dave_bass5

Maybe thats with it all maxed out. After all, he has the Low and Highs at the highest settings as well.

You could use the Dimension effect. This this based on the Boss Dimension D. I used to use the original pedal (still got it somewhere ) to thicken up my bass tone, and used the Stomp version a few times. Its like a chorus but without the ‘wobble’ if used correctly. A sort of doubling effect with a bit of course to blend this together I suppose. It might be that the Stomp/HFX etc dont have an equivalent effect to a lot of stand alone pedals, but having the ability to chain others together does seem to show you can get very close to most stand alone if you take the time to work out how. Obviously I’m not including Synth pedals, just before i get corrected lol.

We've all heard the original version, but i came across the No Doubt version earlier this month. We (the band) thought it might be fun doing a cover in that style. Its not hugely different to Elvis's version i guess, but we felt it has a better feel.

Thanks very much. it was fun doing it.

Not a song i'd heard before it was suggested by the guitarist. We didnt want to do a straight cover but its not too far from it i guess. Had great fun trying out new things in Cubase. Other than guitar, bass and vocals its all me.

He disowned me 😂 Anyway, its not him i worry about, its the GF 😎

Thank god i dont play bass these days. Just talking to you normally costs me loads of money, this would not help 😂

That cab profile feature the B|Amp has is pretty cool.

I’m going to buy the NXV210 one. Just that one on its own to use in Cubase when I’m recording bass. Not expecting it to sound like a real rig but it might give me the Berg vibe….maybe.

Anyone seen these IR’s? Seems like a good idea to me, seeing as how great their cabs are. https://www.celestionplus.com/products/backline-heroes/bergantino-cabinets-impulse-responses/

I think the main reason it costs more is it has a signature on it. Thats a always a sure way to make more money 😮

It will be an EQ curve of some sort, but not a HPF. From the manual. Two Voice types are available. With the switch in “up” position, the frequency response is true to the input signal. With the switch in “down” position, the low-end frequencies are naturally boosted. This is excellent where the guitar is allowed to take up a great portion of the sonic spectrum. E.g. for rhythm guitar in a trio.

The description says it’s a gain switch. The voice switch in the original changes the tone. I think the voice switch is crucial for bass players with that pedal. Obviously the new one isn’t aimed at bass, but I don’t think it will be as popular with bass players

Yeah, but at least it doesn't look like a turd sitting on the floor 😂

More headroom is good though isnt it? Still waaaaaaay cheaper than the Darkglass etc stuff.

I just noticed there is a new version of the Mojomojo out, which has a switch marked ‘11’ 😁 https://www.andertons.co.uk/tc-electronic-mojomojo-paul-gilbert-overdrive-pedal?fbclid=IwAR1fAYijz1wxD4kNYEEh_SHA96kykNX2OX0SsZ7KK17bRBqQVV1F6kvn5a0

I always used headphones at home as I live in a flat. I use the same patch for that as well, although I might put a comp at the start to hopefully help protect my ears.

Use it in Bypass mode 😂. I used to use the BDDI sim on all the time as my starting block, with just a hint of drive and Blend tuned down, and a Parametric EQ at the end of the chain. As i was going in to a rig i never saw the point of using amp and cab sims, although i admit thats what a BDDI is for anyway. Sounded very clean and punchy in a band mix.

It always costs more to re invent something that already works well enough 😂

FRFR HPF

Just don’t do any open air gigs without bolting it down 😂

Its been a while since I did this, but IIR the Stomp doesnt work with the higher khz files, so you need to choose the lower versions. Could be wrong though.

Fancied playing this fro years, and finally got around to learning in and recording it with most of the band over the past week.

Don’t get me wrong, i didnt not like it, it was just it a bit subtle for what it cost. For adding that extra ‘magic’ it worked fine, but then that all got lost with the band. I did a few gigs where i had forgot to turn it on, didnt notice, and that was that. I had other good EQ options at the time, so it just wasn’t needed.