Bilbo

If you download the ireal book, you can change the key on the charts.. Only issue is that ireal charts are chords only and no dots.

A Latin groove in 3:4. This chart is Paul Socolow's bass part for the Manfredo Fest tune 'Brazilian Dorian Dream' from the CD 'Braziliana' (the video is the whole CD but, fortunately, the tune in question is the first tune on the album). It is quite rare to hear Latin grooves in 3:4 and the line during the melody is a challenge but some great melodies and lovely grooves. A tough read first time through but, once you nail one bar of the main riff, you've got it. Brazilian Dorian Dream Paul Socolow Bass.pdf

This is a full transcription of the arrangement of Mack The Knife by the Jimmy Guiffre 3. It is from an LP called 'The Easy Way' which I have, again, as part of one of those 7 CD 'classic albums' sets. I have not included all the lines and solos but only the parts linked to the arrangement so this transcription includes the guitar, clarinet and bass part. The musicians are Jimmy Guiffre (clarinet), Jim Hall (guitar) and the incomparable Ray Brown (bass). Mac The Knife.pdf

I transcribed this off a recording that was included in a 7 CD bexed set of Eric Dolphy but I have since learned that it was actually from an Oliver Nelson LP called 'Screamin' The Blues'. This is George Duvivier's bass part inc. solo from the title track which is a standard Jazz blues in F. It is an easy read and I transcribed it as a good example of a stock blues walking bass line. As per established convention, the eighth notes are swung with a triplet feel so listen to the track alongside the transcription. Screamin The Blues George Duvivier Bass.pdf

Have you listened to Moondance. Also, there is a clinker in Jimmy Page's guitar solo on Stairway To Heaven

These lists are great. I suggest you spent a lot of time with a handful of them initially. Too much information and you won't take it in. There are some good double bass transcriptions on my transcription archive in the Theory and Technique section.

I saw JB and Kazumi Watanabe and a drummer I can't recall at a Bass Centre clinic when it was in Wapping. It was a really good clinic but I don't rate the LPs they did with Bill Bruford as highly as you do. My favourite JB recording was probably Road Games but his first two solo LPs were strong. I agree with you about Gradually Going Tornado. That is the most solid of the three Bruford outings. And I always enjoyed JB's vocals.

Just noticed a post I made today (2/4) is dated 4/4. Is something amiss?

The full bass part for the tune 'All The Greats' from the Jeff Berlin LP 'Pump It'. A fun tune without the normal Berlin excesses. And a fairly easy read. All The Greats Jeff Berlin Bass.pdf

I WANT to write something for this image. We shall see what we can do.

In case anyone is interested, there are over a dozen Jeff Berlin transcriptions, including Bruford tunes, in my transcription archive under the Theory and Technique section.

This is the complete bass transcription for the tune 'Children's Concerto' from the Patrick Moraz/Bill Bruford album 'Music For Piano And Drums' released in 1983. The LP was packaged in one of the minimalist things that were around at the time so there is scant detail on who the bass player was but his tune is perfect for the ensemble sound that the leaders were looking for and it is a credit to his (her?) musicianship that the part is integrated so well into the overall performance. A shame we aren't told who the player is as this may have been a career hightlight . Childrens Concerto Bass Part.pdf

This was nothing more that mischief. I wondered how long it would take me to transcribe this. I was actually transcribing massive chunks of the tune as it was playing (it is endless pumping root notes that move up fourths and fifths so it is mostly easy to hear) and only a couple of passages that needed closer examination. I give you Steve Dawson's bass part to Saxon's 'Dallas 1 P.M.' of their album 'Strong Arm Of The Law'. Dallas 1 PM Steve Dawson Bass.pdf

A little bit of old school Latin bass. From the Master Sessions CD, Israel 'Cachao' Lopez's bass line on 'El Son No Ha Muerto'. An easy read. El Son No Ha Meurto Cachao Bass.pdf

I was chatting to an old chum on Facebook and he reminded me of this old gem that I transcribed years ago. The transcription is long gone but I remember enjoying playing along with it so thought I would have a crack at it again. It is harder then I remember but, more to the point, the last time I did this was pre-computers and it would have involved the stop-start using a cassette player. I have no idea how I had the patience but I guess the world was a very different place then. Jaco Pastoroius's bass lines on Weather Report's 'Night Passage'. There are a couple of passages I have left blank; one is several bars of pedal A with Jaco fiddling about with roots and octaves, the other a passage where he is playing octave ostinatos and moving the notes by semitones - I just can't hear where the notes start and stop. 95% of it is there and it is a fun chart to read. Night Passage Jaco Pastorius Bass.pdf

I did a transcription of this many years ago but cannot find it (paper copy). I could knock something up after I have finished my current one (Night Passage by Weather Report). Have you got a timescale in mind, Ebenezer?

It doesn't go quite how I thought it did. Jumps around in different octaves. I remember I had to read it once. I was so impressed that I pulled it off (it is easier to read things you know by ear than to read things cold). Good job.

This is Steve Swallow's bass part to the trio performance of the Jobim tune 'Luiza' that he did with Lee Konitz and Paul Motian. A genuinely beautiful rendition of the lesser known Jobim tune from the trio album 'Three Guys'. Luiza - Steve Swallow bass part.pdf

I remember many years ago hearing that it was important to learn solos by people who played other instruments to the bass. This was an early transcription I found written out in a lever arch file from way back. What we have here is a Wynton Marsalis head and trumpet solo on the tune 'New Orleans' from his album 'Marsalis Standard Time'. I have transcribed it into bass clef so it is not in the right range - otherwise it would not have fitted on our instrument. There is one passage where I could not hear it as it was too quick but it's not a deal breaker. I love what he does with the bar lines here and often use the same technique when soloing myself. particularly on fast tunes where it allows you to be interesting without being 'quick'. Marsalis New Orleans.pdf

Another in my series of Jeff Berlin transcriptions. I was a huge JB fan when I started getting into the more advanced fusion bass players like Jaco, Percy Jones etc. I tried to learn what I could off the Bruford records available at the time but this predates the existence of technology that allowed you to slow things down so it was not as easy as it is now to write this stuff out. Now I have the kit to do this properly and can slow things down to 25% without changing pitch and write it out on charts that are clear and readable not written in pencil on bog roll. This one is 'Travels With Myself and Someone Else' from the Bruford album 'One Of A Kind'. There is a JB solo early on in the piece that is absolutely astonishing (2.19) and there is a half a bar of triplet 16ths that would never have been interpreted properly without Transcribe software. I would never have been able to pick this out in the old days Travels With Myself And Someone Else Bass Part.pdf

I used to play this with a band when I was about 17 and had exactly the same problem with the same section

Doesn't quite work, does it? 😀 VID_20181113_205305.mp4

I have been listening to this Al Dimeola for 40 years and he still has the power to astonish. This is 31 years ago, Live at Montreux. His right hand is just unbelievable. I play an Ovation and read though some of his charts regularly. He is an absolute monster.

Boom. https://smile.amazon.co.uk/dp/1845536363/ref=cm_sw_r_apa_i_hmiDEbDG4TS5S

I found this one on my PC. It is the bass/alto and piano part of the tine 'Barretto's Way' from the CD 'Panorama' by bass player Hans Glawischnig. The tune opens with an arco solo from the HG and then, at 0.45 point, he plays a 5:4 four ostinato over which the stunning melody evolves. The transcription is basically the head but it was this that attracted me and inspired me to transcribe all of the parts. I urge you to listen to the whole track not just the bit I transcribed because it breaks into a massive 5:4 Latin groove (montuno) later on (6:06). It is SOOO cool. The melody is repeated over the montuno but broken up and rephrased really creatively by the horn player (Miguel Zenon). Enjoy. Barretto's Way - Glawishing.pdf