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Bassassin

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Everything posted by Bassassin

  1. If it's got body binding I'm guessing it's a Roadstar II, maybe like this: [url="http://www.ibanez.co.jp/anniversary/84/3.jpg"]http://www.ibanez.co.jp/anniversary/84/3.jpg[/url] Or maybe the ones at the bottom of this page: [url="http://www.ibanez.co.jp/anniversary/102/2.jpg"]http://www.ibanez.co.jp/anniversary/102/2.jpg[/url] If it's in good nick £220 is probably not unreasonable - even better if they'll haggle! 80s Ibanez probably represent the pinnacle of affordable, original JapCrap & remember these were built by Fujigen Gakki, who at the same time were producing MIJ Fenders. Very good stuff. Jon.
  2. You might want to have a close look at your Ibanez, particularly the serial number. If it starts with a "C", it was made by Cort. Jon.
  3. Bump for woodyness! That's a unique & individual P for not a lot of brass. Jon.
  4. [quote name='Mr. Foxen' post='524237' date='Jun 25 2009, 11:10 PM'][url="http://cgi.ebay.co.uk/Collectors-1960s-70s-K-Bass-Guitar_W0QQitemZ180373648604QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item29ff1b74dc&_trksid=p3286.c0.m14&_trkparms=65%3A10|66%3A2|39%3A1|240%3A1318|301%3A0|293%3A1|294%3A50"]K[/url][/quote] J.
  5. Just finished it, I'll get it in the post to Cetera, just as soon as I get his details. J.
  6. The guy reckons he's had it from new, kept it for decades & barely touched it - I'm prepared to accept that, having done the same thing myself with an Ibby Soundgear fretless: [url="http://basschat.co.uk/index.php?showtopic=23341"]http://basschat.co.uk/index.php?showtopic=23341[/url] As has been mentioned the iffy burst is not only very common but accurate to the original. There are loads of 80s Tokai catalogues [url="http://www.tokairegistry.com/tokai-info/tokai-catalogs.html"]here[/url] and the Jaco-alike appears in most of them. The catalogue pics are poor quality so you can't make out much detail for comparison - but really I think the only thing that's at all suspicious is the shinyness of it. However, me & my old SR800FL exist as living proof some people just can't do fretless! J.
  7. That's just [i]delicious[/i]. Have another bump! J.
  8. [quote name='mickadams' post='523123' date='Jun 24 2009, 11:11 PM']Do you still have this? £120 sounds good to me.[/quote] Sounds f*cking fantastic to me for a minor project. Too bad it's collection only. Jon.
  9. [quote name='guzzibass' post='522851' date='Jun 24 2009, 07:18 PM']It's ok - no-one will come after you with a big stick - ready? G-U-I-T-A-R got it? Guitar!! There --- thats better. [/quote] No use, if you spell it like that it doesn't say "git". J.
  10. Disappointing - I hoped it would be this one: Including the parrot. Jon.
  11. I beat myself up regularly for not grabbing the one I spotted on the Bay a year or so ago. £95 BIN. Jon.
  12. I picked up a Columbus J a few years ago - it was OK but not fantastic, the body was ply, neck was pretty decent (but I remember it being a bit chunky), hardware was functional. As for the origin of Columbus, it's speculative. It was a UK importer brand so it's unlikely they sourced everything from the same factory, although their low-end LP copies (the ubiquitous black ones) have been 99% ID'd as Maya/Rokkomann. Variable quality - I've had 5 over the years; that Jazz, an SG (my first-ever g*it*r), two black LPs and a Strat. The best one was the SG, nice solid mahog body, real MOP inlays, green-button Kluson copy tuners - wish I hadn't killed it. I still have the Strat, although it's currently on The Bay - it's a later Columbus Mk2 and has no identifying marks - I'd say it's either Korean or one of the more obscure Jap factories like Moridaira. Either way it's not a bad little g*it*r at all. J.
  13. Well - that's a turn up for the book. Whatever that means: [url="http://cgi.ebay.co.uk/El-Maya-Bass-guitar-INCREDIBLY-RARE-80s-Japan-fabulous_W0QQitemZ120439151149"]http://cgi.ebay.co.uk/El-Maya-Bass-guitar-...emZ120439151149[/url] I should add - this isn't Deaver's, just a really weird coincidence. This is only the second one of these I've ever seen! J.
  14. [quote name='deaver' post='522116' date='Jun 23 2009, 10:15 PM']I think with p&p it bottomed out about £30 more in the end didn't it? Could be wrong my maths seems to have been a little awry of late El J[/quote] Maybe... Same thing happened with a lovely Ibby ATK I spotted about 18 months ago, £95 BIN - or £250 to me a year later! J.
  15. Sorry to wee on anyone's fireworks here but WRM is Wild Rose Music, who were an Ebay cheapo importer/reseller from a few years ago. The bass in question is a copy of a [url="http://vesterfansite.nl/data/storage/attachments/b6c447077499aef765a57f0523698b6c.JPG"]Vester Argus[/url] - WRM sold other basses "inspired" by obscure oriental designs, including a green-stained wooden Tokai Talbo knockoff. There's no reason to believe this ain't a decent bass - but it's not a custom instrument so don't go paying custom prices! These were probably not much more than a ton when new. Jon
  16. [quote name='BigRedX' post='520070' date='Jun 21 2009, 05:09 PM']Never understood the fascination for the covers on Fenders. Was there a practical reason for the pickup covers? I know that the bridge cover held a foam string damper, but I can't see any possible use for the cover over the pickup.[/quote] As I understand it, it's a handrest. In conjunction with the finger-rest on the "wrong" side, the intent was that you rest the edge of your palm on the cover, anchor your fingers on the rest & pluck with your thumb! I like the look of them but can't easily play with them in place - I either need to use the top of the pup as a thumbrest, or if I'm using a plectrum, rest the edge of my palm just behind the saddles. Jon.
  17. It's just a matter of personal taste, I used light stings (95-35) for years. Players like Geddy Lee & Mark King are known for using very light gauges & it's not done their "credibility" any harm! I'd recommend experimenting with a few different sets & find what feels best for you - never mind what anyone else thinks. Personally I found myself favouring slightly heavier gauges when I started working on my fingerstyle, having been a pick player for years, & these days I use very boring, middle-of-the road 105-45 sets - I prefer the higher tension because I'm a bit heavy-handed. Light strings do tend to be a bit thinner tonally, but I never found it was anything a bit of judicious EQing wouldn't compensate for. Jon.
  18. Probably someone made 'em an offer they couldn't refuse. Let's just hope they didn't sell it for £50! J.
  19. Hide-the-ply bursts will usually black right over the contours as well as the edges. That said, something don't look right about this. Maybe the burst's a refin? Jon.
  20. Do like. Despite the mods it's sort of cool to see that it still has the original little JapCrap tuners. Actually re-reading it he's not saying it's been refinished - he says that if a Shergold [i]doesn't[/i] have finish cracking, then it's a refin - and this one does. I would like to get one of these someday. Unfortunately, not today! Jon.
  21. Sounds good! Be sure & post some pics when it's all done. Hipshot is the way to go, I think, I love the one on my Kasuga (apart from the weight!) and I'm looking for a black aluminium one for my Frankenbugger - the standard one on it has lifted visibly since I fitted it. J.
  22. That Hondo's looking good for a bass from the 1940s! - Apart from the terminal tail-lift... Could be a decent bargain project though. J.
  23. That really is a lovely bass. The zero-fret thing is interesting and I've never understood why it isn't more widely used. Ironically older budget basses & guitars often featured them because it made manufacturing cheaper & simpler - this has led to them being looked down upon as a manufacturing shortcut, whereas logically it's hard to see an argument against them. McCartney had one fitted to his Rickenbacker. Jon.
  24. Lightly sand the bits you're going to spray to give the new paint a "key" otherwise it'll just rub off - there's no need to strip the body though. If you're going to use fluorescents (or any other bright colour), you will have to undercoat first. Fluorescent colours have to have a white base coat. I'd also recommend lacquering over whatever finish you go for once it's sprayed, this will make it last longer & be more resilient. Rattlecan lacquer can be expensive if you use Halfords or B&Q, but I've found Screwfix's own brand to be excellent at half the price: [url="http://www.screwfix.com/prods/21687/Paint/Spray-Paints/No-Nonsense-Acrylic-Varnish-Clear-400ml"]http://www.screwfix.com/prods/21687/Paint/...ish-Clear-400ml[/url] Bodger's tip: spray in thin coats as recommended, but instead of waiting for each coat to dry normally, borrow your wife/girlfriend/mum/sister's hairdryer & give the paint a warm waft for a few seconds - it accelerates evaporation & you can build up successive coats much more quickly this way. If you're lacquering & want a nice gloss I recommend T-Cut & lots of elbow grease to get rid of the "orange peel" & get a mirror finish. Make sure that you leave the paint a good while - a week or more, to properly "cure" before you do this. Jon.
  25. Pack of lies. It's Ebay, innit? Jon.
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