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Everything posted by Earbrass
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Be good to hear more. Nice work.
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Which bassline inspired you to pick up the bass?
Earbrass replied to skej21's topic in General Discussion
[quote name='Doddy' timestamp='1330614235' post='1560405'] I'm sure that the majority of people that will turn up (which I'm guessing will be mostly teenagers)will instantly recognise it and be inspired. [/quote] OK then, how about the "Deal or No Deal" theme? -
Which bassline inspired you to pick up the bass?
Earbrass replied to skej21's topic in General Discussion
Lord Of Light (Hawkwind - Space Ritual) might be suitable. Good bass riff but pretty simple. -
Finding *THE* bass - following from the 'end of GAS' topic...
Earbrass replied to Gust0o's topic in General Discussion
"To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world....” ― [url="http://www.goodreads.com/author/show/1020792.Antoine_de_Saint_Exup_ry"]Antoine de Saint-Exupéry[/url] Perhaps it's not about waiting for "the one" to appear, but about making the one you have "the one" by getting to know it inside out. -
Finding *THE* bass - following from the 'end of GAS' topic...
Earbrass replied to Gust0o's topic in General Discussion
I think there's a lot to be said for sticking with one instrument as far as possible - getting so familiar with its feel and sounds that you forget the instrument and concentrate on the music. -
Try asking [url="http://news.bbc.co.uk/1/hi/7371959.stm"]this[/url] chap?
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[quote name='Jam' timestamp='1329495570' post='1543412'] Just recorded this for a friend. The new floor in the conservatory has given the room some great acoustics. Just a little bit of a longer piece but you get the idea! [/quote] What a fabulous sound. [quote name='silddx' timestamp='1329953080' post='1550495'] This isn't a video either. I recorded it on a 4 track Fostex X-26 about 20 years ago. Drums were programmed on an Alesis HR16, bass was a Bass Collection SGC Nanyo DIed through a Marshall JCM900 twin combo, guitar was the same amp and an Aria Pro II super Strat with a Kahler. [url="http://soundcloud.com/silddx/no-feet-allowed-1992"]http://soundcloud.co...et-allowed-1992[/url] [/quote] I rather like that - especially the second half. You're really quite good at this guitar lark, aren't you?
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I sold Thomas a Crate Powerblock amp. Nice guy, great comms, no problems. Deal in confidence.
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I do find it annoying when newbies post their stuff for sale and then bump their ads several times a day - I see that as disrespectful to other forum users.
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What is wrong with modern bassists?
Earbrass replied to achknalligewelt's topic in General Discussion
[quote name='Mog' timestamp='1330018487' post='1551571'] Come on Nige, thats comes across a bit condescending. [/quote] Only a bit? Must be one of his good days. -
What is wrong with modern bassists?
Earbrass replied to achknalligewelt's topic in General Discussion
Nice one Skank. -
CRATE CPB150 POWER BLOCK: 150W Amplifier: ***SOLD***
Earbrass replied to Earbrass's topic in Amps and Cabs For Sale
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I think it depends why you are playing. If you are trying to earn your living from music, then it might be worth sticking at the db because it's a rarer skill and may get you more paid gigs. If you are primarily playing for the love of it, then I'd say play the instrument(s) that you feel enthusiastic about.
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CRATE CPB150 POWER BLOCK: 150W Amplifier: ***SOLD***
Earbrass replied to Earbrass's topic in Amps and Cabs For Sale
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Sold Ron a Boss Drum machine. Instant payment, good comms, no problems. Recommended.
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Knowing when to stop.
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Zoom 505II guitar effects pedal. £20
Earbrass replied to matt-bass-sparkes's topic in Effects For Sale
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CRATE CPB150 POWER BLOCK: 150W Amplifier: ***SOLD***
Earbrass replied to Earbrass's topic in Amps and Cabs For Sale
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[quote name='discreet' timestamp='1328711663' post='1531495'] I seem to recall a book called 'Canterbury Rock', but I can't remember any details about it... I'll Google it later, or maybe you can Len, I gotta go do the school run! [/quote] How's your Italian? http://www.amazon.co.uk/Canterbury-Rock-Robert-Machine-Hillage/dp/123262750X/ref=as_li_wdgt_js_ex?&linkCode=wsw&tag=bumblebeecons-21
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Don't know about books, but I would strongly recommend also getting the "BBC - RADIO 1967 - 1971" CD compilation - worth it for the fabulous "Top Gear" live version of Moon in June alone. Also, Vol 2 is a brilliant album. http://www.youtube.com/watch?v=5L-Ylf4UV1w&feature=fvst
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[b]SOLD: BOSS DR880 Drum Machine : £130 posted within UK (£120 collected from SE London)[/b] **ONE OF THESE JUST SOLD ON EBAY FOR £147 + £12 p&p - HENCE NEW LOWER PRICE ** In excellent condition. Complete with original box, user manual and power supply. Extremely powerful drum machine, with very capable guitar/bass multi-fx thrown in. These are £415 new, but since this one is a few years old, the cardboard box is slightly tatty, and the PSU is two-pin and needs a shaver-adaptor (included) to plug into a 3-pin socket, I'm offering it at a basschat-friendly £130 posted to a UK address. [indent=1][i]- 440 world-class drum and percussion sounds, 40 bass sounds with COSM bass-amp models[/i][/indent] [indent=1][i]- Three independent insert effects (EQ and compression), TSC (Total Sound Control) featuring 3-band EQ and high-quality ambience[/i][/indent] [indent=1][i]- 1,000 patterns (500 preset, 500 user); easily add fills, ghost notes, chord progressions, and more[/i][/indent] [indent=1][i]- 20 velocity-sensitive pads[/i][/indent] [indent=1][i]- Guitar/bass input, plus multi-effects and COSM amp models[/i][/indent] [indent=1][i]- 100 effect patches (50 Preset, 50 User) for electric, acoustic, and bass guitars[/i][/indent] [indent=1][i]- Four assignable footswitch and expression-pedal inputs[/i][/indent] [indent=1][i]- Digital and individual outputs; USB port for importing SMFs[/i][/indent] [b]Details from the BOSS website [/b]: [url="http://www.bosscorp.co.jp/products/en/DR-880/"]http://www.bosscorp....ucts/en/DR-880/[/url] [b]On sale at Amazon[/b]: [url="http://www.amazon.co.uk/BOSS-DR880/dp/B000YENUZE/ref=sr_1_1?ie=UTF8&qid=1328615748&sr=8-1"]http://www.amazon.co...28615748&sr=8-1[/url] [b]And at GAK[/b]: [url="http://www.gak.co.uk/en/boss-dr-880/1254?gclid=CN6d5KDqi64CFQwgfAod1GHZ3w"]http://www.gak.co.uk...CFQwgfAod1GHZ3w[/url] [b]Pictures: [attachment=99431:DSCN1829.JPG] [attachment=99432:DSCN1831.JPG] [attachment=99433:DSCN1832.JPG] [attachment=99434:DSCN1835.JPG][/b] [b]My feedback[/b] : [url="http://basschat.co.uk/topic/40763-feedback-for-earbrass"]http://basschat.co.u...ck-for-earbrass[/url]
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£33 to see what is really only a covers band
Earbrass replied to Blademan_98's topic in General Discussion
[quote name='musophilr' timestamp='1328545229' post='1528792'] There is indeed a difference, but if you respect the original musician for his feel and technique, then a good copyist must also have very similar if not exactly the same feel and technique. Natch, he lacks the originality, but originality isn't part of the spec. [/quote] And that is why the comparison between tribute acts and a virtuoso violinist doesn't hold water - any classical musician worth his salt is not merely copying another musician's performance.