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LukeFRC

⭐Supporting Member⭐
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Everything posted by LukeFRC

  1. I recently posted a bass for sale and think I ticked all the boxes you meantioned - the only thing I didn’t do is go in depth to cases and postage type stuff - mainly as I presumed (perhaps wrongly) that of course I’m going to package and post and insure a bass to someone if they are willing to pay me for it. The bass before this one I drove 50 miles to meet them in a service station ... maybe I should spell it out more? “I’m not a d***”
  2. More, or more efficient cabs with the walkabout I think would be the way to go. Not sure if there’s anything tonally similar out there.... i love mine - even if I’m tempted to replace it with my modelling pedal and a PA cab its hard to actually go through the mental process where I don’t have a walkabout....
  3. I know someone selling one of them I think.... They are a step or two above the Westfield bass @TheGreek meantioned. Also while they will all have more reach my thumb is a tiny bit under 9lb which is hardly heavy.... mind you ACG or Alpher could make a pretty good thumb sounding bass
  4. It’s taken me half a decade to come to the realisation it’s not working for me- it’s not the bass it’s me ! ( Thanks - I was trying out someone’s well played 1988 stingray and this was sat next to it - one looked old and one didn’t!
  5. Lovely - where are you based?
  6. Is that a desirable feature in a bass?
  7. Though if the bass player and the guitarist each bought a nice speaker it would cost similar to their amps, weigh less and be able to be use as practice at home and FOH at Gigs... Then IEM FTW.... Mind you a pet hate of mine is people who can't hear when different gain stages are pushed into distortion and while it's not as loud it hurts the ears more... just cos something is misadjusted.
  8. I’m actually miming, the keys player is triggering the bass loops, so who cares? Mind you I Still spent £6k on the perfect gear though (not including my pedalboard and IEM.) Helps me feel confident while playing.
  9. strap locks included oh and I need better scales but weight is a tiny but under 9lb - but I’ll check that
  10. For Sale or Trade 1985 Thumb Bass. This was/is my "Holy Grail" bass, and after years of wanting a Thumb managed to pick up a very early special one about five years ago. It's great... but after us having a wee baby I'm rationalising that it's not getting chosen for any gigs, I tried playing it exclusively for a few months and I just don't gell with it the way I do with two of my other basses. Anyway, that's enough about me - you'll came here for the bass didn't you? It's a pretty much all original 1985 JD Thumb bass, one of the first 150 ever made. This is the second revision with the classic body shape, with the early shorter horn. Back in the days when Warwick was all about small scale handbuilt production. Why only pretty much all original? Well the german session musician I bought it from I think I had had it refret - with period correct steel frets. It's got that thin, skinny neck common of this era. "Aha" shouts that guy on the internet "You've said it's a JD thumb, but it doesn't say it is on the truss rod cover" - well no, but back then they were all "JD thumbs" and the truss rod cover is quite special - it's made of Solid Mother of Pearl! According to an email conversation with HP Wilfer of Warwick this was quite an expensive feature and used in the early days to designate any "custom shop" models built to a particular spec. In this case the active SD active pickups and the brass saddles on a black bridge are slightly different to what you would expect. I asked and he couldn't remember who it would have been built for. You won't find many Warwicks with one of these truss rod covers. Jack Bruce had one on his 1985 fretless. Plays great, and has a nice low action all down the 26 frets, it sounds great with the classic thumb bass sound (piano like?) but comparing it to some later thumbs which had more of a middy compressed tone this is slightly more open sounding with a big fat bottom end. Apart from a small chip to the corner of the truss rod cover it's in great condition for a 33 year old bass, actually it would probably be in a pretty good condition for a 3 year old bass. Comes in a Bass Centre branded '90's Warwick gig bag in usable condition but with the cable pocket zip broken. If it needs to be posted could source hard case for it. Based in Leeds area, can post within UK or EU at cost. So that's it for sale... but I've also mentioned trades. I would listen to trade offers or part exchanges for this. Either a nice bass and money my way, or a straight swap for something interesting. Unless it's something I really want or could make use off please don't be offended if I say no. Basswise I seem to be gravitating towards more traditional bolt on P, J and Stingray type basses, probably 4 string, maybe 5, defiantly with frets, and I like my frets perpendicular to the neck. I don't mind beat up well played basses, in some ways prefer them. My GAS list is quite short a Fender Roscoe Beck, G&L L2000e, PreEB ray or something like the Sadowsky Metro Will Lee that just sold on here would be interesting. Get in touch if you've got something in mind.
  11. It’s almost as if there had been some kind of avoidable event where a third of the population had voted for something that meant the pound dropped in value...
  12. Neutrik silent jacks. Basically unplug your bass at the bass end of the cable without your amp going “thump” in a bad way
  13. One of the best basses I ever played was a honey blond HW1 jazz in a shop comparing it to loads of fenders and Sadowsky etc it was lovely
  14. The first generation Tecamp Pumas used Powersoft Digimod units in them - not as high tech as some of their other stuff but really brill - they had a different sound signature to the ice power powered amps, felt less brittle
  15. What colour is it? A light grey?
  16. The mai. Question would be is it designed to cope with high transient low freq that bass creates?
  17. I don’t think they did master or team built in the late 90s, they just built them
  18. Sorry - I was genuinely interested if there was something I just wasn’t getting... hearing the clips it seems there was, but a sound that I would never use. The track by track analysis of the jam is possibly overdoing it though! What haven’t we done in a while? “The G&L L1000 was Leo Fender’s finest, if not most popular, bass design - discuss”
  19. I tell you what - this is very much making me appreciate the work that must have gone into my accoustic
  20. Oh yes! Don’t get me started... ”umm yes, lots of notes and I guess you’re vaguely in time”
  21. Having learned to play at church I think it’s a good lesson to learn which you might not learn as quickly in other contexts- When not to play. take that and you can go and play in any other band and you can easily turn up the bling - learning when to leave spaces and not play.... I doubt anybody here would want to play in the band in the OP - or that type of music - but the KISS principle is a good place to start in most bands as it means you listen to everyone else first and then busy it up.... Mind you when I was learning I was trying to see how many clash bass lines I could sneak in to on a Sunday morning...
  22. So far the tracks shared have mostly been of a type of rock where the Rickenbacker sound works really well ... but interesting not music I ever really listen too... this though sounds great and where he’s got it sat in the mix is just perfect - I mean being the most famous bass player in the world, and being the man man and songwriter helps but that is a good bass sound
  23. Ooo actually I imagine with flats they could go into some interesting sonic territories that others couldn’t reach.
  24. Busy and overplaying aren’t the same thing IMO
  25. Maybe - but we probably did that last week didn’t we? Honestly want to know what they are good for and what kinda sounds you get from them
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