4 Strings

[quote name='4 Strings' timestamp='1330643257' post='1561053'] [/quote] Yep, click for certain tracks in a rock band I played in until recently to cope with synth pads. Just gave it to the drummer, meant a little more complication in sound set up and sound man cueing the click at the right time and a separate mix for his cans etc. Its a definite skill for the drummer (and he has to have a decent run at the count in - disastrous if he misses it!) Worked fine. Just to add that he had it insanely loud in his ears, not sure how healthy that was.

[quote name='Roland Rock' timestamp='1330615549' post='1560441'] I've asked this question before on this thread, but made a hash of it, so I'll try again: I have query directed towards those who believe that the type of wood makes a difference to tone: They say that the denser the wood, the brighter the tone - makes sense to me. People tend to say that a maple board is brighter sounding than a rosewood one, even though I'm quite certain that maple is softer/less dense than rosewood. Why is this? [/quote] Because maple is lighter in colour and so looks brighter and is expected to sound so. The string bears on the frets so the sonic difference of metal on metal set in dense wood or metal on metal set in slightly more dense wood is not going to be something I can notice.

[quote name='charic' timestamp='1330529541' post='1558916'] Ofcourse not, it's just that people usually know not to take me seriously so I have to explicitly tell them when I mean what I type [/quote] You're kidding!

[quote name='KevB' timestamp='1330448377' post='1557685'] This is probably the only community where most of us are watching the video muttering 'FFS Martha move over a bit' [/quote] Actually, not realised how pretty she is before (always just listened for the bassline - yes I think I am part of this community!)

[quote name='charic' timestamp='1330516884' post='1558616'] It's the risk you take when you order something that isn't available yet IMHO [/quote] I've already ordered the 1000W stereo version with colour option handle. STILL no news!

[quote name='charic' timestamp='1330528943' post='1558900'] Only a slightly serious note, I've tried some timbertone picks and they were actually great. Unfortunately I shredded them far too quickly [/quote] Are you insinuating the other posts aren't properly serious?

For what its worth, I got a message (after my badgering) that the Class D Bass500 has hit a bit of a hitch and will be delayed a couple more weeks. More fidgetty. I know its not been THAT long, but how long do I go before I just get a Mibass?

Is it one piece of toneplastic or is it a ply? I know the ply is lighter but no resonance. No resonance at all.

Yes, thanks Phil. I recommend reading both Phil's response AND the wiki explanation to try to make it sink in. I hate it when people brag about their Class A amp being better than a mere B, let alone a crappy Class D - but my skin deep understanding won't allow be to explain why that's wrong!

Trubass nylon tape wound (you only need to buy those once) for the Motown P and Swing Bass (or the much cheaper substitutes by Strings Direct) for everything else.

Thanks so much, always love to catch a rare glimpse of our hero in action. If you want another there's this one too: http://www.youtube.com/watch?v=PycKSdKG_74&feature=fvwrel Any others?

No. I think you make an interesting point about your Sei bass. Even if the wood had an audible effect with so many layers and sandwiches they would surely have been all but cancelled out, just as sandwich necks reduce 'dead spots'. Doesn't this sort of construction render the wood to aesthetic purposes only?

'Let's just do our own version'.

Funny how its the more expensive and nicer looking woods sound better.

Sounds like a combination. Frontman needs to learn to cover more and guitarist should need tuning less and tune quicker. Both need a kick - harder one for the guitarist though.

[quote name='Low End Bee' timestamp='1329469574' post='1542817'] Small world. I had to stuff that bloody green blazer in my Adidas bag for the first couple of years. It definitely wasn't the thing to wear on White City Estate! [/quote] Ha, Christopher Wren, like a West Ham supporter in Millwall!

[quote name='Low End Bee' timestamp='1329403170' post='1541930'] Former pupils at my school included Andy Fraser, Glen Matlock and Mikey 'Culture Club' Craig. Also former Brentford manager and professional swearer Wally Downes. [/quote] You must have gone to the same school (well, now part of a hospital) as me, Mike Craig was in my Technical Drawing class. There were others too, Glyn Leach was on bass on an album, Ian Mercer played bass on a professional album for a hit making singer - I'll think of her name in a minute.... And there's you and I! Clearly green blazers made good bass players.

Yes, was replaced in a jiffy by a younger, sprightly and altogether more appropriate bass player in a very noisy, american style rock band. No, the Motown band is my kiddie, the singers go out more without the band than with, but when the fees there so are we, however its my organisation etc. No, Gospel band is again my drive and organisation. Yes, church band needs an other bass player for the rota - any offers? Regarding those I lead, its a sign of a good leader where he can step down and other(s) stand in the breach. I wonder ...

Its certainly a characteristic time. I nearly always have others in the car so no lone reflection. Years ago it would be in one the many band vans we went through. All barely legal, rusty, faulty and crammed with gear and people. Got stopped more than once by the police and while we're sitting on eggshells aware of the faulty bits on the van the police were only interested in finding drugs. No problem there and were always sent on our way. Not a time for quiet solace in my experience I'm afraid. Maybe if I was a session player.

[quote name='deanbean502' timestamp='1329329616' post='1540806'] My band have a gig on Friday and initially the promoters communication was very poor until he needed a drum kit. As he hadn't been as forthcoming with us, we declined. He has now asked if we can bring a "bass amp" what a cheeky b*****d i thought. So I remembered this thread sent an email back and basically said I can bring my amp no problem, but its for my use only and the other bands would need to bring there own. I'm sure we are on first so why should I wait round after our set while other more established bands use our gear piss poor I think. Needless to say the promoter is yet to reply. [/quote] Its usually the last band on who has to share most gear. There's no point just saying 'no' to the promoter, he's just trying to put on a gig so you can play. Its not a bad thing to share your gear, most gigs is necessary. Just have to avoid the sort of situation of the OP. Organise things before hand and be respectful to others and their gear.

....and Tal?

Don't forget, Linus27, it was JB's guitar playing that your cleverly worked original post declared your love!

Do lamposts figure heavily in your life?

I'm really happy to listen to you guys who know him better then I (ie not at all). While I still couldn't see me wanting to buy an album of music written for three basses I would love to have had your experiences.

Yes, I agree with it all too, no pedals etc in my house - this is a lovely back slapping thread isn't it? However ...! There are some cracking musicians out there performing and creating great music which you just wouldn't have heard years ago. Things have developed and moved on and we owe it to those legends who pushed boundaries in their day to allow today's musicians to build upon what's now available.