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Everything posted by The Burpster
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PRS (Paul Reed Smith) EB4 fretless by HG Thor.
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS (Paul Reed Smith) EB4 fretless by HG Thor.
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS (Paul Reed Smith) EB4 fretless by HG Thor.
The Burpster replied to The Burpster's topic in Basses For Sale
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2002 Paul Reed Smith Electric Bass 4. 34” scale fret less, with black furniture including the PRS bridge. Body is Alder and neck is rock Maple with a Rosewood 10” radius fret board and 1 11/16 nut width and 21 fret lines. It has new 20-1 GB707 Black Hipshot tuners (Hipshot provided this exact tuner to PRS when new) including a GB7D-tuner. Currently strung with GHS nylon wound 50-105 strings and will come with a new set as well. It has its original PRS 18v pre-amp with vol-vol-tone and IO switch to play passive. The amp and high inductance passive pick ups were designed by Paul himself in conjunction with LR Baggs. Also has Schaller strap locks Fitted. I bought this basic black bass in 2006 from a music shop in Colorado. I fully intended to de-fret it when I bought it and booked a space on HG Thor’s waiting list to have the work completed. In the meantime I played it a few times but only to keep it tuned and in intonation. Having checked with Stevensville, there were no EB4s made in standard stock with a fretless neck (although there may have been 1or two private stock 4string basses made with a fretless neck, to commission). This makes this PRS a unique. When my place came up in 2009 the neck was sent to Thor’s guitar lab in the US. If you are not aware of his work he produces the Epoxy fretless fretboards used by Jaco Pastorius and many other bass players worldwide. My option for the work was to have the frets removed and replaced by a subtly lighter wood to illustrate the fret lines. His propriety epoxy board covering and with a Matte finish rather than a high gloss. Upon the necks return several months later I refitted the re-worked nut and replaced the neck with its new tuners and set it up with a nice low action. With fresh (2x9v PP3) batteries this bass will cut through any bands tone using either solid state or valve driven amps. It is beautifully balanced plays much like a Jazz bass but with a P-bass neck. Happy to meet 1/2way or you can collect and try first. £1500.
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Only myself and my old teacher and dyed in the wool guitard Neale have played Blondey. He summed it up for me in that PRS guitars feel like they were made just for you! I have two Swampash ones (one of which was in Paul’s personal collection) they both have Maple/Maple necks which just feel sublime! 😊
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Most definitely not! 😊
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The little blonde number on the Right of the above set was one of mine that I sold to the Juice last year. The only other one I have out of storage at the moment is the EB4 that I had made into a fretless by HG Thor. There are very few fretless PRS basses and this is most likely the only EB4.
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PRS EB IV 2003 Natural with Maple veneer
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS EB IV 2003 Natural with Maple veneer
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS EB IV 2003 Natural with Maple veneer
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS EB IV 2003 Natural with Maple veneer
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS EB IV 2003 Natural with Maple veneer
The Burpster replied to The Burpster's topic in Basses For Sale
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PRS EB IV 2003 Natural with Maple veneer
The Burpster replied to The Burpster's topic in Basses For Sale
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2003 PRS EB IV bass. Owned by me from new and used on probably a dozen occasions so as good as mint. Selling because I have too many and not enough time to play them. It is a Stevensville made bass and not an SE, so quality is as high as any PRS guitar you will have picked up and played. Hopefully then you will understand when I say it feels like it was made just for you and not mass produced. It has a veneer maple top and despite being finished in clear lacquer looks really sweet close up. Neck plays like a P Bass (so good for larger hands) but also very smooth to the touch. Frets obviously have zero wear and it is remarkably easy to set up to a low action. Has nice neutral tone when strung with D’addario chromes but with the 18v pre amp and new batteries will cut through any mix. Happy to ship or post at your cost and your choice of courier but needs to be insured for obvious reasons. If in the UK would prefer a meet up to do F2F so you can see what you are getting ort if within travelling distance of Lincoln then more than happy for you to try before you buy.
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It seems that Ampeg have dropped this pretty cool amp from their line up. Why? I'm not sure. It potentially puts out around 300w (solid state) and has a 12AU7 valve pre-amp which does actually produce a warm valvey tone. This will allow you to practice with a drumkit and guitards up to about 100w. Will come with a spare JJ valve and Roqsolid cover and has only had light home practice use. Anyone who knows of me knows that my gear is mint. Ampeg say the following:- [b]RMS Power Output:[/b] 300-Watts Class-D [b]LF Driver:[/b] 1 x 15" speaker [b]HF Driver:[/b] 1 x HF horn w/ Level control [b]Preamp:[/b] Tube (1x 12AU7) [b]Tone Controls:[/b] 3-Band EQ [b]Mid Tone Control:[/b] Style [b]Ultra High / Ultra Low switches:[/b] Yes [b]Variable Compressor:[/b] Yes [b]Line Out:[/b] Yes, tube-driven balanced XLR and unbalanced ¼" TS w/ Level control, Pre/Post EQ switch and ground lift [b]Effects loop:[/b] Yes [b]Removable casters:[/b] Yes [b]Dimensions (W x H x D inches):[/b] 21.25 x 21.5 x 16 [b]Handling Weight:[/b] 60 Pounds I am happy to take pics for anyone who is genuinely interested (PM please) but it looks just like the pic on the Ampeg website. Postage (at your cost) is not out of the question but meeting up 1/2 way or mutually agreed pick up would make more sense.
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You may have picked up a common theme here....? As an avid 'tinkerer' but a remote pupil of dan Erlewine I have to agree and add my support to those comments above. Any warping caused by moisture change in he wood would be very minor in an instrument of this age and stability. Warping is a lateral twist (across the strings rather than inline with them) that is normally a fatal condition, however is almost exclusively found in really heap budget instruments that source wood from the likes of European beef suppliers..... As much I'm not a fan of Fender QC they would not use a piece of maple that had not got a correct grain pattern for a neck. I like others agree that it is a pretty neck. Again as others have stated his neck needs a proper fret dress from someone who does know his arse from his elbow........
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[quote name='Spoombung' timestamp='1362336140' post='1998575'] Well it's all subjective, but a 'baseball bat' neck, a top horn that doesn't reach to the 12th fret and a bottom horn that curls in like a fender are all things I don't like but I concede there are some people, like yourself, who like that. If you've got 7 of them that means you must like them... so I bow to your greater experience. I'm not trying to start a war or anything. [/quote] No probs bud, I cant be arsed with confrontation anymore and hence I hung up my Mod hat. I'll grant u that the neck looks thick but in use its nowhere near as deep as say a Warwick or Ovation Magnum. Its not as fast a neck as a J bass but then its not like big Fender neck - kinda a compromise. The top bout doesnt need to extend to the 12fret if the Neck is light -,and it is so it balances perfectly where it is. The bottom bout leaves plenty of room even for a hamifisted tw4t like me to play at the dusty end ot the neck without restriction or uncomfortable stretching. I conceed that at 6'1" and 110kg I am a big unit but in my hands they feel as close to perfect that you can get with the traditional layout bass....
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[quote name='Spoombung' timestamp='1362038963' post='1994722'] That's a very poor ergonomic design from nearly every angle. [/quote] ...... and you have played how many? You don't state why you believe so, or indeed how many PRS basses you have actually had contact with ? They are remarkably easy to play (especially if your prefereance is P or Stingray size necks), and balance fantastically. In fact the only bass that I have played that was easier and left me wanting one was not even a tradional design - The Status Streamline. I think its fair to say that your comment is merely unnecasarily confrontational...?
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My guess is that, that is the retails price of world guitars. They are pretty competitive with other franchised PRS dealers so that I doubt very much that it will the best budget price, that being said the reply to my 2nd email hinted that they will be sent a few for stock and other than that if you want a particular combination you will have to order it......
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For those interested (or looking for the justification of their " too costly and others can do better" opinion) I have checked with World Guitars and the GG basses will be over here from April. Cost is £2579 for 4 string & £2679 for the 5 string. I have already out my request in for a 5 string ....... :-)
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[quote name='mingsta' timestamp='1361492271' post='1986675'] The problem is, it just looks like a bass version of their guitars. Not my bag. But it does bring back fond memories of my first school band. Our guitarist was a virtuoso with rich parents and had a PRS, we used to wet our pants every time he took it out of the case. [/quote] I dont see that as a problem, its the exact reason I own them. My best mate and geetard sumed it up perfectly about his guitars, each one feels like it was made exactly for you. If you like them or not is immaterial, no one can dispute the quality of them. Having owned CS Fenders and other supposed 'custom shop' basses, I'm afraid none of them stack up in QC or feel of quality to a Stevensville made instrument. Taste is of course subjective, and some will not agree that they are worth every penny.
