if you want this sound live you need an LPF pedal. A lot of the impact of the track has to do with bass filter and a dry sound interspaced with effects on chorus lines etc. A sequencer would help as well as machines quantize better than humans. I would like to think there is some actual bass doubled here, if their isn't the guy who produced it had a very good knowledge/manipulation of ADSR . Breakbeat has a lot to do with this track. The production is very very good and was probably expensive unless you area naughty torrent user with lots of RAM and a Ferrari of a laptop its difficult to replicate. The reason i think we all like it is because its basically disco and some of the finest blokes we admire were in that era. People like Bernard Edwards could play like a machine before they were invented. There are a lot of flourishes with strings and stabs,lots of delay, reverb then back to dry filtered bass. A lot of the guys who produced and played disco also knew a lot of electronic and studio knowledge. This is why i have never shied away from electronic music.