I’ve got D’addario tapes on 2 jazzes, probably around 7 years old now but still sound great and they’re really smooth now, I did buy the Fender black nylon tapewounds but they didn’t feel right, they were a bit tacky
I made one for my old shell pink jazz that I put together as a project, I think they work quite well, I play with a fairly light touch so it wasn’t a huge difference but if for some reason you wanted to reduce digging in it would work
I find the custom shop 1960 pickups very good and the noiseless ones in my jazz elite are really good, I’m not too sure on the electronics of those though as it’s an active jazz, but it has passive mode, would they work?
Hi SH, I’ve got some original isolated drum tracks saved from Carlton Barrett which I use for playing over , don’t know if they are of any assistance to you, you might be able to break them down
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Yeah definitely a different feel compared to metal, check out some of Karigan reggae drummer video’s, he’s really good, you might have to browse through as he’s got lots of different ones like, one drop, roots , rockers etc
I’ve got quite a few fender jazzes various colours and types , the one I’d say is a favourite is a 2014 Olympic white US one, but very close is a jazz elite, both very different , it took me a while to get used to the elite active controls but now I know the sweet spots , and build wise I think you would struggle to get a better quality than the elite
Thank you ped, that’s the thing it feels and plays really good, I think I just need to get on with playing it and not worrying about things, excuse the messy bass room I’m moving things around