uk_lefty

Fair comment! Might be worth checking how they print then.

True, but with well over fifty songs we can all have a mental block from time to time! Can't remember a gig where one of us hasn't had to ask what chords for a particular song.

We managed to sell out of all the small t shirt runs we've had done just for a local covers band. Got some more on order for this weekend but the supplier we use is also the drummers work wear supplier so we get treated well by them through that association. Sportswear companies are good at this kind of thing too, they will have the embroidery and heat printing stuff ready. So if there's a supplier you already know, and they don't have to be a "specialist band t shirt provider", you may get more flexibility than someone who takes your order literally and doesn't apply any of their own initiative, but still takes your cash

For that kind of money you may be able to get an SUB. Also the fakery is done very badly, if it's a "vintage" say, then it would have been better off remaining a "vintage". And there's nothing wrong with OLP or SUB basses, not sure why the person has bothered, particularly with the "made in" decal on the back of the headstock!

Have had a five string for about seventeen years, for a long time it was my only bass. For the way I play letting an open B ring while I go to another note on the E or A string has an advantage, as does getting a thundering low D in here and there, also found having that lower Eb useful. I've just yesterday received my first ever fretted fiver, a Sire V7 vintage. I love my four string jazz bass with drop D tuner but I wanted to have more options for hand position and think more about that aspect, than just playing it as a four with a low D when needed. Also I need to keep a bass in standard tuning for playing along with mp3s but my band plays down half a step. I might try to keep the Sire in standard tuning and adjust my hand position, but that could throw off the other guitarists!! The only thing that has put me off a lot of fivers in the past is narrow string spacing. That's put me off a lot of fours too to be fair The Sire just feels very comfortable though for string spacing and neck width.

That has dodgy written all over it. No, "oh, sorry I thought I'd sent the payment" just asking you if you've posted when he knows darn well he hasn't paid then he tries to make an offer of part payment... Smells fishy to me. Avoid.

I'm not yet sure if it's an issue at all, but will keep an eye on it in case I have to send back. It was an internet purchase so I have time to check it at full tilt tonight with the band before taking the cellophane off the pickguard. If it's something my set up guy can quickly correct I'd rather hang on for him, it's a natural finish and I'm not sure I'll get a replacement just as nice.

Just had a good run through and it hasn't seemed to make the slightest bit of difference, fortunately. When it gets set up I might ask the Luther to have a look but it isn't stopping anything happening right now.

Just bought a new jazz bass and not had chance to play plugged in yet. Noticed that one of the pole pieces is not flush with the top of the pickup cover but about 1 or 2 mm set in, if that makes sense. Question is, does this affect anything at all? Playing unplugged the bass is glorious so don't want there to be an issue or repair bill. Thank you!

I use these already. No complaints so far. Just interested in how a cable can be bass specific, as Vox claim. Not criticising, I love buying things that I convince myself will make me sound better!

It has arrived! Not had a plugged in play with it but initial impressions as follows... It has arrived almost in tune and with the lowest action ever. It feels really nicely balanced, the swamp ash looks great, lovely grain and no obvious mismatching where the different bits of wood have been fitted together. The neck feels nice and fast. I don't usually like a glossy neck coating but it seems to feel alright at the moment, sweaty hands are the real test for that though! Unplugged it seems plenty resonant and to have quite a tight defined sound. I like the body end rod adjustment. The controls feel sturdy and have a centre detent which is good. The bridge looks very bog standard, a chunkier bridge would make this bass look higher end and may help get the snappiness I'm looking for from this bass. The neck has no sharp frets and looks to be well put together. Neck pocket could be ever so slightly better but I'm not at all worried. Just got to get this plugged in as soon as I can and let it rip!!

I like the look of that... But what makes it bass specific?

Thank you, but a week too late for me, sadly 😑

Enjoy, enjoy, enjoy!!! Playing bass is not I repeat NOT a competitive sport. There is no winning or losing. When you play your first gig and you play the right positions but on the wrong string, don't worry, nobody else actually noticed, it's not the same as letting a goal in. You can, and should, be in more than one band at once. Fill your boots in your teens and early twenties because work and kids will take up more and more time when you pass 25. Don't sell that Warwick, just learn how to use the active EQ properly. And don't sell the Hohner B2A, learn to love the tighter string spacing. Bid more for that headless Washburn Status (and semi hollow ibanez) on eBay, you don't want to only just miss out and never see one for sale again...

I can't tell the difference when using the loop or not so to save on the extra cables trailing around I don't use the loop. I can't help thinking I'm doing something wrong...

They tried to deliver yesterday but I am away... Itching to get my hands on it

Surprised you even made it to the gig! Not knowing how to operate a PA is forgiveable but a "guitarist" not knowing how to tune his guitar, or a drummer not following a song, those are big red flags to me!

I've had one as my main gigging amp for about a year. In our rehearsal space we have the ABM heads and I personally prefer the RM. The ABMs are excellent for playing harder and rougher sounding, great with a pick, but I haven't played with them enough to get a good "polite" fingerstyle sound. I like simplicity in my amps, so the RM works for me. The EQ is very useable, I never use the "shape" button, but you can disable the EQ if you run a pre amp pedal you like. I invested in a two button Ashdown footswitch for mine so I can engage/ disable either the drive or sub and that gets lots of use on gigs. I play a real variety of covers through mine and it handles it all well, fretted, fretless, jazz, p... The best cab combination for it I felt was 2x15" RM cabs. The 2x10 sounds good on its own and as a 2x10 + 1x15 which I currently run. Overall, you can't go wrong.

Though they've called it the "Beatle bass" so someone who has never seen or heard of Klira could be forgiven very easily

I know it's not the same pedal but I had a budget Tomsline octave pedal that added fifths, octaves up, etc. Tomsline stuff looks the same as Donner and Amoon for a lot of products. It didn't last long for me. The higher frequency sounds just sounded like an old Nokia phone having a fit, it wasn't at all natural. I have no idea why anyone would want that. I would be wary of budget pedals for octave up and go for the tried and tested stuff closer to the £80-£100 mark otherwise you could just be throwing away £25-£40 or whatever on the cheaper stuff.

I've gassed for ages over all different sorts of basses but this morning in a sleep deprived state I pulled the trigger. I like a J pickup sound but my jazz bass is very badly beaten up, I'd put a j in to my p bass but I think I'd be devaluing something special. I also have a five string fretless and my band plays tuned down half a step. This is awkward playing along with original recordings in standard tuning so a fiver would help as I can do both with it by shifting position. I want the ash body maple fretboard combination. I want something a little bit different. I want to try active electronics too. I never put much effort in to using them with previous basses, always going passive but I've heard great things about the pre amp on these so hoping this enlightens me. I don't want to spend soucb money that I'm stood like a guard dog by my gear at half time in every gig, or I get upset every time I have a headstock clash with the guitarist or the drummer yet again kicks over my bass when climbing around the stage like the monkey he is. So I bought this morning from Thomann a Sire V7 Vintage fiver in natural finish. I'm a bit skeptical on the bridge and tuners but they're easy upgrades. I love the look of it, though I toyed with the V9 (ruled out for alder body just like my other fretted basses) and also the P7 swamp ash. I want to try the five string jazz and Fender don't do it for lefties unless you spend the kind of money that could get you a good small hatchback car second hand. Very excited to receive this in the next few days....!!

My pick playing is noticeably louder. If using my p bass I roll down the volume on the bass, it's always on full for finger style. If it's my jazz bass... I haven't figured that out yet!

Would like to know your opinion. If there was a fiver I could be very interested but they're a bit too pricey to take a gamble on!

I don't think I'm there yet but I think I know where I'm going. A bass has to have a bridge pickup for me... I love my P but there's just something about the bridge pickup bite that I prefer in my tone. Amp - I love trace Elliots but they're too heavy to be practical. I have had good sounding Hartke and Gallien Krueger's but my Ashdown RM 500 does the job. Sufficient power and a good EQ for gigging. Don't need more. Cabs - 2x Ashdown RM 15 lightweight cabs. Ok my current set up is one fifteen and a two by ten but I want to go back to two fifteens as it suits me better. I can't be bothered tinkering more with Amps and cabs. The simplicity of the Ashdown works for me and I don't need more bells and whistles than it provides. I find string choice and pickup to have far more choice to faff about with and make real differences to the tone. I have a fender bronco practice amp that Sims loads of other Amps, that's great for tinkering with but I'm happy with that rather than buying an SWR or another Gallien Krueger, amp swaps only end up costing money and never fully satisfy me!