wateroftyne

Just in case we forget why we're here....

[quote name='Coilte' timestamp='1403544101' post='2483766'] Perhaps they are aware of it but are prepared to accept it, giving that Clapton along with other English artists helped to bring blues to a larger (white audience). It still does not reduce the cringe factor though. [/quote] I doubt Willie Weeks,and Nathan East are short of a gig, but they seem to be happy to play with him.

[quote name='Coilte' timestamp='1403543689' post='2483762'] Wonder if they'd be as happy if they knew of his sentiments ? [/quote] I'm sure they are aware of it - the event concerned isn't exactly hidden under a rug.

The band were very lucky to have him. He gave them an R'n'B / soul grounding that forms an essential part of the Queen mix. They could have easily had a Chris Squire or someone like that, and that would have been a shame.

[quote name='Coilte' timestamp='1403539414' post='2483709'] Seemingly when later challenged about his remarks, he refused to take them back. [/quote] Have you got a source for that?

[quote name='leftybassman392' timestamp='1403515946' post='2483339'] That's how I interpreted the report. [/quote] Plus, we have no idea what was going on in his IEMs. It could have been something unbearable.

I've heard mixed reports about the Glasgow thing. Some people and press saying he stormed off and curtailed his set. Others say that the set was the standard length, apart from 'Call Me the Breeze' being chopped 'cos of sound issues, otherwise the set was the usual length.

[quote name='discreet' timestamp='1403460920' post='2482917'] Antigua is an abomination and should be eradicated from the face of the Earth!! [/quote] I jest of course. Tort on Antigua - y'know when you pick your nose after a nosebleed? Just sayin'.

[quote name='discreet' timestamp='1403458196' post='2482878'] No, no, no, no, [i]no![/i] Tort and Fiesta is an abomination! [i]Fiesta [/i]is an abomination! Don't be fooled by the name - it's actually a form of [i]pink[/i], and therefore is utterly gay and unmanly. I'm very sorry, but I [i]can't [/i]allow it. If in doubt, sing this easy-to-remember rhyme to the tune of 'Humpty Dumpty': Torty, Torty, all right on white! Torty, Torty, all right on white! It's all right on sun-burst as well! [size=4]Any o-ther col-our is hell! [/quote] But you have to admit, it looks pretty cool on Antigua.

...and Fiesta Red. :-)

Yep - No chance of tort if I got with anything other than blonde or oly. Otherwise, white-ish all the way. A lightly relic'd version of this is doing it for me at the moment, though...

[quote name='discreet' timestamp='1403378235' post='2482278'] Um... may I suggest aged Olympic white with a three-ply black pickguard, [i]circa [/i]mid-70s..? [/quote] Close... tort is a possibility. But so is LPB. I'm just not sure...

[quote name='Musicman20' timestamp='1403190537' post='2480659'] Once I've sorted my (6 string) guitar situation out I might take a look at these. [/quote] Yeah.. I'm seriously considering a maple-neck P. Just not sure what colour...

[quote name='ZenBasses' timestamp='1403374969' post='2482248'] Seriously though, if it's common make of bass odds are somewhere online will be weight. Or someone on BC might have one... They might be so kind as to weigh theirs [/quote] Cheers, but I think you need to read the thread :-)

[quote name='ZenBasses' timestamp='1402760326' post='2476615'] Also seems that out of all of Queen he was the most 'gentlemanly' of the lot. [/quote] History tells us he's also the embodiment of the phrase 'it's always the quiet ones.'.

I've no info, but I always liked the look of these. Interested to hear how you get on with it.

[quote name='CamdenRob' timestamp='1403180447' post='2480525'] Ah I didn;t realise you'd already asked him about it.... Thinking about it, as he buys the necks in I doubt anyone is making dot and bound necks? [/quote] I'm not sure if D'n'B is possible, but I asked him recently about a block'n'bound P neck. He said he could do a J but not a P, but it would be expensive.

That reminds me, I posted a link to this bass on the Classic and Cool website earlier. Only, on closer inspection, it isn't this bass. The relic'ing is different. I'll email Mark and ask him for some info about it.

Hey Gareth I can't compare it to a real '63 J 'cos I've never played one for any great length, but: Swapping between it and my early 70s P's, and from memory my (now sold) early 70s J's, nothing about it feels 'repro'. It just nails the warm, lived-in vintage vibe perfectly. I've been holding out for an early 70s maple-board P, but I'm 100% convinced something from Limelight will quench the GAS, at my exact spec, at a fraction of the price.

[quote name='Dingus' timestamp='1403111995' post='2479955'] I wonder how this chap and similar builders get away with using the Fender logo on the headstock, though? Presumably it's because the neck is an official Fender-licensed part? [/quote] I wonder the same thing myself. I hope they never pick up on it...

[quote name='martthebass' timestamp='1403109852' post='2479914'] Very nice tone with the flats WoT, I also find the stock round wounds that came with mine are very low output - I assumed it was the pups. What sort of tension are the JOs, I love flats but I like low-medium tension like Status Hotwires, are the JOs similar? [/quote] Cheers... I thought I was going loopy re: the output. The tension of the JO's? I'll have to cop out and say 'medium'. Not like TIs... comparable to La Bella FLs.

Thanks folks :-) The flats are Lakland Joe Osbornes.

I've just spent a couple of hours playing it tonight. It sounds great but I noticed that the output was incredibly low compared to my P's, and I couldn't figure out why... until I put flats on it, and BOOM! My God, what a glorious noise. Fat growl! I dunno what kind of rounds it had on it, bit there can't be much metal in 'em. This bass is so well put together. If I can sweet-talk Mrs. WoT I can see myself keeping this AND getting a maple-neck P. It's and absolute monster, and it feels like an old friend already. I've re-made the video with an additional three clips with the flats on. Sorry it's repetitive. I have to bring attention to [url="http://youtu.be/6np-PCYITrw?t=4m10s"]the slide around 4m12s[/url]. And that's with flats on it. [media]http://www.youtube.com/watch?v=6np-PCYITrw[/media]

[quote name='planer' timestamp='1403014999' post='2478855'] Err, I think this started as a happy thread, sadly ruined by argumentative pendants. What a shame. Herbie would probably tell you to shut up and stop bickering. [/quote] There's not much bickering, but a lot of informed discussion about the genesis of one of the most iconic musical instruments there is. Which, for a bass forum, isn't that surprising.