Beedster

To be honest the only reason I kept it was because it sounded so glorious through my AER combo that I could kid myself that I can actually play the thing. But I need to concentrate on DB now that gigs are back on the horizon and as I'm also selling the AER seems this gtr will get little use here

Yep 👍

I've this for sale in the Amps and Cabs For Sale section but as I use if only for DB thought I'd put a heads-up in this section also. It's a pretty amazing piece of kit for DB

For sale a rather lovely unit by AER. God knows why they labelled it 'Basic' because it's far from it, although it certainly performs. I bought it to temporarily replace my EA Doubler and Wizzy before moving to a more permanent PA only setup/in-ears etc. Bought from this listing on Reverb https://reverb.com/uk/item/48991686-aer-basic-acoustic-bass-combo?utm_source=sendgrid&utm_medium=email&utm_campaign=BundledCheckoutMailer%23notify_buyer_purchase_complete, and has been used at two gigs and four rehearsals since. Has the original AER cover also. Sound-wise it's classic AER, precise yet warm, versatile and simple to use, and for it's power not too hard to move around (although it's certainly not lightweight). I've still got the box so am happy to courier at buyer's expense or to meet up in SE or London with a bit of petrol/train cash. No trades thanks, need to invest in some PA related stuff with the proceeds of this sale. I use this with DB only, works equally well with electric basses as well as a lot of acoustic instruments, acoustic guitar sounds amazing through it Technical blurb below The Basic Performer Acoustic Guitar Amp with its specially designed construction and its 4 x 60 watt power is an ideal tool for acoustic and electric bass-amplification. More than that, it suits very well for all instruments with strength in the low register, e.g.: cello, harp etc. Apart from its two channels with three-band tone- control and mute-switch it offers a compressor and a notch filter. Long scale lengths, huge body sizes, and resonance problems are only some trouble zones of the acoustic instrument. The small twin-cone system is perfect - it is fast, provides a superior coverage for the critical mid-range and has got enough substance in the bass range. The AER Basic Performer has four 8"-twin-cone speakers which are individually powered by four 60W power amps provide for the required surface area and the necessary sound pressure level. The special AER band-pass / bass-reflex cabinet design supports the reproduction of even the lowest frequencies with definition. Hi-end preamps, proper filters and additional professional sound design make the Basic Performer amplifier a multitalented all-round solution. The sound characteristics of this AER amp are full range, open and light - breathing as well as grumbling and surprisingly appropriate for far more instruments than the bass-related instruments such as harp, cello, accordion … or even try a jazz guitar. FEATURES 1Channels 1 + 2: 2Input: XLR-combination-socket with a socket for a 6.3 mm jack-plug and an XLR-mle-socket 3Channel Mute: switch to mute the channel 4Line/Mic: switch to adjust input sensitivity 5Line: sources with line level, instruments with active preamplifiers and magnetic sound pick-ups 6Mic: symmetrical microphone input with 24 V phantom power 7Clip: overload indicator 8Gain: input level control 9Bass: tone control for bass 10Middle: tone control for mid-range 11Treble: tone control for treble 12Input: socket for a 6.3 mm jack plug 13Channel Mute: switch to mute the channel 14Pad: damp-switch 15Clip: overload indicator 16Gain: input level control 17Color: mid-range contour filter, switchable 18Contour: control for mixing-in internally generated harmonics 19Bass: tone control for bass 20Middle: tone control for mid-range 21Frequency: mid-range frequency selection 22Treble: tone control for treble 23Front, bottom (from left to right): 24DI Pre/Post: DI-switch pre/post EQ 2524V Phantom: 24 volt-phantom-power on/off 269V Phantom: 9 volt-phantom-power on/off 27Compressor: switches compressor on/off 28Threshold: control for the operational level 29Active: compressor operational 30Ratio: control for the compression-ratio 31±1dB: indicates the reduction of amplification in dB 32±3dB: indicates the reduction of amplification in dB 33±6dB: indicates the reduction of amplification in dB 34±12dB: indicates the reduction of amplification in dB 35Notch Filter: filter on/off 36Frequency: level-control for the frequency-selection 37Aux Return: level-control for aux return 38Effect Return: level-control for effect return 39Power: power indicator lamp 40Master: Solo - level-control for the overall volume, solo-setting, Ensemble - level-control for the overall volume, ensemble-setting 41Rear: 42Tape In: stereo input for CD and tape 43Phones: headphone output, stereo 44Tuner: output for a tuner 45Insert: insert-point, Tip = Send, Ring = Return, Line Out line-output 46DI Out: XLR-output pre-master 47Send: output for an external effect device 48Return: input for an external effect device or other signal, for example CD-player 49FS-Effect: footswitch effect on/off 50FS-Master: socket for a stereo footswitch, master-selection solo/ensemble 51FS-Mute: socket for a stereo footswitch to mute the channels 52Voltage Select: voltage selection switch Get the right tool for the job and you'll never be sorry. Call us or click today to order. SPECIFICATIONS Basic Performer Acoustic Guitar Combo Amp 1Inputs: Ch 1: 2Line: unbalanced, 1 MEG 3Mic: balanced, 600 Ohm 4Ch 2: 5Line: unbalanced, 1 MEG 6Mic: balanced, 600 Ohm 7Eff.Return: -10dBV/10k 8Tape-In: -10dBV/10k 9Outputs: Tuner: -10dBV 10Line: 0dBV 11DI: -20dBV 12Send: -10dBV 13Phones: stereo, 300 mV / 32 Oh 14 15Footswitch Effect External effect = Tip, ground = Sleeve 16Footswitch Mute: Ch 1 = Tip, Ch 2 = Ring 17Footswitch Master: Solo = Tip, Ensemble = Ring 18EQ: Channel 1: 19Bass: ±18 dB/ 100 Hz 20Middle: ±13 dB/ 550 Hz 21Treble: ±11 dB/ 10 kHz 22Channel 2: 23Bass: ±10 dB/ 80 Hz 24Middle: ±10 dB/ 200 Hz - 1kHz 25Treble: ±10 dB/ 10 kHz 26Colour: - 3 dBV/ 700 Hz and + 10 dBV/ 10kHz 27 28Analog Signal 29Processor: Limiter, Subsonic Filter und 30Enhancer 31Power Amp: Powerconsumption: 220-240 V / 50-60Hz / 300 VA (110V / 50-60Hz) 32Rating: 200 Watt / 4 ohm rms 33Mains Fuse: 3.1 A slow 34Speaker: 4 x 8' twin-cone speaker system (98 dB 1w/1m, freq. range 3560 Hz - 18 kHz) 36Cabinet: 0.59' 3(15 mm) birch plywood 37Dimension: 20.87' (530 mm) high, 14.17' (360 mm) wide, 15.75' (400 mm) deep 38Finish: waterbased acrylic, black spatter finish 39Weight: 50.72 (23 kg) 400dB/V ~ 1V

Hi mate, any particular reason you chose the mix of light and medium, does it work better than a straight set o/f either for example?

A great instrument worth twice as much as the asking price. There are some very nice EUBs out there, and i've owned a lot of them, but in terms of feeling like a real DB to the player nothing comes close to the SLB-100, and nothing comes close in terms of engineering/build quality, the board especially is perfection. I sold mine about 10 years ago at a point in time at which I wanted something different (I bought the SLB-200) but soon missed it, and was very relieved when I was able to buy it back. I think if I could only own one instrument it would be this, it's an absolute joy to play, the headphone option is extremely useful (as is the ability to mix that signal and recorded music through the same headphone O/P). They don't come up for sale often because people who have them tend to want to keep them, and if you want to buy one new you're looking at close to £5,000. Good luck with the sale 👍

I would love to gig that 👍

£300 before it goes to eBay?

Sorry yes sold 👍

Amazing what you find in your studio when you start clearing things out! Bought this for my Roland kit about 5 years back and used it a total of twice! Details here https://www.thomann.de/gb/gewa_sps_e_drum_gigbag.htm?glp=1&gclid=EAIaIQobChMI6Nnt9a2B9gIVCbLtCh2RKwWUEAQYAiABEgLrAPD_BwE Can probably post for around £20, or collection welcome Looks like this, only a bit older

The most ludicrously heavy unit I've ever lifted, makes the average 80's Peavey combo feel decidedly lightweight. However, makes an electronic kit (or I'd assume with some decent micing a real kit) sound damn fine. Certainly a great tool for rehearsal and for monitoring on stage, and for smaller gigs quite giggable on its own. I've even used it for bass practice on occasion. Discontinued on account of too many broken delivery trucks, now's your a chance to own a piece of electronic drum amplification history Details here https://www.roland.com/uk/products/pm-3/ This is what it would have looked like new, mine looks like it's been used. I'll add some pics once I've managed to haul it into the house from the studio, which might take a while Chris PS this is collection only I'm afraid

Innovation Honeys only strings remaining, offers?

On hold

Any offers.....?

Studio/house-move clear-out continues! Powerful and toneful little combo, weighs a ton but bloody nice looking. Ashdown did a great piece of customer service in repairing/retubing this for free a few back only for the courier delivering it back to me to drop it and subsequently claim that the damage was done by the sender, which seemed kinda unlikely. So it's got a bit of cosmetic damage which is NOT shown in the photos below, I will get new ones ASAO, but not that these are minor, i.e., the box/tolex is not damaged. It will therefore need a little TLC to get the best out of it and I suspect a re-tube at some time quite soon. We used it in the band for a couple of rehearsals gigs and despite the drop it was fine. Please don't buy this if you need pristine boutique amp, but if you can do a little fettling it will do you proud. Cheers. Chris

Thank you kind Sir