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  2. Skint is a state of mind. If you still have 2 viable kidneys, you're not genuinely skint in bass-player terms.
  3. And now I think the trace (unused for 2 years) is also in need of repair. FML x 2 need rig needed me thinks….::
  4. NI Maschine Mk3 - £300 never used
  5. pm incoming re Joyo
  6. TC Helicon Voicetone r1 - £80
  7. EHX Multiplexer - £50 (+box) (incl shipping)
  8. M-Audio 8 Track - £80(+box) (incl shipping)
  9. EHX Superego - £100 (+box) (incl shipping)
  10. Hi mate, I'm in Ealing so your side of London. Dimensions are as follow: W x H x D 594 x 662 x 426
  11. Pedal/Gear clearout - All Pedals include shipping M-Audio 8 Track - £80(+box) EHX Multiplexer - £50 (+box) Vivlex tuner - £15 (+box) EHX Superego - £100 (+box) TC Helicon Voicetone r1 - £80 (-box) Caline Power 5 - £15 (+box) NI Maschine Mk3 - £300 (+box, brand new never used)
  12. update: can’t get a sound out of peavey into BF. i know bass and lead is fine as (a) used last night, (b) ran them through my little Marshall guitar combo at home and all good. so….. peavey lights up….plugged into the cab of my trace combo….still no sound and can smell burning..: all off. Probably going to kick the peavey head off a bridge.::: tried going from trace head into Bf (both 4 ohms) and frustratingly, no sound. is it poss that whatever has happened to the peavey has also damaged the BF?!
  13. love ‘the cubes of doom’ I’ll have to remember that 🤣 Had a guy come up to me mid song at last nights gig telling me my cubes of doom were popping - possible blown unit….said ‘nah, wax in the ears mate’.
  14. Markbass 1 15 lightweight cabinet. Started life as a Markbass CMD JB Players School Combo but the amp failed. The amp was disposed of leaving a cheap and cheerful lightweight 1 15 cabinet 200w 8ohm. Unconventional connector- has fixed cable original to combo with speak-on plug attached Approx. dimensions (W x H x D): 47.5 x 46.4 x 48 cm Weight: a very manageable 14 kg, easy one hand lift looking for £125 collect meet up. Will be able to courier once I’ve sourced packaging material’s
  15. Rock N Roll Dalmation - AC/DC
  16. Darkglass price drop
  17. May trade for Boss SP404 MK2 sampler plus cash or some arrangement
  18. No problem, this has an active BTS circuit and the battery is mounted under the control plate. It has bass & treble cut and boost on the preamp.
  19. That makes things a lot easier. Here's what you'll need – – Two or three long-opening clamps. I used a pair of clamps I had lying around with a 12.5 cm depth – Various grades of sandpaper (up to like 400 grit) – a very sharp and quite small scraper – perhaps a scalpel or craft knife – tools for making simple camping cauls (saws, rasps, etc.) – decent masking tape (like frogtape or similar) – some cheap chopsticks (ideally PTFE rod or something like that) – Some offcuts of shelf timber or something for making cauls. – a round needle file (can be cheap and crappy) – Some double-sided tape (the weaker the better) As for glue, you could certainly use hide glue, but it is a pain in the arse to work with. I've not touched the stuff in a long time. When I did the bridge replacement, I just used standard, red-label Titebond, which is what I use for all my instrument building work. The first thing you'll need to do is carefully clean up the area under the bridge. This is what it looked like on the guitar I was working on after I'd heated and levered the old bridge off. You'll want to mask off the area of the finish that isn't under the bridge, and then carefully scrape and sand away the old glue and any finish that's under there (you want the bridge to go onto bare wood). You don't want to go too hard, because the wood is thin and pretty delicate. Here's an "after" photo from the instrument I was working on. You'll also want to do the same for the underside of the bridge, being very careful not to sand a curve into the base. I didn't have to do that on the instrument I was working on, because I made a new bridge from a rosewood blank (the old one was mangled by having been originally right handed, then adapted badly to play left handed, then adapted slightly more competently to play left handed and in tune, then finally adapted badly to play right handed again). To glue it up you'll need to make two clamping cauls. One sits on top of the bridge and has essentially the inverse of the shape of the bridge carved into it, the other sits inside the body on top of the bridge plate (the solid piece of wood, usually maple, that supports the bridge. I don't have any clear pictures of the top caul, but you can sort of see it in this picture of the gluing up process. It doesn't have to be perfect, just roughly the right shape to make solid contact in the middle and at the ends. It has some cork sheet glued to the underside to spread the force more evenly. This could be replaced by anything soft really – a piece of an old tea towel, some carboard, etc. The inner caul is a maddeningly fiddly thing to make and fit. It's a little triangle of wood that you need to keep the clamps from crushing the x-braces that meet just in front of the bridge. I made mine by shoving a piece of modelling clay into the back of the x-brace joint and using that to very roughly guess the angle the braces meet at. The whole process of making the caul, stucking masking tape to the inside and then sticking the caul to the tape is fiddly and frustrating. It helps to have a mirror or to put your phone inside the guitar with the front-facing camera turned on. You'll end up with a lot of pictures on your phone that look like this. It you have some PTFE rod you can cut some short lengths to go in the outer string holes to line the bridge up prior to clamping. I remember lining things up using some chopsticks, but I can't remember if I kept them in (cut down) during the clamping process. If I did, they would have been liberally smeared with wax or vaseline and possible wrapped in baking paper to stop them getting stuck. After brushing on a fairly generous layer of glue on both surfaces, clamp it in place (wiping up the squeezeout) and leave it for a day or two. Once it's set, get a needle file and clean the excess glue out of the holes, taking care not to get over-enthusiastic and stab a hole in the top.
  20. I confirm the box/papers exist and will be included
  21. Classic bass synth pedal. It's seen a lot of action and it has a few marks and scratches, but it's only cosmetic.
  22. Independently footswitchable clean boost + VLE (low pass filter) and VPF (a bit like a 'contour' control, scooping mids while boosting low/highs). Standard TS output plus balanced DI output (XLR). Original MarkBass power supply included (but it works fine on standard 9V supplies - I used it for years with a T-Rex Junior supply, you just get a bit more headroom if powwered at 12V) Bypass can be buffered or true-bypass (switch at the bottom).
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  23. One of the best tracking octavers I've tried. Usual OCT1/OCT2 plus blend. Great condition.
  24. Analog cab simulation, very tweakable, includes adjustable HPF, EQ, it works as a headphone amp, and with TS and balanced XLR outputs. Great condition, just a bit dusty...
  25. Hi all, A recent hip replacement has gifted me something special: clarity and a frightening amount of spare time to play with my gear and even more hours to realise I don't need most of it. So, here’s your chance to snag a pedal that’s in excellent condition: gently neglected, thoroughly appreciated, and now ready for a new home! Here is the link to the Blackhole on the Eventide Website. Go ahead, fall down the rabbit hole of overly poetic knob explanations. (‘reverb pedal as big and mysterious as the cosmos.’ What does that mean?)” Alternatively, here's the sales pitch bit Eventide Blackhole – Deep Space Reverb for Bassists Take your bass tone into uncharted territory with the Eventide Blackhole. This pedal delivers massive, ambient reverb from Eventide’s legendary algorithm—perfect for adding atmosphere without muddying your low end. Tailored Control: Dial in your sound with hands-on knobs or go deeper via MIDI and software. Flexible Setup: Works in mono or stereo, with input options for bass guitar or line-level rigs. Studio-Grade Sound: From subtle space to infinite decay, Blackhole keeps your low frequencies tight and clear. Ideal for ambient, experimental, or cinematic bass tones—Blackhole lets your sound breathe and expand. Specification Five presets loaded at your feet with dozens more available with Eventide Device Manager (EDM) software Rear panel Guitar/Line Level switch for selecting use with guitar, synths, FX loop or DAW interface Map any combination of parameters to an Expression Pedal. Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing (up/down/load). MIDI capability over TRS (use with a MIDI to TRS cable or converter box) or USB Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry Eventide Device Manager PC or Mac application for software updates, system settings and creating/saving presets Fine-tune your tone with Lo, Hi and Q (resonance) controls. Use the tone controls to add airiness or clear up the low-end. Map the EQ controls to an expression pedal to add movement to the reverb tail. Box includes pedal, quick reference guide and universal power supply Recorded delivery within the UK is included in the price. If you’d prefer an alternative postage option, feel free to get in touch to discuss. EU shipping, however, involves a soul-crushing bureaucracy designed by someone who clearly hates bass players. So… no shipping to the EU I'm afraid. I'm happy to answer any questions, though be warned - I’ve spent more time looking at these pedals than actually using them; they’ve basically lived a sparse life under soft lighting. I'm not looking for any trades at the moment. Regards, Neil.
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