I've used all 3. Compressor is on half. Drive to be used with caution, only a fraction but does the job. Sub is your typical Ashdown and is OK in small measures.
@dmccombe7 Your Xmas gigs sound ace. I've never manged to get those sort of festive gigs in my bands, lots of other great ones for sure, but you can't beat a great party gig this time of year.
Its been a while since I posted here so I'm due an update.
StingRay. Centre stage. My main bass.
Fender Squier. My practice & back up.
Aria Pro2 SB600 fretless.
Sterling by Music Man Sub Series.
Peavey Milestone 3.
Ashbory.
I love my 1990's 2eg 4 string Ray. Initially I had the week G string, but fixed it by adjusting the pole pieces too. I run it on full bass and 70% treble. Some light eq settings on my amp to suit but always a low mid boost. It cuts through the mix of our 3 piece band where the guitarist likes a muddy bassy sound. I get a lot of compliments on my sound and our drummer says it's the best sounding bass he's heard on stage. The neck is just right for me and it's such a joy to play.
I found her impressive. She wrote the chart out on the first listen and played her version of a bass line on the next listen. Ive seen a few of these on SBL and she did it the quickest.
The other girl (for Linus27) is Sharon Reynolds who is a very competent bass player herself.
I admire what you are suggesting. However, the thread is into many pages now and as we know people do not read through all the posts and many have a short memory. This was always going to happen with a thread like this, so just roll with it.