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deepbass5

⭐Supporting Member⭐
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Everything posted by deepbass5

  1. Taking Phils point, pick up bargins when you can. remember speaker efficiency means that for every 3dB difference you will need to double the watts for the same percieved volume so a pair of PA speakers rated at 93dB/mtr will sound half as loud as a pair rated at 96dB/mtr when using the same amp at the same setting. As amps/watt are dearer than speakers go for the most efficient speakers you can. and an average mixer amp. e.g second hand peavey system with black widow speakers. This is important when you consider you loose 6dB with every doubling of distance from your speakers, you need to reach the back of the hall. of course even when you find a PA that is good for 500watts a side at 102dB /1w/mtr doesnt mean its going to sound nicer than the 300watt 93dB rig. I used to buy on efficiency alone and then learnt what sounds best may be a compromise. the singer may want to have the last say. good luck
  2. As an ex bone player i am more than happy to pay that, but key thing is how is the slide. does it run up n down ok no glitches, any other issued big dents etc
  3. love the Status half wounds, recently tried a bass with D'addario chromes well impressed with the feel and may well try a set soon, the tension seemed right and think that has a lot to do with it
  4. Mmmmmbass o n d a y
  5. mmmmmmmm now and again a bass comes along that tugs on the GAS strings check the clip all is great but 2:16 is the bass solo https://youtu.be/w8-pHfFdux8 good luck with the sale
  6. I think there is room for another good bass amp for the working musician, light flexible with good connectivity. There are many out there but again none that would pull me away from the medium powered plug and play units i currently own. ref Markbass and GK MB500fusion. Actually still like the CARVIN shame they parted company with Bassgear
  7. [quote name='deepbass5' timestamp='1422546876' post='2673963'] I dont see any CE mark on the back panel, Hope they haven't made the same mistake as Aguilar when anouncing the Tone hammer got me all gassed up then took a year to sort out european certs. So this could be a year May [/quote] Just dug this thread out started in Jan this year and was my prediction right, we havent seen this yet but still space on dealers sites waiting for it to arrive ?? creating demand is one thing, but there is also poor marketing. Anyone still waiting or have you lost interest too
  8. cloud and windy bump
  9. Hector, happy to meet up and be your first victim sorry student. PM me, always glad to hear others views on the art of good walking.
  10. A lot of truth spoken here even though it hurts. People - punters who like to like jazz see the DB as the pin up girl for everything jazz. they can relax to the bar as soon as they have clocked the DB laying in wait. My reading ability gets me jazz gigs, but i know they would prefer an upright. As was said above most of the time a DB can't be heard and that's how the blowers like it, seen and not heard occasionally felt. Keep it low and play D if lost, I was once told to be the DB players fall back position until they recognize the head or chorus.
  11. a sunny bump
  12. Holiday return bump
  13. I play in a couple of swing bands and although my reading is now good, when i am presented with just chord sheets or a passage with chord progression I find the opposite occurs, rather than being overwhelmed by the amount of choice open to me, i freeze into a predictable cycle of arpeggios rather than a nice walking pattern, i am aware of the use of chromatic approach notes but seldom use it to good affect. But i do know this is my weak point and try to work on it. That said i do listen to what other sections are doing and play sympathetic phrases that supports the general tune or phrases being played elsewhere. This means my playing fits in, so ticks most of Dads boxes. know where it is important to be doing the right thing, the start and end of phrases and approaches to key changes etc, you can often get away with things elsewhere. A good jazz bass player is like a guide dog, guiding brass soloists around the piece so they don't have to think, where am I , what's he at now your choice of notes tells them what chord tone you will be playing in two beats time ah we are at the Verse, thought so. So when they have been enjoying a 32 bar solo and think did we do the repeat, ah yes the bass player sounds like he is building to the key change in the second time bar. phew I'm glad he is playing for us tonight, I don't have to think. I just wish that was me i was talking about, Its a long journey this bass playing lark.
  14. Thanks for that Booom, That was good I'll be checking them out
  15. Thanks Zach nice bass but need less basses so no thanks - but another price drop if that helps £1600
  16. Open to good offers and Nordy trades
  17. Still available
  18. They should make fishing lures on the side Nice
  19. safe TV bet rather than considering those who have bought tickets to see particular style of music - The Darkness are primed ready to go new album etc ?? would have been a better fit could have been worse i guess https://youtu.be/2Z4m4lnjxkY?list=PLYDp0FEwActHo0eLYacIzeM9WosT4tda5
  20. been playing this lately amazed at the quality of the bass sounds in here, but need to get down to two. So grab it before it goes to a local shop [b]now £500[/b]
  21. Still available - bbump
  22. Can someone explain to me how a passive treble and a passive bass control works ?
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