, open to trade for 6 string.
By Lukasz Chyla
The 2004 SR900 has a neck through, which is pretty cool, but the coolest feature is the body, it's made of solid tiger striped maple.
Incredible in this price range. Incredible in all price ranges!
Great condition, fully setup, easy to play!
By Lukasz Chyla
FS: Ibanez GWB35
It's in good condition
Neck type: GWB / 3pc Maple neck
Top/back/body: Basswood body
Fretboard: Ebony fingerboard / Off-set white dot inlay
Bridge: Std. bridge
String space: 16.5mm
Bridge pickup: SFR-GWB bridge pickup (Passive)
Equaliser: EQB-GWII 2-band EQ
Controls: Volume/ Bass Boost/Cut/ Treble Boost/Cut