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Everything posted by EBS_freak
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Re backup Isn't this true of anything though... If your PA goes down, how are you gonna hear the singer?
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[quote name='lowhand_mike' timestamp='1464813715' post='3062888'] we go through the pa post eq if we are doing a larger gig but most is vocals and maybe a bit of drums (mostly kick) through the pa for normal gigs. we have been trying IEMs but i'm not keen yet but that may just be getting the settings right. Would i do away with my rig behind me? i dont think so, feeling the bass as well as hearing it is just as important and if it only going through front of house then i'm not going to feel it. Just my opinion of course [/quote] Feeling bass all depends what you are running foh. There are ways of getting the feeling of bass back if you find it lacking - by using things like a pleasure board. If you want some pointers, there's an excellent thead in the Misc section of the forum.
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[quote name='sunburstjazz1967' timestamp='1464798333' post='3062683'] McCartney, King, Flea, Sting, that u2 bloke that would play through a Saisho tape player from the 80s if you put his squiggle on it? [/quote] [color=#282828][font=helvetica, arial, sans-serif]Also... I would like all those that googled the above names upon reading this thread to put their hands up... :-p[/font][/color]
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Yes. PA provides front of house. IEMs provide my monitoring however. I split the input to channels on the digital desk so I can EQ for my inears and EQ for front of house. I sometimes use a Microbass 2 before the desk... but have found the tone shaping on the desk usually enough to give me exactly what I want as the EQ is a lot more powerful than any analogue solution. It's only if you are into running drive, fx loops etc, that I would say a preamp before the desk would be useful. Otherwise, if you are a plug straight in kinda guy, than just plug straight into the desk. I would wager that nobody would be any the wiser if you were using your Avalon or not. Sack off the Avalon and buy some proper IEM inears, moulded preferably. My preference now is certainly big PA (think two full range tops and subs - or at least top end 15s) and as little backline as possible. Your band will sound better if you let your PA do the work. How many gigs have we been to in smaller venues where if you stand at the front, the guitarist takes your head off... yet if you stand at the back of the room, you can't even hear the guitar as the bodies of people are doing a great job of absorbing it all? Well, let your PA do the work - problem disappears.
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[quote name='discreet' timestamp='1464794255' post='3062635'] I notice one or two members who usually like to chime in on a Barefaced thread are here conspicuous by their absence. [/quote] I hope you aren't referring to me! Sorry for the lack of input today, I'm still trying to figure out when a 4x10 is not a 4x10 -I don't think the addition of a LPF on one column is going to cause a stir in any patents office. And to be fair, I usually stay out of bf threads nowadays. It's all been done before... a bit like 1x10s, 2x10s, 4x10s, 8x10s...
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[quote name='SwamiRob' timestamp='1464762548' post='3062192'] Anyone got any suggestions for affordable but not awful patch leads? I'm only using 5 cos my board is just 3 pedals linked together for an elaborate always on overdrive sound, however if they're 10 each I'm not sure I can manage that at the moment. [/quote] Stick with what you have until you can afford to replace them. (Unless of course, they are already knackered!)
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[quote name='sunburstjazz1967' timestamp='1464699122' post='3061524'] Oh yes very nice. Those 745s on their own would kill most bass rigs but people are obsessed with having their own big rig to stand next to! [/quote] You wouldn't even need any monitors would you? Or is that fishful thinking?
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Just in case it was missed - "Having said all that, congrats to Alex for landing TC. That's got to be an exciting prospect" - me. I doff my cap for the landing of such a player. I don't know who'd be jealous - apart from another cab manufacturer? I certainly don't care what TC is playing through and have no vested interest.
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[quote name='discreet' timestamp='1464725952' post='3061955'] Wow, great news! Congratulations, Alex!! Wait a minute... Didn't someone on this forum say that internationally-famous professional bass players won't have heard of Barefaced and would never buy their gear even if they had? And that most Barefaced customers were actually BassChat members??* *Yes, they did. Just to be clear. [/quote] Let's focus on the "most" word in that sentence. Anybody would think Ampeg has just lost their whole artist roster! Also... I would like all those that googled TC's name upon reading this thread to put their hands up... :-p Did TC buy this rig? And if he did, did he pay full retail?
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[quote name='warwickhunt' timestamp='1464712703' post='3061730'] I'm confused; so he's playing through the industry standard 8x10... that is an Ampeg rig isn't it? [/quote] Indeed - so the biggest endorsement to date is based on 10s - which Alex originally said were fundamentally flawed! OK - only one column is producing treble to mimic that of a PA line array - but going from the mics, the sandman couldn't careless about that! Having said all that, congrats to Alex for landing TC. That's got to be an exciting prospect.
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Heft - from heavy amp, or from lightweight amp & pedals?
EBS_freak replied to Lozz196's topic in Amps and Cabs
[quote name='wateroftyne' timestamp='1464712955' post='3061731'] A better test would probably be a gig. Any benefits in the dynamic (imagined or otherwise!) would probably be lost in a half-empty room. Personally speaking, I'm under no illusion - the whole concept of 'heft' is lost on the audience. It's about the tactile feedback of standing in front of your cab, feeling the notes. [/quote] Completely agree. Indeed - the feedback you get from playing your bass and what comes out of the speaker next to you, doesn't track with the audience because they aren't involved in the playing aspect. -
Nice work. Whats the synth?
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I quite like the Neutrik clear rings you can buy so you can label on the XLR. Very useful when presented with a loom box and a shed load of identical looking cables!
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Go with OBBM's classic tweed!