philw
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Everything posted by philw
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Nobody's mentioned Eberhard Weber. Double bass, well, electric upright, rather than conventional electric bass, but still a unique fretless bass player. He can be heard on a few Kate Bush tracks (try Houdini off The Dreaming), but his solo albums (Later That Evening is probably the best) and work in the Jan Garbarek group on ECM are where his really interesting work is to be found. P http://www.youtube.com/watch?v=bAdK90n5f4U
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[quote name='geoffbyrne' timestamp='1383816050' post='2269368'] Tesco is doing 'JOHN MARTYN - Sweet Little Mystery - The Essential' for £3. Well worth it. Doesn't say on the sleeve notes who played the fretless - no doubt someone here will tell us. Lovely subtle fretless stuff, though. G. [/quote][quote name='ezbass' timestamp='1383838748' post='2269843'] I'm thinking John Giblin as a likely candidate for the above. [/quote][quote name='ezbass' timestamp='1383838748' post='2269843'] I'm thinking John Giblin as a likely candidate for the above. [/quote] It was very much John Giblin. I've been impossibly lucky enough recorded twice in recent years with Martin Levan, who engineered and produced John Martyn's Grace and Danger sessions back in, I think, 82. Martin still talks about John G's fretless playing on those sessions. He loved that I play a fretless Wal like John's although he was always polite enough to talk only about the sound of the bass reminding him of Grace & Danger rather than my playing. P
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[quote name='White Cloud' timestamp='1383773280' post='2269044'] My all time favourite British bassist, the great Welsh fretless genius Percy Jones. Ground breaking, innovative, unique...even Jaco was blown away when he overheard Percy practicing! A word to the wise - seek the Brand X album "Masques" ...so many great examples of Percy playing his Wal fretless..."The ghost of mayfield lodge" in particular.... [/quote] Percy is the main reason I play bass. I got to Brand X via Genesis (Brand X was Phil Collins' entertainment during Genesis down-time) and I was so blown away by Percy's playing I decided there and then I was going to learn to play bass. That was maybe 1980. I had a Wal by 1983. White Cloud is spot on: the Masques album is brilliant, and it's peppered with the most innovative, unique, and sublime fretless playing. It's required listening I'd say for anybody who wants to play fretless. P
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Hmmm, they look gorgeous. Anybody have any rough ideas on price? P
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[quote name='walbassist' timestamp='1380716451' post='2229377'] Hi Phil funded by my Mum and Mrs Walbassist. [/quote] Just spotted a guy on the forum mulling over selling his Tacoma Thunderchief Fretless 5 and I've always wanted one of those. Don't 'spose your Mum and Mrs. have caught the bass buying habit have they? They missed my 50th birthday too (by err, four years).
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[quote name='Happy Jack' timestamp='1380716767' post='2229386'] Erm ... you're sure about that. [/quote] My immediate thought too. Has anybody ever before referred to a Wal with the phrase "ahead of schedule"? :-)
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Advice needed on a Tacoma Thunderchief 5 String Fretless
philw replied to SaulGuud's topic in Bass Guitars
If only I had the dosh Saul I'd probably make you quite a silly offer for it. Thunderchiefs, as you've discovered are pretty rare and, if the one I once played was anything to go by, they are truly lovely instruments. Some say they are the best of the ABG breed (although I'd say that honour goes either to my current Veillette or the Ribbecke Halfling Boby Vega I once played). The problem of course with valuing anything "niche" is that to some extent it's worth is defined simply by what somebody is willing to pay. If it were me, and I had the spare dosh, I wouldn't balk at something way north of £500, but that's because I've always wanted a fretless Thunderchief. Others of course, either because they've not been previously seduced by a Thunderchief, or because they want one even more than me, might be of a completely different opinion. Can you post some pictures just so I can drool/dream a bit? Phil -
That's very exciting Gareth and I guess goes some way to explaining why I can't tempt you with another of Joe's exotic creations :-) You'll have to bring the Wal to Brighton when it's in your grubby mits. Phil
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You're right! Looks like a GB7 will do the job. Thanks, Phil
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All, One of the tuning machines died (it turns for a while then just clicks) on one of my Yamaha BEX4s in the midst of an album tracking session the other day. So does anybody have any idea where I might get a replacement or two? I've uploaded a couple of pictures of the dead tuner - it's a pretty generic kind of thing that needs a 14mm hole in the headstock with the securing screw 11.5mm from the centre of the hole. Any suggestions gratefully received. Phil [attachment=133569:Tuning Machine 2.jpg] [attachment=133570:Tuning Machine 1.jpg]
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Bass Direct's got another RARE Precision, pricey though!
philw replied to Grand Wazoo's topic in Bass Guitars
Hmmm, I actually love that. Needs a maple fingerboard though to be fully lush. P -
[quote name='White Cloud' timestamp='1364556090' post='2028073'] I have been reflecting on this thread for a couple of days; I personally feel on balance that the XL2 is, for me, the greatest bass design of all time. [/quote] I'll concur with that - although I think the plug-in leg rest of the L2 was functionally better than the XL2's folding item. And if there's one bass I've owned and sold but which I'd have back if I could, it'd be my old L2. P
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[quote name='Dingus' timestamp='1364385026' post='2025645'] I remember seeing a custom ( and very rare ) Carl Thompson bass for sale at the Bass Centre at Wapping in about 1986/87 that had Wal pickups and electronics , presumably fitted by Wal themselves . I seem to remember it was a left- handed model , but I could be wrong about that after all this time . [/quote] A Carl Thompson with Wal electronics? Now that's both hens' teeth and rocking-horse poo rare! I wonder where it is, and what it'd be worth? Seems to me from what's being said here that Pete and Wal were perfectly happy to sell electronics to other luthiers during the first Wal boom, so I guess there's likely to be a few interesting Wal hybrids basses out there. Slightly OT, but back when I ordered my Wal in '83 one of the standard options was a Precision body profile. I remember being tempted (it was no extra cost) but went with the standard Mk 1 shape in the end (I wanted a Wal after all!). I sometimes wish I had gone for the Precision profile though - I've only ever seen one like it. Phil
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I know of at least one "hybrid" Wal - a bass made by Hugh and Andy Manson (http://www.mansonguitars.co.uk) back in the day that had Wal pickups and electronics fitted (with Pete and Wal's blessing I believe). I wonder where it is now? For what it's worth, I reckon it's the pickup that's primarily responsible for the Wal tone. P
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Very, very sad. Why do the good guys always seem to be taken too soon. P
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Bump for a wonderful instrument and (I reckon) an unequaled example of the industrial designer's art. And yes, a genuine rarity - especially as it still has its plug-in leg rest (a far more satisfying design than the folding thing on the later XL basses). Actually it's such a rarity that I wonder if its my old one. Did you buy it from a music shop in the Wandsworth/Clapham area Dave? If I had £1500 to drop on a bass currently in the Basschat classifieds it'd be this one. Phil
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FS: Yamaha Bex 4 Semi Acoustic Including Hard Case *Sold*
philw replied to Valhalalf's topic in Basses For Sale
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My new demo Veillette Flyer fretless 5. [attachment=128460:Flyer Bass 1.JPG]
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WITHDRAWN - 3/4 Double Bass for sale £1600
philw replied to MSE's topic in EUBs & Double Basses For Sale
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Veillette Paris Fretless 4 (Price reduced again – £1200)
philw replied to philw's topic in Basses For Sale
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[quote name='Mudpup' timestamp='1359713711' post='1959078'] Your budget is under 100 sniffs and you want style???????? Its a black box for that kind of wonga. It sounds great though - nothing much better for the cash [/quote] Yeah I know what you mean. I'm being very picky wanting something I like the look of at £100 (although having said that, I can't actually abide the faux high-tech, testosterone fuelled in-yer-face glare of most bass amps and combos at any price), but there's a part of me naively hanging on for something that I don't feel I'd have to keep my eyes shut in order to use. Ironically, a plain black box (solid ebony of course, ok, painted MDF) with an input socket and a volume control would do the trick for me. Is it just me that feels they're on the wrong planet? Phil
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[quote name='Mudpup' timestamp='1359580213' post='1957086'] I have this for sale [url="http://basschat.co.uk/topic/195643-roland-bass-cube-20xl-combo-immaculate-price-dropped/page__fromsearch__1"]http://basschat.co.u...__fromsearch__1[/url] Any good for you? I frequently work near Hastings and Croydon so could sort of deliver/meet somewhere if its any use. [/quote] Yeah I'd noticed that and it looks ideal. Trouble is, I just can't get on with the look of it. I'll have a think. P
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Thanks for the suggestions. My budget is actually as small as possible. Under £100 would be good. Phil PS. Yes, the blue bass is still blue.
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All, Any recommendations for very small, cheap 'n cheerful bass combos for home practice? Something along these lines: http://www.ebay.co.uk/itm/261159765356?ssPageName=STRK:MEWAX:IT&_trksid=p3984.m1438.l2648 Thanks Phil
