I’m a bit foggy on this, I want to split my signal in the studio to two seperate effects pipelines. I’m looking at what’s out there and there are some quite reasonable options pricewise such as the ehx switchblade + or mxr m196 …but then you can go silly with an active radial. My question is if I go passive am I halving the output and reducing the quality of the signal?, I don’t really want to compromise on output and quality but on the other hand I don’t want to throw good money away on some high end gear that I don’t really need.
any suggestions guys thanks.
Agree about flea on that last one …maybe he was slightly taking the mick? But everything else was not what I would call bad at all, McCartney was sloppy but in a good way, burst out laughing when enwistle got a mention, seriously wtf?
During the 80s in deptford the ozrics regularly played in this dark crypt under a church against a psychedelic light show till four in the morning.They would distribute their home made cassette tape albums, it was a pretty chilled out scene. Webcore was another band that used to play there quite a bit.
Used to follow this band a lot in the 80s, remember one particular squat gig getting raided by all these police …the support was zodiac mindwarp…heady daze for sure.
I bought my son the maudio keystation (he loves it) , then just get a lite free version of tracktion/waveform or whatever that has built in synths etc . As said before small keys is a mistake to learn on…it will put him off….
ps ..just noticed you got one…good choice!
I’m totally into bass guitars working with drum machines. Gorillaz are a pretty good example of what’s possible. I have loads of drum machines …but for the op requirements I would definitely go with the beat buddy, and get the foot switch.
I find having a lined board helps tremendously when I have to hit notes spot on fretted style, especially higher up the register. Of course I can play without them but it’s never going to be quite as accurate.