Cat Burrito

I always find Bristol to be one of the friendliest cities in the south of England, and last night we played the Hen & Chicken. We supported The Radio Makers at their album launch and had a great show. I got to road test my new Boss mini pedal board (it passed with flying colours!). My missus managed to offload the kids and come down to support us and I got to hang out with a bunch of old mates from my student days in the early 90s. The winner of the night though surely must be singer Nick's Mum, who at 86yrs old, travelled an hour to come and support us!

My father-in-law has loaned me his original Japanese Boss DC-2 from the 80s (boxed with till receipt). He won't sell it but he's pleased to see it in use. I wanted to have a small board for 80s Alternative stuff that I am playing locally in pubs. So I picked up a Boss BCB-30X and added the overdrive and tuner. I'm pleased with how it has turned out. Light and portable too.

This was the budget range Ric tried several few years back. The reputation was never as good on those models and whilst worth a few quid now, he's optimistic at that price.

I went from having two Fenders in heavy rotation (for over 15 years) until around the time of Bass forums, more basses than GAK stock at any given time through to a small handful (about 7) of different mid - higher end basses that I rotate. This is over a 35yr journey.

Where as Def Leppard broke records in October 1995 for playing in three continents in one day (thank you Wikipedia), we achieved the more environmentally friendly three shows in 24hrs in our local village! Thankfully as I was on mandolin, all the shows were walking distance so I just carried my small pedal board and mandolin around the village. First up was "The Crown" which was amazing for music a few years ago. Whilst stopping short at needing chicken wire, it wasn't a great start. Line checking, the sound guy asked one local who kept saying "turn down" (it's an experienced acoustic duo so nobody was troubling the neighbours). The second we had lost any edge or bite to the sound he proudly announced "Well, I wasn't going to stay anyway!" Needless to say, I just pushed that slider right up! We seemed to play to nobody, only to find out a fair few were sat outside listening. The bar staff charged me £4 for 2 lime and sodas just prior to going on too. They knew we were playing a free charity show for disadvantaged kids so I thought they could have waivered that but I just politely paid it. Such a shame overall though, as a few years back it was an amazing venue for live music. We then went on to "The Club". This is not normally open in the afternoon and was the one I knew would be a disaster. However, against all odds, there was a small but very enthusiast crowd. We both agreed that it was really enjoyable. We had some downtime between sets so stayed and watched the next two acts. As we left the barmaid made a point of coming over and saying how much she enjoyed the show. The final show was at our regular haunt "The Blue Boar" so I knew it would be well attended and fun. It was. Much like the Club, we were offered a free drink for providing our services for the charity. We had a family down the front who seemed to love our set. The Dad was straight up afterwards asking about our instruments and we chatted about growing up in the 80s. They were one step further, finding us on social media and writing some really nice comments. It was worth adding, the show was our first since launching our zombie inspired third single. So, although we did the show for charity, it was a good opportunity to plug our new video. And talking of which...

Channelling my inner-Peter Hook, I co-wrote and co-produced this. Out today on Ray Records and streaming worldwide everywhere! The excellent video is our 4th collaboration with Haunting the Atom. Probably file under Bauhaus meets Joy Division. We had a LOT of fun making this, from writing to recording and filming. The people involved are all friends of mine from the late 80s / early 90s. Thanks in anticipation to any of you that can spare 3 minutes 39 seconds of your day to watch this.

Having had a year entirely focussed on my local goth duo, I regrouped with Slyder Smith and the Oblivion Kids for a Dementia Festival in Wolverhampton. The charity meant a lot as I lost my mother to Alzheimer's. House cabs provided but I brought along a little TC Electronic head (outrageous value for the size) and my re-christened "Gofner" Verythin bass. We got mobbed by photographers at the start and I found this Stagedive photography shot that looks like a pretty good action shot of the three of us. A better show than the 2 rehearsals in 7 months should have allowed.

Another reason why I love Basschat... I've been using a few effects on my bass for the first time over the last couple of years. I then decided to get an amp with built in effects. However, some of the open mic and pub gigs have been amp-free so I had no effects. I'd borrowed a couple of pedals recently and had decided I needs to build / buy / fund a small board. Reading this thread and BAM! It is obvious, quick online purchase of a cheap(ish) multi-effects unit and job done. Plenty good enough for my needs in those settings. Cheers everyone!

Yesterday afternoon, was a little bit more of a standard acoustic gig for my duo Deadlight Dance at the local pub. After a mere 33 years, my old Sixth Form Goth band who first played live on 22nd December 1989, reunited minus the singer, for a five song finale. This meant in one case, travelling over from Atlanta, GA in the USA. The original band have largely tried to stay in touch and the seed was planted when I started working with the guitarist as a duo over lockdown. The original singer is AWOL (last seen in Thailand) but this didn’t stop the rest of us getting together. I was amazed at how good we sounded. We’d rehearsed a fair bit. Sadly this was back in 1990 (& not since!) and we did well getting the show, so the rehearsals were just a step too far. The whole performance had a nice nostalgic gentle humour and almost half of the audience were old faces from Sixth Form. Definitely as close to a bucket list gig as I’ve had in a long while. Just from a bass point of view, my father in law dug out and lent me an original 1985 Boss Dimension - C chorus pedal so my bass had just that little bit more authenticity to the bass tone (I flit between a few instruments with this band). Oh and my friend who is mates with Cure bassist Simon Gallup, messaged him about the show and apparently he's keen to come and see us soon. I've had worse days!

I was in a Creedence Clearwater Revival tribute that was once asked if we knew any covers!?

My signature bass would be based on Dr. Who.... just in the sense that it would periodically change into something different. It could be marketed as a cure for GAS!

I'm fortunate in that over 35yrs of playing, I have always managed to play the style I am into at the time, across a range of genres. It's probably my greatest musical achievement but at the expense of a lot of things. Reading the original post, I think "just be straight with them" - I am sure you already are. Not to the extent that you tell them that you might jump ship but just that 1) it's good to be playing again, 2) they are nice guys but 3) it's not a genre that you particularly care for. Effectively, it's softener if the worst happens. They may wish you were a bit more of a metal guy. Play it out, see how it goes. You may enjoy it, you may learn to appreciate the style. Equally, it might be that a few rehearsals in, it's not working out for everyone. These things happen. Nobody is getting married. I've played a couple of things that have been less to my taste but ultimately I have thought things like 1) I'm gigging / earning a lot and 2) I like the guys. Every time in that scenario I have found it had a shelf life Also consider the location. I'm fairly central so bands are ten a penny. If I lived in Cornwall or rural Scotland, I might be compromising more in order to play. If it's fun, keep it going. If it's not, look at your options.

I'm not loyal so have had everything from clip on to built in to the amp through to Boss and Polytune. I know some people favour certain brands but they all sound perfectly serviceable to me.

Used to be a beer. These days it's just practice!

I quit smoking in 1999 but embarrassingly in Sixth Form, we used to practice smoking and playing! We thought we were cool but it looked ridiculous. Keith Richards might look effortless doing it but I forever found all the smoke would go in my face. Sometimes I would bite the tip and stick it in the tuning peg of my P-bass. I can see why I don't miss it!

Even as someone who hasn't consumed an animal product for years, I find myself genuinely impressed that 10% of you claim to have Lobster Thermidor aux Crevettes avec Aubergines in a white wine sauce and garnished with Shallots. If it's true, can I just say not all heroes wear capes!

I have a cab en route to me from Thomann as I read this. I hope I like it as this makes for quite depressing reading. Hopefully the fact that it is covered by Paypal will mean a sensible outcome. Clearly the problem is with mis-recording the return and he's just reading off a computer screen. I had a similar thing recently over an amp with a footpedal that was included but not sent. I wound up having several phone calls and it was only when I lost my rag and started a "common sense would suggest" rant that somebody from the shop actually bothered to walk over to where the amp was and discovered the (drum roll please)... foot pedal that should have been sent with it. Good luck sorting it out.

I swear by Hercules as they are decent. I'm confused as to why your stand isn't long enough. I have had my Thunderbird on a Hercules stand and it's long enough. They do different models. Having had the cheap Ebay A-frames, I find having a bit more cash as an older musician, I may as well have something fit for purpose. This is an older pic from a UK tour and you'll see my Precision fits with loads of room.

When the audience outnumber the band.... that's how my duo work anyway!

My Dad was a pro-drummer in the 60s so the moment I showed an interest in drums, I suddenly found myself with about half a drum kit and very much out of my depth. I was 8 and couldn't take instruction from my Dad. I just assumed I wasn't very musical so packed it in fairly quickly. After that my brother started learning guitar with Dad and he seemed to excel. He's got an almost Rain Man level of Autism so was brilliant at picking things up but struggled when it came to being creative. At this point I assumed he'd be the musical one. I came to bass in my mid teens and was self taught, picking up bits from friends. At 50, I am almost embarrassed to say my main focus throughout my teens and 20s was how I looked, rather than practicing techniques. I did three bands where my looks and attitude were a huge part of my appeal (I could definitely lock in with a drummer and had my own style but I wasn't troubling Victor Wooten!). I wound up playing other instruments in my 30s and took lessons to get better. I did it for about a year and it helped me on bass, as well as my general musicality. Since then I have looked at a few YouTube lessons but more for fun as I'm generally a much better player now. I think my inspiration for improving was playing with better players. It made me want to improve. I'm never intimidated by other players. I think the trick is to let it inspire you as this means you benefit longer term. If I could go back, I would have taken those lessons earlier. And don't be afraid to change teacher, if the styles clash.

Nick and I donned our crazy summer outfits for some fun in the sun as we played an hour of gothic classics in the sun. The crowd was initially fairly small but picked up throughout the set. Some of the audience really got it, and a fair few recognised us from before. I didn't need to buy a pint which is always a bonus. I had my cheapie acoustic bass that I can never replace as it's screamingly good for the (roughly from memory) £100 I spent on it, plus played some mandolin, mandocello, backing vocals and drum. That's us done on the live scene for a month and we have other stuff to focus on (video / recording). Unless we get itchy feet...