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Odds, sods and the occasional gem


Gust0o
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I've been a member on here for a few years now, but have been a little remiss in not sharing the porn! :)

This is my current collection, arrived at from a journey which began - aged 15 - with an awful Encore P-bass. I'm both my purchasing powers and the basses have improved since :)

We'll start with the gem, then - this is my 2004 BC Rich Custom Shop Eagle. Nick-named 'Wonky' by Lorne when he first imported the bass (an ode to the odd placement of the 'R' logo), this bass was displayed at the 2004 Namm Show. It's got the mind-boggling array of electrics which was the hallmark of the vintage BC Richs, on which this is based - nicely rounded off with gold Grover tuners and BadAssII. The double-P active DiMarzios and neck-through build make it a bit of a monster:









Edited by Gust0o
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Next, a new acquisition - very new, in fact, since it only joined me last weekend - my 1976 ("00") Gibson Grabber G3. It has scrubbed up very nicely indeed, and is every inch the rock bass - there's an unbelievable sound from this bass, it just oozes rock:











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This one is a good one. It's traditional to exchange presents, man-to-wife and back again, when getting married. The wife got the world's most expensive handbag, and I got this from BC'er Molan, my Lakland Darryl Jones 4. Through-body stringing, pick-ups to die for... ok, so a little heavier than a comparable Fender, but this is definitely the best Jazz I've played:











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Now for something complete different... 1984 BC Rich Nagoya Japan ('NJ') Eagle. Lightweight, with hot pick-ups, this has been a fond go-to bass for when you need to rock out. It's been nicely mojo'ed over the years, and joined me from Shockwave. It's quite a tasteful bass :)









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More the crowds bay, more! And they shall... well, this. Fender MIM Precision. I'm sure the bridge cover represents some faux vintage, but it's lost on me. However, it's light; is a Precision; and has strap locks, making it a regular friend in rehearsals:







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Now on to the super-strats... only two of three are put together (my 1987 NJ ST is undergoing some work in my shed). This is my 1988 Charvel 575. Sounds like a rhino clearing it's throat, very hot pick-ups and a super-slim neck - oh, and all-Jackson hardware too:









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... and the second, and we'll call it quits here for now. BC Rich Platinum ST. I'm sure Lorne could add some more colour to the description, but the Platinum series were a past cheep-and-cheerful effort from BC Rich, although a good deal better than some of the budget sh*te they turn out now. Think Squier to Fender and you get a sense of the difference:













It takes forever to polish up the headstock after impaling careless guitarists :)

This will shortly be in pieces once I'm done with 1987 NJ ST.

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[quote name='Gust0o' post='1173854' date='Mar 23 2011, 08:47 PM']Now for something complete different... 1984 BC Rich Nagoya Japan ('NJ') Eagle. Lightweight, with hot pick-ups, this has been a fond go-to bass for when you need to rock out. It's been nicely mojo'ed over the years, and joined me from Shockwave. It's quite a tasteful bass :lol:









[/quote]

:) this is beautiful - Love it!!! :)

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Thanks Clarky. Wonky is one that I'm really luck to have, having lusted after it for a long-time - well, since joining the forum!

I'm unsure where to go next with the collection. It has a balance between the higher-end, more expensive instruments, and those with a little more economy and simplicity. It seems like a lot of people scale there up as they get older/more established. Do you have less but better? Or just enjoy them for what they are?

I'd still love more Eagles. Brilliant design :)

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[quote name='Gust0o' post='1173838' date='Mar 23 2011, 08:38 PM']Next, a new acquisition - very new, in fact, since it only joined me last weekend - my 1976 ("00") Gibson Grabber G3. It has scrubbed up very nicely indeed, and is every inch the rock bass - there's an unbelievable sound from this bass, it just oozes rock:[/quote]

Wow!!! - look at the shine on that!

I saw this beast just after Gus bought it and it doesn't look like the same instrument.
I know who to call on the next time I need my windows cleaning. :)

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Oh, I can't solder for toffee - but I'm getting good at a little sprucing up! There were two yucky marks on the lacquer at the rear of the neck, which were quite sticky and annoying whilst playing - some wire wool and a little oil, et voila. Smooth as.

I'm really enjoying the Grabber. It has the kind of neck that you'd fight intruders off with. The tone is unbelievable and exactly what I wanted.

Somebody should buy all my other basses, as I feel like I might want to try a Ripper :)

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