Beedster Posted 23 hours ago Posted 23 hours ago I'm building an interesting fretless and am thinking about a circuit to go with the MM and P-Bass pickups (Nordy Big Splitman and NP4A respectively). I'm wondering what folk's experience has been with a J-Retro with either type of PUP, not necessarily the Nordies in partisular. I'm also interesting in whether there might be any issues using MM/P-Bass PUPs through an active circuit e.g., balance/interaction between the two? Quote
Stofferson Posted 21 hours ago Posted 21 hours ago Hi Mate My alpha is not too far from your set up Although its a Nordy Bigman + NP4A (reverse P) with a uni pre as opposed to the J-retro. works a treat, off the top of my head there are gain trims for each pup, as well as giving it a good go over on pup heights etc, Does it work? hell yes! 2 1 Quote
Beedster Posted 19 hours ago Author Posted 19 hours ago 2 hours ago, Stofferson said: Hi Mate My alpha is not too far from your set up Although its a Nordy Bigman + NP4A (reverse P) with a uni pre as opposed to the J-retro. works a treat, off the top of my head there are gain trims for each pup, as well as giving it a good go over on pup heights etc, Does it work? hell yes! Lovely, and doesn’t look a whole lot different to my project. Uni Pre is a good shout, I do like the format and function if the J-Retro 👍 Quote
Phaedrus01 Posted 19 hours ago Posted 19 hours ago Always wondered how this would sound. There plenty of MM + J combo basses out there but haven't seen this before 1 Quote
Beedster Posted 19 hours ago Author Posted 19 hours ago 3 minutes ago, Phaedrus01 said: Always wondered how this would sound. There plenty of MM + J combo basses out there but haven't seen this before In a word, meaty 👍 Quote
Stofferson Posted 19 hours ago Posted 19 hours ago In all seriousness though, its versatile as F#ck pardon my midlands accent roll back on the fat MM for huge farting bridge pickup goodness, solo the P for well, that P sound, blend them together for a full fat bigger than Jazz, Jazz bass sound. one good thing about the John east stuff is the active blend so i dont think you get that standard scoopyness, I dunno, I'm not that technical. If I had a fender style bass, deffo get the J-Retro, anything else the uni stuff, think it's more of less the same, just form factor etc. Just enquiring with Chris at Alpha now about my next build! wallet forgive me! 1 1 Quote
JPJ Posted 17 hours ago Posted 17 hours ago (edited) I’m a massive fan of John East’s work having J-Retro and U-Retro pre’s in most of my active basses. But, for fretless, I much prefer the simplicity of a passive circuit. My Fender Tony Franklin fretless PJ is all passive, two pickups, 3-way Strat style switch, and a single volume and tone. Best sounding fretless I have played, with mwahh for days. The J-Retro does have a pronounced low mid boost baked in, but I think John might have added a dip switch or jumper for a flatter response in the newer J-Retros. Mine are the older style so I have a lot of the bass controlled dialled back. Edited 17 hours ago by JPJ 1 Quote
fretmeister Posted 16 hours ago Posted 16 hours ago I had a J Retro Deluxe with a pair of stacked J pickups: the neck one sounded quite P like. I did find the preamp to be a bit bass boosted / scooped when set to the mid points on the controls so if it is an option to have a flatter starting point I would go for that - especially for P tones as that really is all about the mids. Not tried that preamp with a MM type. The only thing in my mind is that the right settings for the MM might be quite different to those needed for the P. MM often benefits from a bit of bass boost and a bit of a scoop and that normally kills a traditional P tone. If the plan is to use one or the other pickups then I don't see any downsides, but a mix of the two might be more difficult to dial in easily. Sounds like a great project though. When I was planning my PingRay I did think about having both P and MM but I prioritised the MM placement to match a 70s stingray and then meant the P pickup would need to be slightly closer to the neck than its usual position. So I didn't bother with the P. I did think about solving the problem by using a 51 P pickup instead as that was small enough to also go in it's traditional position. But in the end I just stuck with the MM. I might do it in future though - just for fun! 1 1 Quote
Chiliwailer Posted 12 hours ago Posted 12 hours ago (edited) I don’t know if this is relevant Chris, but I had a J-Tone once with CS Jazz pickups and it was great, but when I used it with Fralin dual-coil Jazz pickups the preamp couldn’t handle it and was popping and clicking when I dug in. I spoke to John, but he said he had no idea what the issue was 🤷🏻♂️ Edited 12 hours ago by Chiliwailer Quote
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