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Baloney Balderdash

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About Baloney Balderdash

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  1. The reverse delay model in the old Zoom G1on, G1Xon, B1on, B1Xon, MS-50G, MS-60B and MS-70CDR is pretty damn great, actually.
  2. I finally pulled myself together to upload "Hole Song" by an old musical project Janosch, that I was one half of together with Markus (Jesper Marcussen), on YouTube. Originally released on the compilation "Danelectro" Lead vocals and rhythm guitar: Jesper Marcussen Lead guitars (except guitar solo*), bass and backing vocals: Jacob Læby (me) Backing vocals: Michelle Kappel Drum machine, synth, *guitar solo, production and mixing: Per Chnöeldh And genre wise we are around some relatively lo-fi indie rock/pop. Recorded somewhere around 2001. (cover/video art is from the 4 track EP "Inhere Outhere" by Janosch, that was released previously to this track, I shot the cover photo) - And the latest actual worthwhile serious track that I made, although not that new, is a remix of the track "Elastic2" by Fencepost, per request. But this is with my solo drone/ambient project, Fjernsind, and something entirely different, experiemental dark ambient/drone. Rather radical remix might I add, and created and released in July 2019. I even made an actual animated video of sorts for it:
  3. Yes, and that despite me specifying that I played a 5 string bass, so...
  4. Ok, this doesn't look like me at all:
  5. As I also mentioned it could be that the magnets are stronger too. To give an example the DiMarzio Model P and the EMG Geezer Butler P, both passive pickups, and while they both have just about the same DC resistance, which would indicate similar amount of coil wounds, the magnetic field of the Model P is much stronger than that of the Geezer, which results in the Model P having a considerably louder, hotter output than the Geezer.
  6. Pure nickel, I would say. Forget that, I misunderstood the question, this is obviously the other way around (no pun intended).
  7. P pickups generally have more wounds on the coils, increasing DC resistance, which increases output, the two halves are also connected in series, which again, among other things, increases the output. The J pickups only got on coil, and usually with fewer wounds on the coil than your typical P pickup. Finally the strings vibrate more nearer the neck, and less towards the bridge, which effects the strength of the "input" signal to the pickups. The signal the J pickup picks up is simply weaker to begin with than the signal the P pickup picks up. Other than that it is possible that the P pickups got stronger magnets installed, increasing the strength of the magnetic field, which again increases output. It's pretty common by the way that the P in a P/J Bass is louder than the J pickup. But they can be balanced, if one uses a weaker P pickup and a stronger J pickup. Often though in a P/J you just use the J pickup for adding extra upper range flavor to the P pickup, and usually won't solo the J pickup.
  8. Oh, it is definitely an EHX POG in some form, yes looks like the Mirco, if OP should want to nail the exact tone. But just about any decent polyphonic octave up pedal should do.
  9. Well, the octave up would be blended with parallel clean signal, my best guess in about equal measures, just using the regular dry/clean signal blend on your octave pedal. And there is a keyboard playing too, which might confuse you.
  10. Digital polyphonic octave up, blended with parallel clean signal, maybe a hint of reverb or very subtle delay, I think that is basically it. Mind there is a keyboard playing too, which might confuse you.
  11. I decided to stick to the format/concept of single track bass improvisation, with only edits done to it in a simple Wav editor, so here I bring you: The astonishing psychedelic Faux Electro Dog Simulation™ : Take 1 of a free improvisation with some minor post production edits in a simple Wav editor. Played on my 5 string Ibanez GSRM25 Mikro Bass, that I named "Mr. Growly - The Noodlemancer", tuned in G# standard tuning (as in one half step bellow the 4 upper strings of a 6 string bas in regular B standard tuning, plus a high E string), through my "amp-less" setup, directly into a hand held Zoom H4n recorder.
  12. The Consensual Sex Paint Guns
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