I recently was in The Bass Gallery and they had two used Fenders I wanted to try. One was a £1.6k American Elite Jazz V and the other was a £0.8k Player Plus Jass V. There was nothing I could do on the American one that I couldn't replicate on the Player Plus so guess where my money went? It also helped that the Player Plus was modified with an onboard Sadowsky preamp as it's the type of mod I have done previously and would do again. So for ME that was a bargain package. Oh and the icing on the cake for me was Fender used a 19mm spaced bridge for the Player Plus 5s.
I picked up a mint used example recently in the sunburst finish that had been modded with a Sadowsky on-board preamp. I changed the pickguard to tort and it is getting a LOT of my attention lately. I'm liking the 19mm (fraction wider than Fender 5s generally) bridge string spacing on these ones. It's not light though.
Cool. I've heard of none of those artists you mentioned. This forum is always teaching me new things. When I do slap I thumb mainly fretted notes. Now I'm thinking about it I rarely play open strings (low B excepted). I used them more when I was a 4 string player I think. Playing 5s has really changed how I approach the instrument now.
Appreciate the explanation. Does this apply to certain genres more commonly? I've never heard the song Slither before so I YouTubed it. Admittedly it's a genre that I don't listen to or play so it was all new to me.
I genuinely don't understand what this means. If every note in the bassline features on the fretboard (of a 5 string in standard tuning) how is it impossible? I'm not being deliberately obtuse here,in fact I might learn something.
Option 2. Bearing in mind I don't play 4 strings anymore. Having a low B isn't just about the 5 extra notes however. It can be used for economic (movement) reasons also.