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ZilchWoolham

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Everything posted by ZilchWoolham

  1. One particular favourite of mine is how Roland Kirk changed his name from Ronald Kirk because of a dream. A simple procedure, just swap two letters. Blues singer and harp player John Lee Curtis Williamson took on the stage name Sonny Boy Williamson, and several years later another blues singer and harp player, Aleck Miller, took the same name to capitalise on the fame of the first Sonny Boy Williamson! In fact, Sonny Boy Williamson II is slightly older than Sonny Boy Williamson I.
  2. If I'm playing for 8000 people I think I should be having fun! A couple of Acoustic 360/361 rigs would sort that out quite nicely.
  3. Listened to this just the other day and I can admit I did not spot it! Just as you mentioned, it wouldn't be hard to argue it's supposed to be that way. That era of the Stranglers has some bizarre arrangements. Baroque Bordello off The Raven has Hugh in a different time signature to the rest of the band. They were really playing at the limits of their abilities on those two albums, maybe sometimes a bit ahead of them, so to speak.
  4. This Was isn't a stinker, but I think most people who aren't Mick Abrahams or John Peel would agree that Stand Up is the first proper Jethro Tull album.
  5. I am stunned. That "Leaves of Tears" purple monstrosity has got to be the most tasteless design I've ever seen on an official Fender-branded guitar. It looks like a Warmoth bitsa assembled for an AOR band in 2005. Apparently good judgement is an entirely optional quality for a master builder!
  6. It does sound very, very strange. That sound wave would be over a mile long. Is there even any sense in calling that a note?
  7. The Caribbean steel drum is an altogether older and distinct instrument, but all these other flying saucer shaped things are clones of a relatively modern instrument called the Hang. I see some pop up in various for sale groups on Facebook, classifieds pages etc. from time to time, and they're all indeed very expensive and seem to be sold and bought exclusively by New Age people.
  8. Oh no, that's not what I meant. Objective criticism is impossible. What I mean is they should engage with the material in good faith, as honestly as possible, and try to offer actual insight or analysis, instead of focusing all their energy on witticisms, gonzo ego stroking, or as is the case with the aforementioned Christgau, the preparation of word salads. And people like Lester Bangs really, literally did write about themselves. I read an interview by him (not with him) that he would periodically break up to insert vignettes recounting his shagging a prostitute in some South East Asian country. What the f*´k?
  9. To write about music, rather than themselves.
  10. This reads like it came right out of my own mind, only I had the unfortunate experience of discovering Robert Christgau quite a few years ago. And indeed, he was a big shot. I believe he, along with a few other select individuals, is to blame for the sorry state of popular music criticism today. The whole idea of pop criticism was fairly new back when he got his break, so there is no denying he helped shape the entire genre. Any critic attacking your favourite bands is bound to be annoying, but Christgau's positive reviews are as horrid as his negative ones. They just don't mean anything. It's just not parsable text. I will say, as musically ignorant and fashion-oriented as pop and rock criticism still is today, it was far worse in the 70's. Interviews as well as reviews were openly antagonistic and so harsh on their subjects you'd think they were writing not about musicians, but about corrupt politicians, or pet stranglers, or worse. Obviously, actual musical knowledge was never considered a requirement for writing about music. I'm an avid reader of Sight & Sound, and sometimes I think of just how different things would be if music journos were expected to be half as knowledgeable and passionate about their chosen subject as your typical film critic is about cinema. Of course there are exceptions, but the standard is ludicrously low. And a large part of the reason for that being the case is because the people who read Christgau, Lester Bangs, Julie Burchill etc. kept that dreadful tradition alive in their own writing.
  11. Of course, having an inferior but more outrageous bass player suited McClaren just fine. One can wonder though, if, with Matlock remaining, they could have evolved out of that first phase like several of their contemporaries instead of imploding.
  12. Probably Real World by Buzzcocks. But there were a lot of half-learned songs in those days.
  13. Yes, I think Kermode is very much a stand-up guy (in both ways, it seems) and quite the active skiffler.
  14. Good lord. I know they've been pretty shameless in their copying recently, but they're certainly not the only company iterating on (or cloning) old, famous designs, and while I'm not interested in their products, I can luckily simply avoid them. This is an entirely different matter, though. It's John Hall style bullying and then some. Filing for a trademark of another persons name is just about the lowest "competitive" behaviour you can think of.
  15. I bought an Ibanez Roadster from Sean. We ran into some bank issues that severely delayed the purchase, but he was patient and communicative as we both worked to sort it out. When the bass did arrive, it did so safely and as described. I'd certainly recommend him to anyone as a seller.
  16. The role of art and culture in Nazi ideology was immense. They were brutal in their attacks on what they called "degenerate art", which would typically mean anything modernistic or avant-garde, but could extend to virtually anything that wasn't Wagner or similarly heroic or nationalistic. Ironically though, the Italian futurists were essentially all fascists. It's hard to imagine they shared much as far as tastes in art are concerned, though of course they did share the same love of strength and violence, and the same contempt for the weak.
  17. What is your set list like otherwise? Even disregarding the question of authenticity, it's a heavy song to throw into a mix. I feel there are more occasions it would feel inappropriate than appropriate.
  18. I think Baz is a very solid guitar player and can certainly belt a tune, but he's got that sort of wide-stanced, brutish kind of image to him that I suppose might serve the more aggro material fine, but ultimately I find a bit one-dimensional. Hugh could certainly be rough, but there's another side to him as well.
  19. Such an incredible piece of industrial design. I can look at this thing all day. Bizarre to think the same guy came up with the amorphous Spector NS. Good luck with the sale!
  20. It should be noted that lyrics of unrequited love, heartbreak and indeed self-pity date back to Hank Williams at the very least, and are probably as old as popular music itself. They can, of course, be done more or less successfully. Personally there's only so much whine I can take without some humour, eloquence or at the very list poignancy and sincerity to back it up. However, I have a rather strong hunch that the majority of those who so often and so loudly feel the need to criticise young sensitive poets are simply rather angry middle-aged (or above) men of less than average emotional intelligence who find it both confounding and upsetting that some people not only find ways to express feelings other than aggression/horniness/triumphant superiority, but are actually rewarded for it as well - in money, and female attention, for whatever that's worth. And, in all sincerity, "big boys use Black & Deckers" is, this side of the century, as embarrassing a sentiment as anything found in your average power metal song.
  21. That's a shame, but expected. For some reason, it's very rare to come by cases for these. I was very close to buying one, with case, around this time last year but the seller unfortunately withdrew last minute. I suppose no case means it's collection only?
  22. You don't happen to have the hardcase for this?
  23. A vintage JJ tone is really rather simple. Precision bass, rounds, played with a pick into an overdriven amp. It's possible there was a torn speaker cone involved somewhere, but I wouldn't recommend trying to replicate that. I'm going to go out on a limb and say it probably won't be easily achieved with most modern amps.
  24. Spotted a nice Ibanez RS900 today, on a Trafalgar Square busker, no less.

  25. American hops, American hops, everywhere you go, American hops. 

    1. Mykesbass

      Mykesbass

      As in "Let's go to the hop" hops?

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