Dood

Oh and my top tip for the Yamaha P series poweramps, for bass guitar:-

*Turn on the High Pass Filter on both channels.
*Wind the frequency control all the way down to minimum (25Hz)

There's no point trying to get the cab to produce frequencies it can't and this serious guards against speaker farting and over excursion due to excessive bass frequencies. I can't comment on how effective it is on other poweramps.. but this is a tried and tested method. You won't hear any difference in bottom end either, only less flapping about ;o)

[quote name='niceguyhomer' post='111502' date='Dec 31 2007, 02:31 PM']It's all Klingon to me [/quote]


Ha ha! Sorry mate! Hopefully my last post will make a bit more sense!

[quote name='niceguyhomer' post='111500' date='Dec 31 2007, 02:27 PM']Thanks Dood, will you have a look at this (EBS Microbass II spec) and tell me if it's ok...

Technical Specifications:

Nominal Input Level - 8 dBv
Input Impedance 10 Mohms (Ch A),
1 Mohms (Ch
Output Impedance 10 kohms
Frequency Response +0 / -3 dB 20 - 20k Hz
Tone Controls Bass +/- 15 dB @ 100 Hz
Treble +/- 15 dB @ 10 kHz shelving
Bright + 12 dB @ 10 kHz,15dB gain
Midrange +/- 12 dB, 50 –2.000 Hz ,Q=0.80
Edge +/- 12 dB @ 7 kHz
Boost Control Gain 0 – 30 dB
Drive Control Gain 0 – 35 dB
Dynamic Range typ 107 dB A-weighted
Dimensions (L x W x H) 4.3” x 6.0” x 2.3”
(110 x 153 x 58 mm)
Weight 875g (1.95 lb.)
Power Requirements 9 V DC Regulated, 10 mA[/quote]


in addition to my previous post.. I think some poweramps do infact need a bit more signal to drive them as well. So, if you have a low output preamp connected to a poweramp that needs a hotter signal to drive it... the net result is less output from the amp. I think it'd be a disaster if said gear was then plugged into a cab with a very low sensitivity, like an ACME for example!!

Are you able to try that set up again? maybe with a different preamp?

Last night I had the set up:- BASS>Multicomp>EQ rack>Poweramp>Epifani cab. I really had to boost the output of the EQ to drive the amp. This was because I was running at 'instrument level' and had to boost the output up to 'line level' for my poweramp.

This is why I suspect you are having the same problems. Funny how we were both using*almost* the same set up!!

The EBS MicroBass v1 manual suggests an max output of 9dBv - but the v2 doesnt say. I wonder if this is the prob.


On a related note, I took my Epi cab, power amp.. EQ rack and EBS compressor out last night for a jam and also had some remarkable tone results!

Hey chap! to be honest.. I'd check to make sure the EBS microbass is able to supply enough signal to drive the poweramp effectively. (true line level output, that is) I used to use a P5000 in a metal band and had enough volume. (Used an Ampeg SVP to drive it)

The Yammy amps are great.

[quote name='wateroftyne' post='111465' date='Dec 31 2007, 01:25 PM']

Say hello to, from left to right: Indiana, Tonto , Captain Storm and Pietro.

Don't ask.[/quote]


WOT, I still think your collection is optic nirvana ;o)


I'm sad.. I used to name all mine. Now only Doodle and my old electric guitar have names. My new Shuker will have a name too.. after all, she will be Doodle's little sister.

I also go for girl's names just seems right, to me. *insert cheap innuendo about caressing.. hanging round ya crotch,G Strings etc etc etc* lol lol

Ummm have I missed something.. I had a look at the pics.. and it just looks..well.. a bit like every other MM to me. *ducks* Please enlighten a thickie lol

You seem to be pretty close to Jon Shuker in Sheffield.. www.shukerguitars.co.uk . I don't think I need to say how good he is ;o) My 7 string and the 6er that is 'on the way' both have a custom ramp included in the design.


*disclaimer.. there are other good luthiers etc etc....

Hey!

Yep, I do have the G Force and I rate the G Major very highly too. These 2 TC Electronic effects units are amongst the very best on the market. The only other effects unit that I would put in the same league is the now discontinued Lexicon MPX-G2 - but even that had a confusing menu system, despite an awesome array of effects. If you wanna go better, then I thin Eventide is the next stop. I have had my GForce for several years now.. and I *still* havent found another unit to touch it. Pretty future proof to be honest.

Rack units appear to be a bit 'marmite' IYKWIM. If you get one, don't forget you will need a MIDI foor controller also.. One of the reasons people are put off.. as it *appears* to be an excessive additional cost.

Anyway.. the TC.. it's great! doesnt suck your tone.. no delay between patch changing.. effects are completely transparent unless you want them not to be! - and don't believe the guff about digital being cold and toneless.. rubbish made up by...well.. don't get me started lol!!!

Anyway..errrr.. stop me!!! I love the TC .. as I have said before.. I have actually changed ALL of my equipment, except the TC.. its one item that I will have to find something seriously better to decide to sell it.

My guitarist in my band has the new G system.. and the other guitarist also has a G Force! Wow! Just realised we have a lot of TC toys!!!

ha ha ha ha ha!!!!!! look at that neck!! The tuning keys are rubbish too!! I feel sorry for anyone who gets sucked in to this auction!

I have closed the threads in each of the other forums with a message to come here. Sorry for your loss.

See thread in General Bass

See thread in General Bass

See thread in General Bass

See thread in General Bass

Too right ma friend! Have replied to your PM now ;o)

[quote name='metaltime' post='110183' date='Dec 28 2007, 12:43 PM']Hi dood this is going to be some bass. I wanted to ask you about your ramp. i am thinking of getting one made wen i go with my upgrade to emgs on my six string. I am guessing you think its worth having but can i ask why?[/quote]

Thanks so much! Yes.. this bass will certainly stand out from the crowd ;o) Ahh yes! I do love my EMGs! Although this time I am going to try a different pickup! I'm judging them on what I have heard so dar.. so, should be an interesting decision.. especially if I get it wrong ha ha! - no, i don't think I have though.

Ok RAMP! Yes!! The single best thing that I have ever done to improve my 'finger style' playing is having a ramp installed. Jon and I designed the one on my 7 string (see my other build thread) that will also go on this bass. It is fully adjustable.
Ok, so why? Well the 'technology' behind the ramp is fairly straight foward really. You can liken the ramp as a guide for your fingers. When you play, you stroke your finger across the top of the ramp to where you hit the string. If the ramp is set up properly, your finger will slide straight over the string and back on to the ramp. Now.. here's the bit I like.. if you are a 3 finger (or 2 for the matter) player, you're three fingers are different lengths, so in theory, whilst you are jumping around on stage and moving about, potentially, those 3 fingers are hitting each string at different velocities.. you may also have one finger stronger than the other. With the ramp in place, your finger always hits the string in the same spot, everytime.. you will also hear less variation between each finger as well, so triplets (especially fast) sound smooth and well executed.

I have also discovered another use for it! If you bring the ramp up high enough, and play with a pick.. you can actually slide the tip of the pic over the ramp as you play, for some awesome super smotth tremelo picking!

[quote name='metaltime' post='110183' date='Dec 28 2007, 12:43 PM']I find that the sweet spot for my tone is just infront of the bridge pickup and i like to play over something to help me with my speed so it makes sense for that. Also does it help with three finger tech in general i think i read you said something along those lines. any other reasons im missing for you?[/quote]

Yup spot on.. It doesn't matter where the Ramp goes. You could put it at the end of the neck if you really wanted. I kept mine away from there as I do a bit of slap and it would get in my way. My 'sweet spot' is in between the 2 pups on my 7 string.. so this will be duplicated on this bass too.

That pretty much sums up the ramp. Check out players who use a thumb + 3 fingers technique, like Matt Garrison and Gary Willis. I think they both use a ramp on their basses.

Oh.. and whilst we're on the subject, i'd like to take the opportunity to have a quick rant: I have read posts here and there that suggest using a 'ramp' or a hairband round the bass neck as a mute is infact cheating and people who do so aren't 'real' bass players. Never before have I read such a crock o' sh*te.. these people are idiots ha ha ha!!!!

Following compliants to the moderation team re: the content in this thread I am closing it. I don;t have time at this hour to read through each post.

Will be contacting members in due course.

Hey Jim! Thanks for the review too. Welcome to BassChat!

and nice new strings for a springy and vibrant tone to your thumbing and pops!

[quote name='Beneath It All' post='108645' date='Dec 23 2007, 05:59 PM']..Guess you've not played with many people then.[/quote]


Gonna have to agree with Bilbo'. I know far more people who play like a bag o' sh*te under any sort of influence in comparison to 'sober'. A playing perspective aside.. it's pretty hard to get someone whose caned all the time to get off their backside, be motivated and be responsible for any serious band tasks. - Which I think is an important part of a successful band, and a good reason why I would be unlikely to do any serious band work with a space cadet.

[quote name='ped' post='108282' date='Dec 22 2007, 06:30 PM']Glad this was all OK in the end. I TOTALLY understand where Mr. Volume is coming from regarding not having the time to que in the Post office - I sent a Trace SMX pedal to Dood recently and I was waiting for about half an hour, it was absurd in this day and age.[/quote]



and he thinks he is getting it back too lol lol *rubs hands together* mwah ha ha ha ha!!!

I'm hoping to write a review for you good folk soon, Vs the EBS Multicomp!

Tweeters on guitar amps using over drive and distortion generally sound harsh and fizzy due to the design of guitar amps. They also tend to fail when they are driven very hard with distortion too.

Personally (as I like the 'brand new string' sound) I would never be without quality tweeters. They enhance the sound of my basses and add clarity to my playing.
Distortion can sound fizzy on my rig if not treated with some addition tweaking.

It is purely down to taste, yes. I do have a bit of a bugbear with some manufacturers who seem to think that any ole tweeter & crossover will do.. and the cheaper the better lol. They (not pointing any fingers) sound shrill and pretty aweful, to the point that they should just be turned off!

[quote name='TimmyC' post='107768' date='Dec 21 2007, 05:30 PM']Let's see if Dood can resist this price...[/quote]


He doesn't have any choice... he has literally no money! I'll drop you a line if the kidney sale goes to plan!!