TeresaFR

Lady DSM-V Diagnosis Huel and Oats Roy Orbigrandson Heaven 70

Rotosound Jazz 77 flats are 45/65/85/105/130 for the five string set - I understand you find the Ernie Ball cobalt flats to have greater output, but it sounds like the gauge variation would be a plus point for the Rotos.

I will say, the only time notation would have truly helped me was when I was in a band with a classically trained folk violinist. I think for some genres notation would help more than for others (jazz, for instance). At any rate, it wouldn't hurt to know it, just don't make it your first priority - learning the notes and tuning up must be your first priority once you've decided to actually give bass a go and have (legally) acquired one.

The Alleged Stranglers Superhomeless/ SuperNoFixedAbode Nosnowforyears Patrol #AntiVaxx (Cure deniers)

ACAB (ex- The Police). Elected Head of State (Ex- King, Queen, Prince). Suzy Octo (Quatro just isn't enough these days). Boudicca and the Banshees (Cultural appropriation, best avoided).

I don't think I signed up to this, but meant to. As it is, I'm still in. The last thing I bought and paid for was in November (HX Stomp XL). I refuse to upgrade anything until I've at least giged some of the cool stuff I have, though I am open to making a level 2 infraction if headphones (for production puproses) are permitted under level 2 rather than level 1.

Just going on the sheer number of big name artists using Schecter, I've got to think it's not a lack of famous players that are a problem for them - though a lot do seem to be hard rock or metal players. I don't think I've seen a Schecter in a physical shop but still, I own two and a good friend of mine owns another herself. Mine are a Riot 4 Aurora Burst and an SLS Evil Twin, both lefthanded. They're both great instruments, particularly the Evil Twin. My friend has a C-5 GT in purple and it looks and feels amazing (for a righthanded instrument). I guess the reason so many manufacturers build Fender-esque instruments is because those general shapes are so baked into the cultural psyche that people expect them and so it's a relatively easy money-maker, especially if you can do it cheaper and with just a touch of modern features to put your own twist on proceedings.

I'd rather have a Stargazer than a Ricky. I loathe the Rickenbacker shape.

Wu-Tang Klan (Yeah, these guys *are* white southern hicks in stupid conical hoods and they can't rap for shit!) The Mangles Het Shop Boys Deby's Midnight Runners Bun Club

Mammy Wynette (Maybe not actually a career killer for country). Tom Bones Gob Harley Farter the Unstoppable Sex Machine The Sinks

I rather like the Reunion Blues Oxford, but it's just slightly above you price (here it is anyway ndertons.co.uk/reunion-blues-rbx-oxford-series-electric-bass-guitar-gig-bag/). I did consider several of those mentioned above, but can't exactly remember why I didn't go for one of them, probably something to do with having bought the most expensive bass I've ever had and opting for a relatively "fancy brand" and Mono was too heavy and ridiculous for my needs (I'm very unlikely to be dropping my bass out of a hotel window from multiple storeys up).

Ice-P The Boggles The Skits

Pen Fold's Five. Hamiroquai. Grandmaster Flash and the Curious Five. Poxy Music.

Babylon Moo. Five Scar. (Oh no, these kids play with knives, and not carefully!) Take twit (Nooo, that's illegal!) Slice Girls (stop the ritual cannabalistic murders, Ginge!) Stereo MD's (not the medical practitioners you were expecting but you can probably score some pharmaceuticals, if you know what I mean). Roy Division Pew Order Rosetta Scone

Gush (instead of Rush, not Bush), though Mush instead of Bush).

I once owned a BC Rich (Platinum Series) Warlock that I bought to emulate my then guitarist, and the headstock dive on that thing made me strongly dislike playing it, so I traded it in for a Crafter electro-acoustic that I also realised I very much disliked because I'm not in my heart an acoustic player, not even partially. Of the six basses I have owned (I don't buy and sell much, don't go in for collecting really and I'm a lefty), those were the two not to be given names.

Sounds like they were the ones lacking style - speaking one goth to another. Plus, the Bongo's do look rather fetching in my opinion.

The only effects unit I bought this year, the HX Stomp XL - definitely an evolution on how I do things. Everything is now small and clean looking. No damned patch cables getting in the way, and partnered with the Nu>X C-5RC wireless system really frees up my floor space.

Out: HX Effects VTBassDI In: Nu>X C-5RC wireless system HX Stomp XL Not a terriby expensive year, equipment-wise. I do fancy a set of wireless monitoring headphones though, so I don't know I'm going to last 2025 without a purchase, unless I get the order placed really soon.

Love Under Will - Fields of the Nephilim

Just in today. Decided to go all-in and just have one thing to do everything I need and is compact. A relatively small step from an HX Effects and a VTBASS DI, but an important one to me. Free at last from patch cables and pedalboards, yes!

Oh, I bought a Nu>X C-5RC wireless unit so you can mark me down as out since the 5th August.

Well, I can't speak for every woman but for myself and some of the women I know who are in bands, we wouldn't get a tattoo or a facelift for a band. I do have a fair bit of ink but because I wanted it and not to appease anyone but myself. Like BigRedX, I'm also in the goth scene but I've not felt pressure to present in any way that I didn't want to. Heck, I don't even wear makeup - but, no one's going to accuse me of not being goth enough with some of the tattoos I have. Likewise, I do not wear my years quite as heavily as others seem to do.

I recently jumped into the wireless world, but not wanting to spend big money that I don't have, and not wanting a cumbersome body pack, I eventually opted for the Nu>X C5-RC. I needed something that would most likely work with active basses (it does), and from the reviews I watched and read, the Nu>X systems seemed to be amongst the best at a price point I could afford. So far, it's all been good, but I've not tried the system outside my flat. I did think it wasn't working on my Schecter SLS Evil Twin but no, I'd turned a volume down before I switched over from my Schecter Riot and forgot to put it back up - which explained how the tuner could pick it up but still get no sound.

Fields of the Nephilim do that walk on, play, walk off thing with only a "thank you very much" to acknowledge the audience. It works for them.