dannybuoy

I'm in Little Paxton near St Neots, you? You should try a guitar amp sim out on the high end signal too - maybe the Joyo British Sound for a Marshall-in-a-box, or the Tech21 VT Bass or Oxford!

Complex chain you've got going on there! I like chorus last, distortion will make the effect less pronounced, but then again you might want that! The Bass Big Muff works really well with a dirty overdrive on front. I do this and set the BBM to dry mode so I in effect have overdrive mixed with boosted fuzz. Some fuzzes don't respond well with an overdrive in front, and same goes for some overdrives, so it really depends on the pedals in question. About those ODs - I didn't like the Joyo UD on bass, but I think it would work well in your application where low end loss is not an issue. It does sound harsh compared to some other pedals though, so depends if that's what you want. I have a Speaker Cranker and love it - although it's not very flexible with it's single gain knob. I use it as a dirty boost near the end of my chain. I use an SFT in front of my BBM, both that and the BB Preamp work really well in front of it in my experience - but you're already sending it a dirty high-passed signal, so it's hard to judge what would work best in your setup!

Pedaltrain Mini! http://pedaltrain.com/products/pedalboards/pedaltrain_mini.php

I know this is out of budget but... http://www.bassdirect.co.uk/bass_guitar_specialists/Lull_PT5.html

That was fast work!

Either they're afraid of being replaced if the dep does a better job than them, or they're afraid of the band's reputation being harmed if they do a bad job, or just don't like the fact that someone else might get to steal their limelight for an evening. Guitarist?

£25 posted: http://www.ebay.co.uk/itm/True-Bypass-Looper-The-Noose-from-Vein-Tap-com-/331182465539?pt=UK_Guitar_Accessories&hash=item4d1c036203 The Bright Onion is £30 without postage for exactly the same thing. These little boxes pop up used from £10-£15 all the time too!

[quote name='ubit' timestamp='1398768979' post='2437341'] I cant think of anything worser than having strings on for more than two gigs!!! [/quote] Come to the dark side! Flats last for years!

Neunaber fo' sho'. Only reverb pedal I've ever seriously gassed for! The stereo version has uploadable patches and has the best shimmer mode I've ever heard, and you can also upload chorus or delay patches: http://neunaber.net/pages/pedal-customizer-software I believe you can also put a different patch in the left and right channels and use an A/B box to switch between them too. For straight up reverb/delay on bass though, I think a high pass filter is essential to stop the low end getting too muddy. The EHX Stereo Memory Man with Hazarai can combine reverb and delay with such as filter, but of course it's much bigger than the others. Other reverbs I know of that have such a filter are the IE Nimbus and the Strymon Bluesky. Make the request to the Neunaber dude though, and I'm sure he could come up with some patches tweaked for bass!

My T40 had that switch also, it's only use was being able to select which of the coil of the bridge humbucker was in use when set to single coil mode! The pickups in my old Jazz had both black wires going to earth and white going to the pots - but they were out of phase and flipping them sorted out. Makes sense to me that if you sum two pickups and the result is less volume, there must be some cancellation going on, so flipping one of them should produce the opposite result, i.e. louder than one pickup soloed?

http://www.thomastik-infeld.com/family-detail/jazz%20flat%20wound [quote name='Thomastik Infeld']The outer winding is a true ribbon flatwound constructed of a special nickel alloy.[/quote]

TIs are nickel though and these new ones are steel, so it's not like they've just gone and copied them. Nickel flats like TIs and Pyramids are so much smoother too the touch, I find La Bellas and the like really sticky by comparison.

Would flipping the phase of one of the pickups help? Just desolder and swap the wires around on one of them. I had the same problem on a Jazz once, made a world of difference.

Cheers, not seen these. I'd like to try them too, but they'd have to be pretty special for me to take them over TI's! When my flats need changing next decade I will give them a whirl.

There's a banner at the top of the page with a discount code PRYMAXE15. If it doesn't work, use the built in chat to ask them and they will sort you out with one that does. They did 21% off on St Paddy's day and 30% off over Easter weekend!

I believe the DI is tapped off of the output transformer so it should sound great!

$169 - 15% discount = $143.65 + $15 shipping = $158.65 = £94.43 + £0 import charges = £94.43!

I liked the light overdrive tone, but reckon it went a bit too mushy at high gain. The light od sounds a lot like the drive in the Ashdown MiBass 2.0 I tried out.

[quote name='tonyclaret' timestamp='1398415879' post='2433807'] £95 plus shipping and duty may work out slightly more. Always cautious of US purchases and duty etc. [/quote] £95 is including shipping, their 15% discount, and import charges of £0.

If it's anything like the OFD then it should play nice on a daisy chain. No additional noise added as a result, unlike some other digital pedals I have tried from EHX, Zoom and Sonuus. If you're not bothered about the plug, £95 shipped from Prymaxe!

It's possible to get some really good heavy distortion sounds out of this actually, especially since they nearly all have clean blends and you have a range of EQs and preamps you can tack onto the end. The Bass Overdrive (ODB-3), Bass Squeak (RAT) and Bass Big Muff models can sound really good for the heavier stuff, but they don't quite have the low end thump of my real ODB-3 or BBM. A bit of EQ could probably fix it though, I need to spend more time tweaking! The only low gain drive I like at the moment is the BB Preamp. Sounds a bit more muffled than a real one, but still a nice effect. The TS808 might sound good after some EQ also.

Eat some fried chicken, that'll get those strings funked up in no time!

The SM57 is a good all-rounder, but doesn't capture the deep lows - blend it with a lowpassed & compressed DI signal though and you will have them back again! If it's for the studio rather than live that should be easy to sort out. Be careful of buying cheap ones on eBay though as there are a lot of fakes around since they're so popular. Otherwise, all the really good dynamic mics that get recommended for bass use are well over £200, although you might be lucky enough to pick one up used - Shure SM7B, Sennheiser MD421, Heil PR40, Electrovoice RE20. Some might suggest using a kick drum mic, but I would avoid that, they usually have a massive mid scoop, and you don't want your bass to be EQ'd the same as the kick.