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Everything posted by Happy Jack
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The early episodes are also fun for seeing Garfield Morgan drifting in and out of the series, before he became the third key member of the cast. Morgan used to live in Turnham Green (Chiswick) at the other end of my road, I'd see him all the time walking up to Chiswick High Road. In a Dennis Waterman twist, Rula Lenska used to live about 100 yards further up ... they must have been bumping into each other all the time.
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Be sure not to faucet ...
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Kinell ... how good is your eyesight? It flashed by so quickly that I didn't even see a bass!
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Then add shipping, import duty, and VAT ...
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*** SOLD ON EBAY *** Fender Precision Fretless 1977
Happy Jack replied to Happy Jack's topic in Basses For Sale
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*** SOLD ON EBAY *** Fender Precision Fretless 1977
Happy Jack replied to Happy Jack's topic in Basses For Sale
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Lining up silks - It's definitely possible, any tips?
Happy Jack replied to AinsleyWalker's topic in Accessories and Misc
This ^ seems like an excellent use of downtime during Lockdown. I hope to see a huge out-pouring of photos of carefully doctored strings. What we're far more like to get is a huge out-pouring of carefully doctored photos of strings ...- 45 replies
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A lovely example of a mid/late 70s fretless Precision, and at a sensible weight, just 9.75 lbs. The 3-Tone Sunburst is really crisp, and the black p/g works well with it (even though I'm personally a fan of tort with 3TS). Rosewood fingerboard is completely unmarked, and has a delightful, mellow tone & feel. This is a very rewarding bass to play. Similarly, the neck is unmarked and shows no wear at all. Fender dates are notoriously ... erm ... imprecise, but this came to me as a 1976 while the serial number suggests either 1977 or 1978. I don't do the whole completely-dismantle-the-bass-and-photograph-the-bobbins thing, but if you buy the bass then you're welcome to come and dismantle it with me at my studio. All in all, this is a lovely bass in pristine condition, and priced to sell. The bass is in Harrow (NW London) and I am happy to deliver in person or meet halfway (depending on distance), doing so in a civically-responsible socially-distanced sort of way if you prefer. Alternatively, I have appropriate boxes plus plenty of bubble-wrap available and I'm equally happy to post using DPD as courier.
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Everything I've done rig-wise in the last few months has moved me away from amp heads and pedal boards and into rack systems. Not being a big FX user anyway, I can't really justify hanging onto some of my less-used pedals. Here is the Hartke Bass Attack preamp pedal. It's simple, robust & versatile. Comes with original manual but I'm afraid the box eventually disintegrated. It's pristine and fully functional. V2 has been out for a while so you can no longer buy this model new. This is £40 posted to the UK.
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Everything I've done rig-wise in the last few months has moved me away from amp heads and pedal boards and into rack systems. Not being a big FX user anyway, I can't really justify hanging onto some of my less-used pedals. Here is the Xotic Bass RC Booster, every bit as good as you'd expect and rock solid in use. There's velcro on the bottom. Other than that, it's pristine and fully functional, complete with original box. Andertons are doing this pedal for £89 now, so this is £50 posted to the UK. See also my listing for the matching Preamp pedal.
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Everything I've done rig-wise in the last few months has moved me away from amp heads and pedal boards and into rack systems. Not being a big FX user anyway, I can't really justify hanging onto some of my less-used pedals. Here is the Xotic Bass BB Preamp, every bit as good as you'd expect and rock solid in use. One of the four little 'feet' has gone missing. Other than that, it's pristine and fully functional, complete with original box and price tag. I paid £150 for this at the LBGS some years back, so this is £80 posted to the UK. EDIT: I thought that writing "£80 posted in the UK" would be fairly clear, but I've had a series of enquiries from Germany and the Netherlands asking me if I'll sell it for the same price to Europe. Well I can post this in the UK for £2.90 using Hermes; posting it abroad means using DPD and paying £14.60. If you're on the Continent and you'd like to buy this pedal, you need to offer me £90, not £80.
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Everything I've done rig-wise in the last few months has moved me away from amp heads and pedal boards and into rack systems. Not being a big FX user anyway, I can't really justify hanging onto some of my less-used pedals. Here is the unexpected Earthquaker Devices Pitch Bay, complete with original box, sticker and catalogues. There's velcro on the bottom. Other than that, it's pristine and fully functional. These are getting hard to find and routinely cost over £200 these days, so this is £100 posted to the UK.
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Everything I've done rig-wise in the last few months has moved me away from amp heads and pedal boards and into rack systems. Not being a big FX user anyway, I can't really justify hanging onto some of my less-used pedals. Here is the astonishing Earthquaker Devices Afterneath. No box or manual, I'm afraid, and there's velcro on the bottom. Other than that, it's pristine and fully functional. Cheapest I've seen these sell at (new) is £163, so this is £90 posted to the UK.
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Hey Mr. Garage Man, service me Granada! [Daylight come, and me wanna go home.]
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The Importance Of Punctuation - revisited
Happy Jack replied to Happy Jack's topic in General Discussion
Yes, it was last shown in 1872. -
Useful Truss Rod Tool ... Fender Mustang / Jazz / P-Bass
Happy Jack replied to Adee's topic in Accessories and Misc
Hmmmmmm. £6.62 for the tool, plus £9.83 to send it by airmail from the States ...- 17 replies
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On the whole Active -v- Passive thing, do remember to compare the WEIGHT of these units. I've used big RCF and Mackie units and they sound undeniably bloody wonderful, but if I wanted to be a weightlifter I'd go to a proper gym. I now have two PAs. The passive one uses cheap speakers from Studiospares which weigh next to nothing and sound just fine at any sensible volume. The active one is a mini-linear array thingy; it uses powered sub-woofers on the floor (so they never need to be lifted high) which then drive the passive top units.
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The story of the Shadows celebrating 60 years, Friday 1st May 2130 BBC4
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Roland XP-10 Multitimbral Synthesizer including generic AC adaptor & printed & bound manual. This is a 5-octave, 61-key unit with a surprisingly wide range of features. Used but fully functional, this is in excellent condition for a 25-year-old synth, and would be equally useful as a cheap & cheerful stage unit in a live setting, or as a simple startpoint for a beginning keyboard player. BASICS Despite being 'entry-level' in 1994, the XP-10 still provides a large range of quality sounds including: · pianos, · organs, · strings, · synth sounds & effects, · drum sounds. There's also a nice, sensitive tonewheel for 'bending' the notes when playing synth solos. The XP-10 does NOT have on-board amplification. Outputs include 1/4" jacks (L & R with L Only = Mono) to plug the keyboard through an amp, combo, or PA, plus a headphone socket for silent practice. FEATURES FOR LIVE PLAYING This was one of the earliest keyboards to allow split sounds between right & left hands ... the lower half of the keyboard can be set to 'double bass' while the upper half is set to 'piano', for example. If you're not great at playing in keys with three sharps or four flats, the XP10 has a very quick-and-simple transpose function which allows you to play in (for example) C and F while actually producing music in the keys of E and A. These features are very handy for live use, especially if keys are being changed at short notice like a jam session. MIDI STUFF The Roland XP10 is multitimbral, allowing multiple sounds to be played simultaneously using MIDI input. It is a simple GM-compatible synthesiser that is ideal as a sound source for playing back General MIDI sequencer files. The sample set is drawn from the Roland JV- and XP-series of synthesisers. There is also an arpeggiator that can be synced to the MIDI clock. BAD STUFF The only issue with this unit is that the On/Off button has always been dodgy since I bought it ten years ago. The guy I bought it from showed me how to wedge a matchstick in to hold it in the 'On' position. The matchstick you see in the photo has been there since 2011. No extra charge. SO WHY SELL IT? Thanks to Lockdown, I've been spending far more time playing R'n'R piano than bass, and I now feel an urgent need for a keyboard with 88 weighted keys. This one has to go to help fund the upgrade. I've never really used MIDI anyway. Dimensions = 93 x 29 x 9 cm, Weight = 5kg The keyboard is in Harrow (NW London) and, whilst I distance socially as much as the next guy, I'm quite happy to meet (carefully and under appropriate medical supervision) in order to hand this over. Within a sensible (i.e. short) distance, of course. Failing which, I have enough cardboard to do make a decent fist of packing this for a courier.
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I use a lot of these: https://www.studiospares.com/Cables-Leads/Leads-XLR/Armoured-XLR-Male---XLR-Female-10m_689070.htm Never seen another band use them so they're very easily spotted and never confused, plus (being armoured) the singer & guitarist can spend the entire evening standing on the cable without damaging it. In the Junkyard Dogs we call these 'shower hoses'.
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Ai-ai-ai!!! That's horrible!
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When did 'need' ever interfere with GAS?
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Unless you have complete control of the band (and probably a wireless in-ears system) then IME you should forget about just putting the band through the PA - use the PA as sound support for the band, but keep the backline. Very few pub-rockers are happy to play without backline, and smaller gigs don't need PA support anyway. Besides, what are you going to do about the drummer? We've ended up with a position where we retain the backline but keep the volume level on-stage (for want of a better location) fairly low, achieving the desired level on the dancefloor by then adding overall through the PA. This also gives good flexibility between the start of the gig (six people standing near the bar) and the end of the gig (100 whizzed-up punters singing Mony Mony three feet in front of us), with the on-stage volume not needing to be tweaked. One last thing - you'll need a set of ears in the crowd either to operate the PA or to send signals to the band as to what needs to change. My bands are lucky enough to have @Silvia Bluejay out front with a tablet running the PA, and occasionally making offensive (and borderline obscene) gestures when the band annoys her.