Jump to content
Why become a member? ×

tayste_2000

⭐Supporting Member⭐
  • Posts

    4,948
  • Joined

  • Last visited

  • Days Won

    1

Everything posted by tayste_2000

  1. Anagram and Wireless on a PT nano back of the stage. Front of the stage a cheap midi footswitch
  2. Similarly this one is down to £720
  3. Bought from Juan Alderete’s big Reverb Store sale. Shipped it to the UK, paid the duties, had the Thru jack fixed/sleeve/nut added, had the power switched to 240v. Sounds great, adds a subtle richness to the tone. Would pair beautifully with my Camden EC1 for the ultimate clean studio tone. I’m having a big clearout, won’t be heart broken if no one shows any interest.
      • 1
      • Like
  4. MXR Bass Octave Deluxe, early model I believe, so has a bit of noise when used. Can be heard in this video, I might be overly cautious mentioning the noise. If you can’t hear it, great, grab a bargain.
  5. Yeah that’s the video that convinced me to buy it.
  6. Some more pics
  7. A real rarity, only one made in the hand painted finish of a run of 25 Vexter Super Dupers. So a real one of one. Includes the zvex power plate, paperwork, box, hair tie, red rag 🤷🏻‍♂️ Works great as a 2 channel boost with a killer distortion, stacks well with other drives. Just a really fun and super loud pedal.
  8. Cost me about £350 back in the day and was the core of my board and IEM setup for a number of years. Essentially it’s a 2 channel mixer with a DI, balanced and unbalanced out for the bass. With a 2nd input for an IEM feed, this input is switchable mono/stereo. So basically allows you to take a really great FOH signal or utter trash. I use to take a passive feed out of the back of PA speakers. There is then a thru for you to pass this feed on to other band members and I’ll include a 4 channel Behringer Headphone mixer (that currently I can’t find the 12v adaptor for) and you have an all in one IEM solution. So you have a control for the bass volume and the feed volume. Allows as I saw above to just grab anything from FOH and you’ll always be able to hear yourself. I do the same now with my Darkglass Anagram and in a pinch Element. Open to offers and as above will chuck in the Behringer 4 ch headphone amp and 2 pairs of 🤷🏻‍♂️ KS10’s (without tips for hygiene purposes) to give you a full wired simple IEM rig for those wanting to try it all out. Can also be used as a headphone amp with a Twelve South Airfly to add Bluetooth. This was made about 15 years ago so to me is noisier than I would like and the pots can be a bit crackly, but I’ve never sprayed any switch spray in there. Just part of my never ending clearout.
      • 2
      • Like
  9. Slowly clearing out my collection of these, this is my last one. Hardly used, great condition, has 97% the sound of the Acme Motown DI when tested in the studio. Bombproof and tiny. Not a lot else to say really
  10. Maybe, it’s currently fighting for it’s life against the Anagram
  11. Tested them all, they’re all very much in the realm of tone sweeteners but for me it’s really elevated the Anagram to where I can’t fault it tonally or claim to be missing anything. The items in the pack Original no knob Sansamp Bass DI Juan Alderetes SVT DI Zerofive Audio Low Rider JHS Punchline Mojohand Cream Pie SGFX Beta Mk1 (and in combination with the Cream Pie) Cranborne Audio Camden EC1 (3 settings) My preferred settings on the Subdecay Noise Theory (Which hasn’t quite nailed the pedal but it’s better than the fuzz I had dialed in on the anagram) Essentially all my favourite pedals and preamps and I’ve now just got them as an option in the Anagram.
  12. At the very least we get to stop the complaints over it not having had a phaser like it’s somehow the most important effect ever.
  13. The studio figured out the issue with the captures https://www.tone3000.com/tones/steven-taylor-tone-pack-41791 I’ve not tried any of them yet but might as well share.
  14. @pantherairsoft afraid not, it’s very much a keeper. I highly recommend it, bit of a learning curve but very capable fuzz/synth. It’s in a couple of my videos on YouTube, mainly just 1 squelchy fuzz I use a fair bit, but it’s killer with an Octaver. I think you’d really enjoy it.
  15. Yeah 4 new blocks coming…. Soon
  16. Been in the studio today doing captures of various drives and preamps/di’s
  17. Chorus is great, currently there is no phaser
  18. EBS Flat Cables Job Lot - £100 (7 short, 1 between short and medium, 4 medium, 2 long (1 slightly dented but perfectly functional)) - Please note these are the older EBS cables with larger jack heads, all have gold tips.
  19. @Chadu25 sent you a message on instagram 😇
  20. It’s a combination of things, we live in the golden age of gear, it’s never been so abundant, available and to a degree cheap. When I started collecting pedals I was having to get custom buffer/blenders made to use fuzz pedals with active basses. There was a time when I sold all my pedals for a Line 6 M13, it was easy enough to cop decent fx from multis. The issue was amps, but as PAs got bigger and better a lot of us could go ampless. Which made the pedalboard more and more important and bigger and bigger. But until the Anagram the right combination of tone, fx, form factor, method of power and inputs and outputs just didn't exist at least for me. The Quad Cortex came close but it’s still a pretty big device if you've been running a pedaltrain nano for years. In between owning the Quad Cortex (which I hated) and the Anagram I built the board you see (along with additional things) for sale currently. This is where the problem became apparent, that board had like 3 core rigs, 3 sets of pedals I could take to a gig and get through the gig. So practice became this endless loop of comparing them and switching between them, the equivalent of going this song really needs and SVT, ah but this next one needs a Fender Bassman. Then on top of this you have more esoteric sounds that I wont use on a gig but I enjoy having, playing with, using on random songs I learn etc. So the board ends up being pretty large, you pull a few things off to do a gig, realise that no one cares and then comes a long a box, 2/3s the size of your smallest pedalboard, that you can power with your phone charger, that not only does all the combinations your current board but also any crazy signal chain you can imagine, has enough io to run a clean and dirty DI in the studio or work as an IEM mixer live. Then you look at your board and spares, price it up like Shep has, realise you've got 3+k sat there and even if/when you sell all that you’ll still have enough left over to build 2 nanos 😂….. well you end up where I am now.
  21. I would argue this is one of the best mid sized pedalboards available. Basically a pedaltrain 2 but not as deep. Wheels in the lid with a suitcase style make moving this around a dream. https://www.boss.info/global/products/bcb-1000/ Dual lock will easily come off, I spent 3 days cleaning this of the old velcro and have been unable to commit to it since.
  22. A Pultec in a pedal, amazing one knob eq. These are built in batches and sell out really quickly (plus the shipping and import duties) Not really a lot else to say about it, just great at the end of a chain to tighten everything up. The 60 settings works particularly well with drives. https://zerofiveaudio.com/produit/lowrider/
  23. Great condition, never used by me other than to test at home.
      • 6
      • Like
  24. I used this as a very high end practice amp. I would run a bluetooth adaptor into the Aux in and it just sounds great. The mojo control is very unique sounding and can add a huge phatness to your tone. Works great as a DI, headphone amp, IEM mixer, 1/4 in or XLR out of a nice tube DI For more information https://www.cranborne-audio.com/camdenec1
      • 3
      • Like
  25. This is a rare one (and I’m split out the items from my big purge thread because no one really reads them) This is an early Sansamp bass DI, it features internal control from Drive, Blend, Presence and Volume. It works as a clean and gritty even dirty DI with the switch on it. It’s a great way of having a locked in sound and the not getting any push back from a soundman because end of the day it just looks like a normal DI. This is the battery only version, but you can get them modified so you can have the Sansamp tone on a 1/4 and have a 9vdc in Link to the manual https://www.tech21nyc.com/wp-content/uploads/2024/08/SansAmp_Bass_DI_OM_NoPhantom.pdf
×
×
  • Create New...