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King Tut

⭐Supporting Member⭐
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Everything posted by King Tut

  1. [quote name='Vasquez Rich' post='96285' date='Nov 29 2007, 06:48 PM']Yes, I always end up being the daddy in the bands I'm in anyway, that's pretty much what I'm trying to do, but, and I'll be honest, it ain't easy to get people to even think about joining when your not in your 20s, or even older! Richard[/quote] I don't know what it's like in the rest of the country - I guess I must be lucky - living in Milton Keynes there is a diverse and thriving music scene with loads of musos of all ages and abilities, from indie to classic rock to folk, swing, blues and tributes. Lots of jam/open mic nights and a fair few venues also. Col
  2. I had one - great player - lovely slim neck - versatile sound but....... If you're playing Rock music I found it lacked bottom end when playing live against a loud drummer. Nice mids on the back pickup for finger funk though.
  3. Yup - I'm loving mine especially now I've got the confidence to gig with it. Very versatile as well with the magnetics giving a mega fretless sound and the piezo more of an upright vibe - that low B must really shake the rafters!!
  4. Just enjoy yourself man - I've started taking my NS4M out recently and just love it - kept the stickers that sub for side dots on though hee hee!
  5. In my humble opinion it's 100hz somewhere. My 2 punchiest basses are an 88 Stingray and a Corvette $$ - both active mm style pups interstingly
  6. If you're a good organiser - you're MUCH better off running your own band - if you want it - go out and get it. Pick who you want and get gigging baby!!
  7. Picked them up today - just about to put them on. Blimming post office and there £8 international handling charge - what's that all about!!?? I actually gigged my NS last night for the first set of our gig doing soft rock stuff - it sounded excellent - just feel a bit rooted to the spot - I like to move about if I can - I'll post once the strings are on, Regards Col
  8. OK guys - thanks for the interest - th 2 x 10 is gone - thanks Mat - 1 x 15 still available. Col
  9. Well - that's jolly decent of you Daf!! The Albion is pretty 'spit and sawdust' but at least they promote live music - which has gotta be good! Col
  10. Ooooh - thanks for the offer - Just fired off the order before I picked up your offer of a tryout. Are they still having bands at The Albion Arms - played there a while ago - not to keen on the venue TBH - got out alive though! Cheers Col
  11. [quote name='daflewis' post='88380' date='Nov 14 2007, 01:17 PM']I think the problem most people have with the original strings is that they sound more like a fretless bass than a double bass, this is certainly what i've found; and they are horrible if you use a bow! I can wholeheartedly recommend Corelli made by savarez, not easy to get in the uk but i got a set here: [url="http://www.gollihurmusic.com/category/5-STRINGS.html"]<a href="http://www.gollihurmusic.com/category/5-STRINGS.html" target="_blank">http://www.gollihurmusic.com/category/5-STRINGS.html[/url]</a> a fairly thin string with a bit more tension than the NS (but not too much) and work well with the magnetic pickup. I paid £100 for a 5 string set (a 4 string set is currently $105) so they're well priced too! (I've always liked these on double bass too, especially for jazz.) daf[/quote] Okey Dokey Daf - i've taken advantage of the good exchange rate and ordered a set - fingers crossed! Col
  12. I've got a CR4M. I have to say, i get on OK with the strings - could maybe do with a bit more tension though. Just going on other threads I'd looked at - thanks for the link. Col
  13. OK peeps - I keep reading on here about how awful the original strings are on NS EUB's. I want to be able to sound more acoustic bass like - and thought changing the strings might be the way to go..... But what should i get. I love playing the thing and I'd hate to spend the best part of £100 and find it's much more difficult to play! Looking forward to your thoughts, Col
  14. 2 x 10 sold pending payment............
  15. I used to have a Spector Euro 5 LX that had a walnut slice through it for added tone. I rekon I saw an Italia jobbie with a Bakelite slice through it for added 'tack'!! Not played one so I'm being a bit unkind, but sorry, not for me!
  16. After lots of experimenting with different FX I'd like to seek some opinion on what you guys use when playing live - in particular your experience with the compressors included on multi FX. I've got a Cube 100 that I use for smaller gigs - and I love the compressor on it - very unobtrusive - my favourite small multi is a Zoom BFX 708. The compressors on this, which include a few variations are all unobtrusive. However - this pedal is a bit delicate for me, as the in/out jacks are wired directly to the board and therefore vulnerable to damage. Going on my experince with the Cube - I thought a GT6B would be useful - again - very harsh compression imho - I didn't like my POD XT Live, generally, but the compressor on that I found to be very good. Then I had a Korg AX3000B - which seemed very similar in operation to my Zoom stuff (same company maybe?) - compressors harsh, but limiter better. So I bought a B2.1.u. This is much more robust than the older Zoom, but has some shortcomings........You can only switch from patch...to the next adjacent patch - you can't find a patch - then push both pedals to select. Also you can't name patches - so you have to either list, or remember which patch does what - a big minus in my book - advantages - robust, tap time on the delay function. I also find the compressor to be REALLY squishy and obtrusive, although the limiter seems to work much better than the compressor. At 'Music Live' I was interested to see a bigger pedalboard - aimed at guitarists - on the Zoom stand - can't remember the number of it - I love zoom stuff as they seem easy to use , and they always track so well (octavers/synths) I asked about a bass version, but the guy on the stand - who didn't have time to talk to me, said the bass market was to small to justify a larger bass multi fx. Rambling a bit I know but I'd be interested in your thoughts/experiences with Multi fx compressors.
  17. I'll forward the model number later - it's 200W 8 ohms. Very punchy.
  18. Find some 'open mic' folky type sessions and see what you can add.
  19. Veeeery challenging....good luck! And a good gig I should think!
  20. Still available - price drop bumpy!
  21. Ooh that's a nice price......free bump!
  22. [quote name='Bassassin' post='86719' date='Nov 11 2007, 12:22 AM']What are you thinking of doing with the old bits? I'll take 'em off your hands, for a modest but negotiable consideration - I can always use vintage JapCrap odds & sods for my various projects & Frankensteins. J.[/quote] Jon - I think I'll keep the bits - you never know when that allen screw or bush will come in handy! I gigged the Asama tonight and it was very nice. i used it in a classic rock trio, and it sounds very throaty, like a precision but more bottomy with less mid. New strings on a maple board made for some real nice clanking. I intend to put a sound clip on, when I get the time. Col
  23. Art is what sets those of us who 'know' above the rest! Superb picture.
  24. Nope - no identifying marks at all except for the logo. Nothing in the neck pocket/on the neck butt, nothing in the control cavity, the only place i haven't looked is under the pickups. Also, no serial number. I'm prob gonna gig her on saturday night so i'll let you know how she cuts it live! BTW, just ordered a new bridge and machines from Thomann to bring her up to the 21st century - the G tuner is pretty horrible, and the bridge is functional but v rusty and pitted. Col
  25. [quote name='Bassassin' post='84792' date='Nov 7 2007, 10:14 AM']No personal experience, but they have a good reputation. The Fenix brand was built by Young Chang in Korea, alongside some very similar Squiers they were building for Fender. Understandably, Fender got a bit pissed by this & shut down the Fenix brand, which I guess makes them latter day "lawsuit" instruments. As a result, they can fetch some not bad prices on Ebay, and by all accounts are pretty decent instruments. Edit: A couple of Fenixes on t'Bay at the mo: [url="http://cgi.ebay.co.uk/Fenix-Precision-Style-Bass-Guitar-Maple-Neck_W0QQitemZ180175371966"][url="http://cgi.ebay.co.uk/Fenix-Precision-Styl...emZ180175371966"]http://cgi.ebay.co.uk/Fenix-Precision-Styl...emZ180175371966[/url][/url] [url="http://cgi.ebay.co.uk/fenix-bass-jazz-copy_W0QQitemZ140176464179QQihZ004"][url="http://cgi.ebay.co.uk/fenix-bass-jazz-copy...6464179QQihZ004"]http://cgi.ebay.co.uk/fenix-bass-jazz-copy...6464179QQihZ004[/url][/url] King Tut - sounds like a good score on the Asama (which according to one website, means "Fat Bottom" in Japanese! ) & looking forward to seeing some pics. J.[/quote] Here's the pics..... Looks quite unique to me - some nice maple on the neck with a bit of birdseye in places - whaddya reckon peeps!! Col
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