
Misdee
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Everything posted by Misdee
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Thanks so much for getting in touch, I am absolutely sure that the problem lies with me and how I am using the pedal. So, is it correct to think that the presence control is boost only i.e. all the way off is flat?
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I recently replaced my trusty Korg Pandora PX4b with a Tech21 BDDI V2 in my home recording set up. Unfortunately, despite my best efforts with the EQ, the BDDI sounds very harsh and trebly. With the treble and presence controls set at 12 o'clock (ie flat) the sound is very, very toppy, so much that if I am doing a bit of slapping and popping the twang is fit to burst my eardrums! I am having to roll back the treble and presence to about 10 o'clock and also have to use my Diamond BC1 compressor to get an acceptable sound with my main bass, a USA Lakland PJ. I should also mention that I am recording onto my PC via a Foccusrite Solo 3rd Gen into Audacity. I have not downloaded any of the bundled software included with the Focusrite, but plan to do so as soon as I can work out how to. As I have mentioned before on these pages, to describe my tech skills as remedial would be overly kind. Any help or advice on taming the sound would be gratefully received.
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Warwick to become 'Exclusive Licensee' to Sadowsky!
Misdee replied to warwickhunt's topic in Bass Guitars
To me, this is a bit of a disaster. Yet another iconic brand compromised by a mixture of ageing ownership and economics, with Spector and Ken Smith making similar arrangements to Sadowsky, and Pedulla gone completely. What is glaringly obvious is that with this licencing deal Warwick have made a massive play to get into the Fender-derived bass market, an area they were previously excluded from by their own designs. Warwick will now be in pole position to take over the brand entirely when Roger retires. I fear that in the fullness of time they will have no scruples about compromising quality and exploiting the brand name. -
Totally agree that mainstream pop music has been going nowhere for a very long time. The exception would be rap-/hip-hop/grime etc. And yes, Oasis sounded nothing like the Beatles, more like Slade for the TFI Friday generation. They just thought that if they mentioned themselves in association with the Beatles repeatedly they would somehow appoint themselves as inheritors of the Beatles genius. The major difference being that Oasis were of very limited ability and even more limited intelligence. Testament to just how unaware they are of their shortcomings is just how enamoured the Gallaghers nowadays are of their own importance, offering their wisdom on a whole host of subjects. Brett Anderson once famously described Oasis as electricians with guitars, but I would take exception to that. No way could any of them learn a trade.
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Thanks, cheers for that. Right, so I am going to get myself a Focusrite Scarlet-solo and an XLR cable. May I ask do you know if it will work OK with Windows 7? ( Yes I really am that far behind the times) Regarding the Helix, unfortunately it wasn't available yet when I was shopping for an upgrade on the Korg Pandora, so I bought the BDDI V2 as a good safe bet.
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Absolutely stunning Vigier you Absolutely stunning. Crikey what a corker! That is an amazing find, may you get many years of pleasure playing this bass. I remember going to the Bass Centre at Wapping in the very early Nineties and playing a few Vigiers. They were just about the best basses in the shop, to my taste anyway. I would have bought one there and then but I found the pickups to be a bit microphonic under my plucking fingers, according to my recollection. May I ask what the string spacing is on these?
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Thanks for the suggestion, but I tried the Zoom a while ago as it seemed the obvious replacement for the Korg, but to me it didn't sound anywhere near as good as the Pandora. Despite the extra tweakability of the Zoom, it always sounded harsh and synthetic by comparison.
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Thank you so much for this information, it's exactly what I need! Can anyone recommend a fairly basic and easy-to-use interface with an XLR input? I presume I will also need a USB cable to connect the interface to my PC? ( please don't be afraid of causing offence by stating the obvious, I really do know nothing😄).
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Hi there, I'm hoping some of you chaps out there can help me with a problem I'm currently wrestling with. I am not very knowledgeable about anything to do with computers ( to put it mildly! ) and I want to be able to record myself on my PC playing along to music. Up to last week, I had been using my trusty old Korg Pandora PX4D in a cobbled-together fashion to record myself into Audacity However, the Korg is now kaput after 10 years sterling service. I have a brand new Tech 21 BDDI V2 that i haven't got round to using yet despite buying it over two and a half years ago and I want to use it to do the same job the Korg did, but I have no idea how to go about it. I know I will need an audio interface of some kind, but I want to be able to record both my bass and the track I am playing along with into Audacity so that I hear both on playback. Is that possible using a fairly standard interface? Any advice on what I need to buy in terms of hardware and accessories such as cables very gratefully received. Cheers
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So are chestnuts but they don't make a great fretless.
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I'm genuinely surprised so many people are enamoured of this bass. Essentially you are paying three grand for a Stingray Special with a flame maple fretless fingerboard and no scratchplate. It's hard to see where the extra £800-ish has gone. Special Edition? Let's face it, EBMM put out more "Special Editions" than Status Quo have done farewell tours. The fingerboard doesn't look quite right on a fretless, and will not wear well over time, I fear.
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If I am not mistaken, this bass used to belong to a session player called Dave Shields. He used to be co-owner of a bass shop in Mansfield called The Embassy. I am sure some other Basschatters will remember it too. This Wal was featured in an edition of Bassist magazine some time back in the 1990's.If not this bass, then it was an identical bass made from the same piece of mahogany. I distinctly remember the story about how the facing wood was sourced.
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Jazz nuts? You should get that looked at by a doctor. I've got a couple of very similar USA Lakland P Basses and they really are fantastic instruments. They nail the feel of a good vintage Fender whilst enjoying the more robust construction and reliability of the modern era. Whoever buys this will be getting one of the best P Basses money can buy.
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Mike bought my USA Lakland bass and was an absolute gentleman to deal with from start to finish. Polite, friendly and helpful with prompt payment and good communications throughout. A total pleasure to do business with. Thoroughly recommended.
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Thanks for the advice, I will experiment . I am always wary of setting the pickup too close to the strings and getting magnetic interference from the pickup on the orbit of the strings, causing unwanted overtones. There is nothing wrong with the tone of the GZR as I currently have it set, it's just not quite as loud as my other very similar P Bass equipped with a Lakland Neo Punch pickup set at the same height.
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Does anybody know the correct height for an EMG Geezer Butler P pickup? There are no guidelines that I can find on the EMG website. I know there is no "right" answer but I would be interested to hear how other people are adjusting this pickup. My initial impression is that, despite Geezer's reputation as a heavy rock/metal player, this pickup is not one of the hyped-up "hot" P pickups such as the Seymour Duncan Quarter Pounder et al. It is surprisingly vintage in it's output and overall tonality. I'd love to hear what other people think.
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Absolutely love late 60s/early 70s P Basses myself, and prefer them to earlier more vintage models I have played. This looks like a lovely example. Cant wait to hear and see more of this one. Great purchase, I like your taste!
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Lakland USA 44-60 J-Sonic Alder body maple fingerboard with ebony dots Quartersawn graphite-reinforced neck Vintage -style tweed OHSC After much deliberation I have decided to put this bass up for sale. I am the original owner, and the bass is in brand-new practically unplayed condition . The case has never been used and all the case candy is unopened and intact. The bass was a custom order from Lakland , delivered to me at the end of May 2013. I don't play in a band and the bass has had only very occasional home use since I got it. For most of the time this bass has had Thomastik flats on it, but I have just put a brand new set of D'Addario XL nickel roundwounds on for the next owner. Anyone who has played a USA-made Lakland will know the level of quality . Hand-made in Chicago, these instruments really are up there with the very best. The neck profile of this bass is an exact replica of Joe Osborn's famous 1960 prototype Fender Jazz bass and is the best Jazz neck I have ever played. I couldn't describe the fingerboard as highly figured, but it does have some subtle and attractive birdseye figuring. The concentric stack knobs are a nice feature too, and are reputed to give a slightly different sound than the three -knob vol/vol/tone arrangement that replaced them on later Jazz Basses. This bass also has a beautiful piece of vintage-style tort for the pickguard, much better than the run-of-the-mill examples you see on most basses nowadays. The ChiSonics pickups are a true single-coil made with neodymium magnets and have Jazz Bass- like overtones, but with a higher output and wider frequency response. They are a unique- sounding passive pickup with deep lows , a muscular and very musical midrange and a nicely extended treble. John Pirrucelo at Lakland told me that they wanted to make a pickup that was reminiscent of the Hagstrom Bisonic/ Hammond Dark Star but that was less finicky to adjust properly . The Chisonics really are a seamless blend of the modern and vintage tone and are quite addictive. I bought this bass because, after getting my Yamaha BB2024X, I was looking for another high-end passive bass that similarly had the depth of tone and dynamic range of an active bass but without being too "hi-fi" and with the more organic tone you get from a passive bass. These Chisonics really deliver in all those respects. I shudder to think what a new one of these basses would cost at the current exchange rate and you would have wait about six months for it . This is an absolutely mint example that has belonged to a very careful middle aged man who has no life whatsoever. Please let me know if you have any questions or want any more info. The bass is located in Huddersfield, West Yorks. I have still got all the original packing material that the bass arrived with from the States so I am willing to ship at cost , at my own discretion, of course. Definitely no trades.
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Norman bought the Alembic from John Entwhistle, IIRC. Love Norm's P Bass tone on New Boots and Panties. That is one of the benchmarks for me.
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I've got a USA PJ and a USA P BG and they are both amazing basses, by far the best P basses I have ever played. They sound and feel great. The Skylines sound very similar and are a bargain. Just make sure you find one that is a weight that suits you, and you can't go wrong.
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I recently put TI flats on my Fender 74 AVRI Jazz Bass and they have been a revalation! I can now pretend to be Larry Graham, Robbie Shakespear or just a middle-aged bloke with aspirations to be a hipster. Win-Win!