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BlueMoon

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Posts posted by BlueMoon

  1. I always try to keep a packaging box in the room where I keep my bass cases/bags. My excuse is "I've always got a box ready in case I sell a bass and need to ship it". Mrs Blue Moon seems to accept the logic and is pleased that I'm thinking of selling!

    Helps when a bass arrives and you don't have the chance to get rid of the original box. Just flatten it and jamb it behind. 

    I make regular trips to the container park and helpfully manage the household trash collection. Double win!!

     

     

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    • Haha 1
  2. On 05/09/2020 at 13:02, Marty Forrer said:

    I'm in New Zealand. Japan is easier (cheaper) than Europe for me.

    OK, that is logical. I didn't realise or think of that context.

    Enjoy your bass when it arrives!!

     

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  3. I tried my best to share the love for, and put the word out, about the Bacchus Craft Series WL-4 DX in blue available at BassDirect UK.

    It was my way of fending off the unbearable GAS that I was having, hoping it would be gone the next time I checked. Nobody was up for it.........so it came home to me!

    A quick switch to Sadowsky knobs (with a line marker) and a set up and I'd say it's the mutt's nuts.

     IMG_0319.thumb.JPG.1c37624f17f4934480543365f3cec230.JPGIMG_0320.thumb.JPG.e015047dabb21e3f2e0a18a8d822fa5b.JPG

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  4. 2 hours ago, cetera said:

    Thank you.... and though I heartily agree re: Rutger, the Voulez Vous bassline was actually recorded by Arnold Paseiro.

    well.......there you go. There was I thinking it was Rutger G. and had no idea. Still a great line ........both you and he deserve a medal, then!!

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  5. Interesting @Marty Forrer that you sourced your new bass direct from Japan and via BassJapanDirect (aka Danny Stewart). I've gone down that route previously for an Atelier Z when they were virtually unknown in Europe. With Bacchus, I've just bagged a blue Craft series WL4-DX from BassDirect (UK). Like you, I'm currently awaiting its arrival.

    These guys in France seem to have quite a big presence, though I don't know them and cannot vouch for them. https://japanguitar-handmade.com/gb/24-basses

     

  6. I've had several; most were purchased 2nd hand though. In these cases it was like choosing an "off the shelf" bass with known characteristics. A bit more unusual and exotic, but the same GAS driven impulsiveness. No buyers remorse.

    Two basses I've commissioned myself have been a Limelight P bass (a keeper) and an Atelier Z from Japan. In the latter case I worked with Danny Stewart and Pierre Gansman who took a lot of the mystique and inertia out of the remote build process. It ended up being slightly heavier than I'd spec'd but I went with it anyway. On reflection, being able to visit and talk with the luthier direct would be a huge plus in any build.

    As others have said, if you pile a load of cash into a commissioned build the sense of anticipation can depart from reality especially during long build times. I would imagine this could lead to a sense of anti-climax when said bass is delivered. Not my personal experience though.

  7. A bit late to this thread, but agree with the other posters. I've had (and still have) both P and J versions MIJ and CIJ. Overall the quality is top notch. Aside from one, which had a maxed out truss rod (easily fixed with a washer), they have all been faultless. A lot of bass for the money. Basswood bodies are light and resonant.......IIRC these tend to be more for the domestic Japanese market. 

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