yes i think it was hh, maybe to be replaced later on by carslboro stingrays. Maiden had to be using their own gear, marshalls i would imagine. The place was located under a railway arch. I used to be so impressed the way the hh would light up in the dark.
had the annoying pleasure of being in the next room to these guys in some grotty leytonstone rehearsal studio, literally we couldn't hear ourselves over the sound coming through the walls.
yes i was wondering about the moulds, it almost seems like their mould might have a vairiable width adjustment, but yes i will email them on this, just trying to work out what might suit me best before i do so.
i cant seem to see anything on their website specifically about this but are there three different neck widths for the 4 5 and 6 string options? i was wondering in particular if they might do something like five strings closer together on a four string neck?
Thing is that the pjb stuff no matter how small handles the lowB, well at least I assume it’s the case with this latest offering, certainly the double four can do it.
I was very impressed with the low b on my headless graphite status 2 using their own strings. The note is very defined, more so than the low e on some other basses. At this scale length I doubt you would get much better.
Glad you pointed that one out …seems a strange omission not to have batteries, perhaps it’s just a combination of too small an enclosure with too powerful an amp?
Ak thanks …of course look on their website …lol.
I guess it will come to the uk eventually..
At this rate I can see Phil going in the direction of making just one standard bass module and then you just stack them all together like Lego to create the setup of your choice..
Hmmm... just wondering if you might have lost something tone wise there.I think Cassidy spent a long time with that floating bridge over that thin bit of hollow ply.
the bridge falls out when first purchased but once the pegs are glued and setup you really never have to deal with it ever again.
sam fox with hawkwind was a bit odd... but then i do remember seeing lemmy and vera lynn hanging out at a hawkwind gig so i guess its the norm for these guys.
pretty sure this is the bass used in that live banhees nocturene gig at the royal albert hall, probably saw some action with the glove since this was about the same time severin was collaborating with robert smith. Its a fairly iconic bass.
if i was stupid rich i would pick this up in a heartbeat...