dudewheresmybass

break like the wind - spinal tap

augmented reality - crypto girls

the winner takes it all - abba

nazi punks f##k off - dead kennedies / napalm death

go go dancer - Lana del rey

supernaut - sabbath

thank you for the music - abba

ten storey love song - stone roses

Oxygene - Jean michel jarre

I’ve been very fortunate to play most of the basses I’ve listed after, but there are a few still left A bc rich wave Gibson explorer and v aria an black and gold and/or cb A Rick modded in a similar way to cliffs

night has a 1000 eyes - bobby vee

when I asked those in the know at ashdown when it was in development, they said yes. however, when I tried a production model I thought it was pants lol Others may have a differing opinion lol I now use the mxr BOD

empire - queensryche

welease wodger

the ripper - judas priest

from a quick google search, that tool appears to hold the inside of the socket whilst tightening the nut. Should do the trick

two hearts - Phil Collins

Angry chair - Alice in chains

That bridge looks gorgeous

Summer NAMM has been less significant traditionally than the winter edition from what I've read, and therefore a lot of producers seemed to concentrate primarily on the Feb exhibition

@Cosmo Valdemar's bc rich and a harris preamp

cat scratch fever - edward nu gent

Gangsta's paradise - Coolio

I've listened to it a fair bit since it arrived on the doorstep. There are some interesting songs there, but nothing WOW. Lars' rat-a-tat snare stuff got really tiring and the volume/ eq of them cut across everything else (I guess we know who spent most time at the studio and signed the cheque) Some of the tracks had real potential, but either threw away the best riffs or were just too long. All IMO etc....