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The Burpster

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Everything posted by The Burpster

  1. apart from, the silly ashtray it looks lovely and well made. Bit like a Shergold. Cheap as chips and very retro but if they are your thing- Priceless! Go for it I say!
  2. I does make a difference what you put in. I recently swapped mine for the upgrade 12AX7SP Mesa valves and the difference was huge from the std valves. You kinda get what you pay for - or you might get lucky. You dont need to change them just beacause they havent been changed - you could just be throwing money away. If you want to experiment with the tone then by all means play. Always have a spare set incase one dies (which you'll know about when it happens ) My guitard has had the same set of valves in his g'tar amp for 25 years without so much as a pop! 12AX7s are not the type of valve that needs 'matching' - that is normally (as stated above) output stage valves that work better if they are bias matched.
  3. [quote name='Golchen' post='771549' date='Mar 11 2010, 01:10 PM']Are you 100% satisfied with your best bass?[/quote] Yes - have been since the day I first saw it.
  4. Please post prices for the articles you have for sale or I'll set the topic to invisible until you do! As above please read the rules on selling and avoid elliciting 'offers' which could be seen as an auction. Buyers - you may put 'dibs on articles in these circs, but please - no 'back door trading!" Bob.
  5. looks like termites to me........ off to repairs for you.
  6. Have you guys tried pimping the 12AX7s.....? I shelled out on a pr of 'select' Mesa tubes for mine, and the change in tone was astounding! [url="http://www.hotroxuk.com/mesa-boogie-br-spax7-a-12185-0.html"]http://www.hotroxuk.com/mesa-boogie-br-spax7-a-12185-0.html[/url] ignore the waffle about "Designed for main driver position" these puppies are selected for low noise (top 5% creamed off selection tests). The tone the produce as a result is WELL worth the extra few squids. [url="http://mesa.stores.yahoo.net/spax7.html"]http://mesa.stores.yahoo.net/spax7.html[/url] If you liken your tone to beautiful woman (swiss Tony) with std AX7s in, put these puppies in, and your in for a night out with a Princess that can suck a golfball through 3ft of garden hose!
  7. Chris, Give Oreste a ring or email at [url="http://www.westsidedistribution.com/index.php?option=com_content&view=article&id=8&Itemid=11"]http://www.westsidedistribution.com/index....8&Itemid=11[/url] he is the UK importer and is normally helpful. I was going to say that they make a set of rack ears but Clarky beat me to it....!
  8. [quote name='thisnameistaken' post='767452' date='Mar 7 2010, 11:42 PM']I remember those but not fondly, sorry. I doubt it's got any collectable value unless you got it signed by Jesus.[/quote] Oddly, not only did his dad leave his signature on my few but he was also partly involved in making them.....
  9. Spent too long dithering and someone else has bought it..... Oh well...... thats Karma. Anyhoo, it was indeed the 1st Swamp Ash bodied one that was made (hence prototype designation) and was hanging around for sometime in Mr Smiths personal collection. It was then given the #150 designation and was sold to a collector a few years ago. So it does have [u]some [/u] history but other than being the 1st Swampy its just another EB-IV. The 'cant make my mind up' thing was born out of mine being a Maple neck/ Swamp Ash combination that is just sublime. This being Rosewood (birds are an irrelevant distraction to me) it just wasnt screaming at me. Someone has bought themselves an absolute doosey of a bass tho' and you never know they might get bored with it!
  10. the old 'is _____ Fender worth it?' question bounces around fairly frequently but I think most sensible opinions were aired in this thread. [url="http://basschat.co.uk/index.php?showtopic=62155&hl=fender%20why&st=20"]http://basschat.co.uk/index.php?showtopic=...20why&st=20[/url] Personally now, I dont think they are. Then again I'm not a Fender-head so they fall into the same catagory with me as many other mass produced basses (what I mean by that is they have no special appeal to me).
  11. I'd thoroughly recommend either:- i) Bass gallery ii) Bass Direct Both staright up, direct and A1+ service.
  12. Tried lots of stuff, and DESPERATELY want an M6 Carbine combo (can't justify it!), but am VERY happy with my 1-12 4ohm Walkabout Scout. It has tone to die for :wub: and will shake beer glasses off a bar if you need it to.... I have a feeling tho' the M6 would rearrange internal organs! FWIW - OBBM uses top quality components and has oodles of experience putting them together. I have won my G'tard over with the same kit (assembled by me) and previously he was shelling out on Whirlwind gear ... (very pretty but waaay over priced!).
  13. Dave they just make a bit pf a pop in my experience...... (well they do through my Mesa!) Oh and incoming PM, I need some more bits... As for PW cables...... sorry but they are cack......! For what they cost buy proper kit from Dave above (OBBM) for a wee bit more and feel the difference between over priced shoite components and proper components put together properly.
  14. [quote name='toastieman' post='765417' date='Mar 5 2010, 05:27 PM']Hi all, I'm a long time double bass player, but very new to electric bass and after some advice. I've just got a new Squier 60s vibe P bass, which I'm really happy with. I'm interested in putting some La Bella flat wound strings on it (to emulate the motown sound), but have read some reports that these type of strings are particularly high tension, and could warp the neck. Has anyone any experience of this, and is this any more likely on a Squier? (am aware is not a top of the range instrument). Don't mind if it's just a case of adjusting the neck, but don't want to risk any permanent damage. Thanks for your help![/quote] I only use flatties. I now have settled on D'addario Chromes, they produce the tone nearest to that which I aspire to. Using flats on a Squire is not going to be a problem as even with a larger guage the most I've tightened a trussrod is 1/8 of a turn, so we're not talking 'bullworker' tensions here. I would suggest if you are worried to try a set of light gauge (45-100) at first and you'll see that you will probably have the t-rod at the same setting as that for a heavier guage set of roundies to achieve the same relief. You quote later that Jamerson didnt look after his instrument, which is far more likely to have cuase the neck to warp (or shoite fender QC) than his use of flat wound strings. FYI Herbie flowers uses a jazz and only uses nylon wound flatties which are huge gauge and he has had the same one and only bass for 30+ years.
  15. If you let us know where you are, there are plenty of talented hacks on here that would set it up the MIM for the cost of a beer and talking bass boll8x for a while..... (me included!)
  16. Bugger damn and boll8x...... Had a reply from, PRS and guess what? its genuine...... Now I have to try and buy the damn thing! Will explain more if I can get hold of it....!
  17. I have a spare amp part if you wish to take it off my hands....... Although if I remember rightly it has a similar fault and thats why I was gievn it. the cab now houses a PJB `D-200 and a celestion speaker.
  18. Clarky I presume its black Tolex....? And should the Walkabout scout be run at 2ohms (2x4ohm cabs) I'm fairly sure mine should only be run at a max of 4 ohms...... Oreste told me to run an extension cab properly I would have to convert my 1x12 cab to 8ohm speakers. Happy to be proved wrong....
  19. Bob Asstute observation but not strictly correct. the Pre amp was available in the first models as an option, as was teh option of a Piezo bridge. The passive ones didnt sell well and so they were all made after '01 with the preamp installed. You could however specify that you wanted it passive right up until the end of the production run (but why you would, is a mystery to me). This info was passed to me by Stevensville after I was enquiring about my '01 passive and if I could retro fit the pre-amp. As to it being a proto. I'd be fairly happy (even without the reply from Stevensville) to say its not. I'm also pretty happy that the serial # on the neck shown in those ebay pics is not original.
  20. [quote name='Ou7shined' post='761222' date='Mar 1 2010, 09:25 PM']That's a bonny collection you have there. Do they sound as Jazzy as they look?[/quote] Sadly thats not all of them....... Check out post #30 in this thread...... [url="http://basschat.co.uk/index.php?showtopic=40227&hl=PRS&st=20"]http://basschat.co.uk/index.php?showtopic=...l=PRS&st=20[/url] As to tone, they are very smooth, like a strong black coffee. Not everyones gonna like it, but you can't ignore it! Back to the OP, I have just sent an email to Stevensville asking for the spec of serial #150 - there is something fishy about that ebay listing....
  21. [quote name='warwickhunt' post='761186' date='Mar 1 2010, 08:56 PM']I'm ready to be corrected on this big style but that looks all the world like one of the standard mkII PRS's with fancy inlays... with the exception of 'someone' writing prototype between the tuners with a permanent marker! [/quote] Actually I'm not happy with the serial # either as the 150 is clearly different to the other numbers. There was one of these (exact same spec) being hawked on ebay about a year ago from a seller in Hong Kong and I wonder if someone isnt happy with what they've got..... It's undoubtedly a PRS EB IV and a pretty one too..... but I"ll be surprised if it sells when this one in the US has just been relisted as it didnt sell...... [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=320490458848"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...em=320490458848[/url] Actually WH you're spot-on! prototype is Bollox....... Ser # 150 was 1/2 way through the 2nd year of production so a prototype of what I ask.....
  22. Not that rare........ In fairness tho' the swamp ash bodied one is my fave of all of mine. May just have to give them a ring.
  23. [quote name='Spoombung' post='761040' date='Mar 1 2010, 06:43 PM']Sorry to ressurect this thread about the Gus guitar but I just got a copy of Bassplayer and read the article (it arrives about a month late in london) and the devil can be in the detail. I must say that what struck me as most surprising was the expense of the additional features; the extra pickup (£100), the maple fingerboard and heastock veneer(£250), the scratchplate and control cavity covers(£350) and carbon fibre inlays(£150) all coming to an [i]additional[/i] [b]£850! [/b] Seems [i]incredibly[/i] expensive on top of the £4500! Yes, I can understand paying extra for fairy lights... but I would have thought for that price you certainly should [i]not[/i] pay extra for a maple fingerboard and headstock veneer, (for instance) ....I mean, that [i]really[/i] should be included in the price - you'd expect that as it's hardly an 'addition' by luthier standards. In fact, for £4500 perhaps it should have all been included, IMO. Bizarre.[/quote] I agree to some extent but then its a bit like buying a Bentley or Rolls Royce........ If you have to ask how much it is - you cant afford it....!
  24. [quote name='mikeh' post='760958' date='Mar 1 2010, 05:14 PM']Good to meet you today Bob, I left Custom Built with a new bow and £765 less in pocket lol[/quote] Thought you might......! I could see your eyes lighting up. Hope you got a good 'un.... Just queuing the Warwick up for a major strip and rebuild before passing it over to Charlie..... Good to meet you both. Bob.
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