Leonard Smalls

Bootsy Jamaaladeen Tacuma Larry Graham Jonas Hellborg Les Claypool Bill Laswell Norman Watt-Roy Robert Trujillo Stanley Clarke Big Tony Fisher

[QUOTE="Xilddx"]If unknown music was interesting there would be more of us Basschat members checking out our fellows in the [b]Share Your Music[/b] thread in the Recording section, or listening and voting in the monthly [b]Basschat Composition Competitiion[/b]. As it is, hardly anyone does. So all this slagging of X-Factor just looks like ignorant hypocrisy to me. [/QUOTE] Especially now I've put my band in!!!

Was sent a rough mix this morning - as it probably won't be completely ready in time, here's what we've got! [url="http://soundcloud.com/dredd-and-the-badass-weed/bedtime-congas-arriba"]Dredd and the Badass Weed[/url]

Excellent! Though it reminded me of a halfway house between Stump and Primus...

Our band just happened to have a rare get together last weekend, and wrote a song wot would be perfect for this, as it's called "Bedtime". I've laid down the bassline over a sequence and Dropboxed it to the guitarist (who lives in France), who'll add his bit, then he'll send it to drummer, singer and other guitarist (who live in Sheffield, Peak District and Manchester respectively) who'll stick their bits on and mix it. Hopefully we'll get it in in time!

[QUOTE=EliasMooseBlaster]You really should have - I'd have watched it. One of the knock-out rounds could have involved the contestant having to share a stage with Jools Holland while he insistently played his boogie-woogie piano licks under everything they did.[/QUOTE] Now we're talking... Could be like Total Wipeout, except they'd have to do a good job despite the famous musician they're forced to play with. Like the aforesaid Jools and his insistent boogie oogie woogie, or with Bootsy doing backing bass(!), Hayseed Dixie on backing vox...

Years ago I invented a battle of the bands TV show presented by Lemmy and Wilko Johnson. No TV companies took it up, the short-sighted gits! It might have helped if I'd actually sent to it someone...

Stickin' with the gogo beat: [media]http://www.youtube.com/watch?v=aFazNxbP4lY[/media]

Let's keep the party going! etc [media]http://www.youtube.com/watch?v=ZZX-VOcW2Qo[/media]

Here's one I used to play when I used to DJ in them 80s: [media]http://www.youtube.com/watch?v=VHKpIfrO9mQ[/media]

Not sure if there's been any Hiromi or Fiusczynski yet... Here's some anyway. [media]http://www.youtube.com/watch?v=qXsuPkyFQuQ[/media]

I've been using my Wal as live (and otherwise!) bass of choice since about 1992! Only problem is that it definitely looks "lived in" now... Still, it plays better than my others, and I'm always a bit dubious about mint examples of old stuff - reminds me of all those bike shows I used to go to where folks would trailer their pristine Harley to it.

[quote name='lurksalot' timestamp='1383261315' post='2262452'] And the bass he played was my old hand-me-down , I seem to recall it was the first bass to make an appearance in the school , mainly for assemblies , till you youngsters got ideas above your station [/quote] I remember it was an old Hohner violin bass with rubber strings... Was it ceremonially burned?

Nobody did music o level (I'm that old!) at my school, or at least there was a tiny minority. IIRC there were some recorders... Though we did have a (brief) 6th form band playing Neil Young-ish stuff, with me on keyboards and Lurksalot's brother on bass!

All musical innovation over the last hundred or so years has come from jazz. Unless it's come from somewhere else.

I've managed to slowly sneak jazz onto our garden centre sound system... Started with a bit of Jack Teagarden, Sidney Bechet etc (we have lots of older customers). Then it was a bit of relatively mainstream be bop (Miles' "Kind of Blue", with a bit of Horace Silver, Chet Baker etc). About 3 months ago I put Miles' "In a Silent Way" (thought of as highly modern back in 1969ish!), and I'm toying with putting Bitches Brew on. So far we're up to some tracks off James Carter's "Layin' in the Cut" (with Jamaaladeen on bass), and I'm not going to stop until we've got Last Exit and Derek Bailey on. Unless folks run out screaming, or worse, sales drop. But we've had lots of compliments on our musical choices - it's an ipod set to shuffle with jazz, plus Vivaldi (not boring at all bassoon and lute concertos), Bruch, Beethoven (late quartets!), Mozart (mainly piano concertos) with Scubert and Bach for good measure. And some Parliament to really put the cat among the pigeons...

[quote name='Marvin' timestamp='1382202718' post='2249289'] One should solo at every inappropriate moment throughout a song, the more inappropriate the better. Showboating and overplaying are becoming a lost art form up down the pubs and clubs of this (insert adjectives here) country. It's even better if you've no idea what you're doing. Soloing in a completely different key makes for great mirth. [/quote] Aye! I like to play [u]all[/u] the notes at the same time, while the rest of the band point at me and shout "bass" every 8 beats. Often, I find that being dressed as a bishop means getting away with playing all the wrong notes, all of the time.

Ask the chaps at [url="http://www.hifiwigwam.com"]www.hifiwigwam.com[/url] - there's a wealth of knowledge available there! Be careful though, as you may get the bug and end up with a £30k+ mega-system before you know it...

Coolest record? Probably my gold flexi-single of "Your Attention Please" by the Scars... Or maybe the gatefold 7" single "Iggy Pop's Jacket" by Those Naughty Lumps.

Y'all should check out hifi geeks for extreme flouncing should their favourite cable/single ended triode amp/horn loudspeaker//cd/vinyl be dissed.

[quote name='MiltyG565' timestamp='1369310252' post='2087566'] But how much does it colour the sound? [/quote] That depends on the finish you go for - you can get them in white as well It's designed to be a reference speaker, and if Bob Ludwig of Gateway is using them (with 4kW of amps!) it's a good bet that they're pretty uncoloured. All speakers are, in the end, a compromise, so it's all about doing the best you can, which Eggleston do! Whether they're better than a large TAD monitor system, or a Genesis 1.1 or the Transmission Audio Ultimate ($2m), or the Kharma Grand Enigma ($1m) would probably be very difficult to find out...

[quote name='51m0n' timestamp='1369305597' post='2087474'] And the PMC XBD are my wet dream speaker if I'm honest, love them, so much that I'm going to have to go and have a little sit down now until my legs stop trembling (not that I could ever afford them or get them in the house, or past the good lady, but thats irrelevant)[/quote] If you're going to have a wet dream speaker, it might as well be a proper one at significantly greater cost than the piddly BB5XBD at £58k including amps. The Eggleston Ivy Wetdream is an eminently reasonable $100k without amps, as used by Bob Ludwig at Gateway Mastering:

[quote name='51m0n' timestamp='1369161799' post='2085693'] Big floorstanding transmission line (as opposed to ported) speakers. [b]Good transmission lines go deeper with less bumps in the low end frequency response[/b]. Mine are reasonable examples. Because I love to hear bass cleanly. And because I am worth it :-D [/quote] Arguably! There's a number of ways of producing bass extension, and even bass response - all of them are a compromise of some sort. IIRC, a fully executed Transmission Line needs to have a line of at least 1/4length of the lowest wavelength desired. So if you want 17Hz you'll need a TL of 5m, which of course is quite difficult to get into a cabinet that will fit in your living room. Clever engineering can get round this to an extent, but then it also can in both ported, sealed box and isobaric designs. My Dittons rely on a 12" bass unit, large volume and a 12" passive radiator to get to a -6dB figure of 18Hz. My Leema Xaviers use a very long throw 6.5" driver and a low bass crossover point plus large volume to get 28Hz at -3dB. My dream speaker (Eggleston Ivy) uses 6 12" drivers in an isobaric (i.e. pressure driven) configuration to get 13Hz at -4dB. PMCs BB5, an excellent speaker and none more black, uses a transmission line to get a "usable frequency" of 17Hz...

I listen and do what I could laughingly call mixing via Bow/Bryston amplification into either Leema Xavier or Ditton 66 speakers (the Dittons will do 18Hz, which is handy if I'm octaving down...)

[quote name='stingrayPete1977' timestamp='1368887319' post='2082700'] This answer comes up every time someone asks about pat certs, i[b]f the venue has either buildings insurance or a local authority entertainments licence it almost certainly will, s[/b]ure the guys on here acting the big shot because the Saturday night girl didn't know if the venue did or not sound cool on here but in reality why would the staff know? The electricians will have carried out the tests for the owner (not tenant) so the boss of the venue might not even know about it, you will still look a Dick when they produce it one day [/quote] Not necessarily! I did one about 6 years ago for my local music pub and he was so appalled at how much it cost (£300) that he hasn't had one done since, nor have his insurance or local authority asked for one. For the record, it took 4 x 4 hour mornings as it involves virtually taking the consumer unit apart (he had 3!), testing every circuit fully, and inspecting the connections in at least 30% of fittings, more if you find problems - which I did... However, if he has a fault that causes injury or a fire his insurance might be interested in why no recent periodic inspection, as it used to be called, had been done. It's also recommended that domestic properties have one done every 10 years - how many folks do that?