Woodwind

Reply removed>>> Apologies, my answers have all been posted earlier in the thread by others, but wouldn't load on my phone

This is exactly how Stradivarius violins are owned by investment companies. They buy them, then loan them to pro players and then sell them at a later date

Massive thread resurrection. I know the world stopping over the last 18months would have made this project more difficult. How have you found it looking back now?

Pretty much my only purchase in 2021. A Mantic Hulk. I bought it for a new composition I was working on and got to road test it on an excerpt of this piece at my show on the 1st of October. Superb! I can't wait to use it again. (apologies for the stock image photo')

when I played rounds I changed them before every gig (originals band playing once a month). Now I play on light weight ground-wounds. I have the had the same set for 6 years. I think about buying a fresh set, but that's more remembering habit rather than desiring a new sound 😂

Is the bass sound in the video just from your micro cabinet? Blimey, that's superb!

This! Not on bass guitar, but there are many times I have left the stage deflated due to fluff ups etc, but am accosted in the bar after by many new fans. A performance full of conviction and life is worth a great deal more than a technically perfect show which may happen to be devoid of feeling.

Perseverance. Stick with the fretless. Concentrated practice and mindful playing will reap rewards. For my own playing, when I'm working on something new and my intonation is out I'm aware I'm too conscious of the note I'm trying to play and not what has surrounded it, ie the shift to get there and what my left hand was doing to play the previous note

Hello Den, Any videos of you in action with the bass trombone? I'm a massive fan of the bass 'bone.

Thanks for linking this. It certainly confirms my on the ground experiences.

Car amplifier is a great idea. Several 12v mixers around to run all the OP's inputs from this as well

other options - I see a lot of solo singer guitarists using the Roland street cube. Once away from a supportive resonant wall they sound awful to my ears - really straining hard. The newer street cube ex is much better. I was watching a player with one yesterday. It is clearly more powerful and they were running several inputs. The sound was much nicer. I see Harley Benton now have a busking amp that may be worth a look: https://www.thomann.de/gb/harley_benton_streetbox_60.htm?ref=mobile#bewertung If you could run two of these you'd be spreading the headroom a bit - ideal for percussive instruments like your Cajon

Will you be busking in resonant spaces (eg railway arches) or completely outdoors? I ask as I used my phil jones double4 running off a battery as a two channel system for my Contrabassoon effects and samples. In railway arches it is the perfect volume. In unsupported areas - footpath etc it completely dissappears. It's like I'm making no sound at all. I have seen people running multi instrument sets ups in outdoor spaces using the new 240v powerblock systems and using a mixer into a single powered pa speaker. If I was starting from scratch tomorrow this is the route I would go. The battery for my double4 was 100quid right off the bat which makes this thing pretty good value - https://www.amazon.co.uk/Jackery-Portable-Explorer-Generator-Outdoors/dp/B08RNPYLQW/ It says it will provide 200w (400w peak) so that would do a mixer and 100watt+ PA speaker

Hi Phil, That's very kind thank you. I'm not in a position to start building yet, but I'll send you a PM in due course 😎

This is absolutely superb!!!

I didn't even think of that 🤣😂🤣

Phil I'd be really, really interested in your 1x6 design and thoughts, especially with the partnered gnome. Will you make a dedicated thread? My uses are very specific and I've often considered a 1x6, but don't know where to start. Cheers, Thomas

With the extra auction fees that probably wasn't far off 500quid all in. Regardless, someone got an absolute bargain!

I would love a wt400 or wt550. Love the minimal look, the parametric EQ etc. Would often turn up at the bass centre in wapping just to refresh my memory about how they sounded and would go off to count my pennies.

I feel for you. Coming from an originals context, rather than function or covers, although gigs are happening it is very, very difficult to build up sequences of dates. Too many things can get cancelled last minute. I'm using this lull to work up a new set specifically for less, but more select shows next year. I've seen things are happening in certain cities in Canada, but it seems a similar situation to here - treat shows as one offs

Dust is settling from my show on Friday the 1st. First public performance in just under 2 years. It was wonderful to play again. Capacity crowd at Kings Place Hall 2. Superb venue! Dealing with the slight anticlimax now as my diary is still basically empty.

Thanks for posting these

And in action the bass instrument extravaganza that is ORE. The Tuba Doom group is normally massively amplifed and we're all playing through octave pedals for super sub-bass action, but this was a rare completely acoustic set at Supernormal Festival in 2017 (Now my favourite festival and this may rank as my favourite ORE show)

Enjoying the mention of bassoon earlier in the thread. My main instrument is the Contrabassoon. An octave lower than bassoon, it descends to low Bb, a semi tone below standard 5/6 string bass guitar. I fell in love with the instrument when I was a double bassist and was writing for the bassoon for my ensemble. I could only ever recruit session musicians rather than a band member, so I decided to become the player I couldn't find. 10 years later my main project is solo performance of my electroacoustic ambient music, but I do sessions and guest in bands with more regular bassline playing. Here's the only gig from last year - A live stream set for Nick Luscombe's Musicity project. And a recent release: https://thomasstonemusic.bandcamp.com/album/host

Absolutely superb!!!! Where can I see this in action?