ghostwheel

Can't you just call your authorities by phone and ask for help? In Germany, it wouldn't be a biggie for them.

The worst one in Germany. The courier will ask to pay their expenses and custom fees in cash (no credit cards, no PayPal, nothing else but cash) and then be sending invoices for the same sum every now and then. Those responsible for the mess cannot be reached by phone nor by e-mail. The other ones answering phone calls will know nothing and be unable to do anything. But of course, they will be very sorry, the bastards. Then, a couple of months later, there will be some stupid guy asking per e-mail for one's IBAN "to make sure that everything has been paid properly." Then they'll hopefully sod off and go touch grass. Bloody scammers.

10. buy Precision and play it almost always whilst buying and selling other ones.

You might also like B-15NC if you came across one (well, it'd be rather B-15 Heritage, but still). With a 60'ish P-bass it sounds delicious. P.S.: sorry for off-topic. My vote would obviously be for the Ampeg. I only tried an RB-110, so no experience with a way more powerful RB-210, but it sounded amazing. That thump as if there was a compressor for the low frequencies.

Well, at least, not Danish. It’s a kind of relief.

Sire P7 has the width at the nut of 38mm according to their web-site as well as Thomann's one.

Sire P7 would do. I'm just not quite sure whether it’s still considered as inexpensive.

https://www.jjtubes.eu/power-tubes/matched-Paired-four/7027-a-matched-quad

I think they got up indeed. Looking at pictures of fretless Ps some nasty people posted here, I finally bought a Tony Franklin one.

Stingray sounds gorgeous with Cobalts. And so does P-bass.

These are great strings, and the most opinions are sort of positive. But it depends on your technique, your mood, weather, and moon phase whether you like their sound or not. Give it a try, otherwise you'll never know.

In my humble opinion, it depends on a couple of things. First one, which strings you're playing. For example, I liked The Duke with Chromes 40-90, but it's nothing special with well broken in Sunbeams. And it's of some importance too, which Split-P you call "standard". Some people who know Fender Pure Vintage '63, say that The Duke sounds very similar to PV63, but not exactly the same. They say, it's got a little bit more mids. I'd say, it's jolly well worth a try as those don't cost an arm and a leg.

Well, on fretless, it jolly well does. 🍿🍿

A wonder that that lovely (Classic White?) Stingray hasn't left you for someone guitarless yet.

It's a blessing for fretless. I actually thought it would be rosewood (like it's supposed to be according to the database of Ernie Ball) until I got another one of which I knew for sure that it's got a Pau Ferro fingerboard. Plays nice, feels warm and looks good.