Toasted

Dr.Dave - I assume you'll be coming into Shipley station? It's about 10 mins drive from the Bash loaction. If you need a lift send me a PM and I'll reply with my mobile number and I'll give you a lift to/from the station.

Ste's got one in the post.... of course

[quote name='cheddatom' post='221492' date='Jun 18 2008, 04:10 PM']"yes, I realise I should take your advice about every aspect of my life because being older=being clevererer".[/quote]~ You have the same girlfriend as me?

[quote name='cheddatom' post='221353' date='Jun 18 2008, 01:20 PM']That's not very far (for me). I shall inquire with my girlfriend to see if i'm free.[/quote] It'd be cool to meet you.

If you can get a fair price here, it's better than ebay IMO. I sold my last G5 to a fella in the US for $350 + shipping.

The best, IMO bar none is the Analogman Mini Clone Chorus with Deep Mod. It's just supelative in ever way.

It's too hard to call. Some of the boss stuff is really great - and at least it's mostly "original designs" vs Behringer's blatant rip-offs.

I heard quite bad too, but Mr.Fleamail says it works well... I need to get to a shop and come up with the definitive answer.

How does it work on bass?

Julian, diago supply a range of adaptors.

£1000 is quite a high price in the current climate.

That would be an application . . . but there's no button on my unit. It just goes inline before the fuzz pedal - it's always on. No tap dancing here.

Thanks for the kind words

As ever, thanks for the advice - I like the way you're challenging how I'm thinking. The idea is nothing new, I don't even think Jack Orman could lay claim to it, especially when used in a stand-alone stompbox version. The point that I'm very badly trying to make, is that there's only really one way to raise the impedance of a guitar signal, and that's the way my box does it. The manual I've written credits Jack Orman with the spark that lit this idea up for me, I've got all my bases covered. If anyone would like me to make them one of these, please drop me a PM.

My idea is nothing "new" but it's the first time it's ever been used in this application. It, as everything in pedal form owes some debt to Jack Orman.

OC-3 is rubbish, but I really like the OC-2. It does thins wonderful glitch/warble sound when you play double stops.

Haunting Mids fuzz is really great. I can't believe that they're going on ebay for $500 now, when they were only built in 2007 at $101 a pop. I think I will sell them. It's something that noone else has done yet, and there's quite a bit of my intellectual property and a great deal of collective wisdom in it. It'll help alot of bassists as a tool, open up the option to get better sounds from more dirt boxes. I was thinking about charging something like £50 / $100USD.

I've had my first design tested (thanks Nick!) and that test came back positive, the reviewer said to me: [i]it does the job well for me, the wooly mammoth now sounding good when i run the vmj with u-retro into it.[/i] I've also put alot of work into making this as small as I can, and although it now takes 3 x longer to build one, it's in a L53 X W38 X H31 enclosure: I've really enjoyed this project, it's given me a great deal of insight.

If you're looking for EQ / Toneshaping why not get an outboard preamp? Something like the Aguilar or Sadowsky?

Glad you like it, Big Al.

They're the new arbiter stores. Says so on the email.