Delberthot

I've always been a huge fan of the single coil precisions and have owned 2 Japanese Fender '51 reissues, 2 Warmoth '54s and currently have a Sire D5. There's just something about them. If I had the money to buy this one I would gig it. If it breaks you can fix it. After all, how many people still have all of their original parts at 70 years old, never mind a musician's tool? 🤔😂

I haven't been bumping the BB1025X that I have for sale on here as if it doesn't sell by the time the Christmas holidays come, I plan to take it apart, clean it up and change all of the pots and jack and gig it every so often. I've owned a few Yamahas and they were all great basses. I'd still love to find a BB5000/BB5000a in original condition. I keep looking at the one at Bass Bros but the changed pickup puts me off

Are you talking about EBMM Musicman Sterling or Sterling by Musicman? I always remember Duracell being recommended by Musicman so that's what I always used but if they sit really tight in the compartment then it could explain why I had to change the battery box on my 2016 EBMM Sterling as the bass would completely cut out at times.

Im going to try to get some pics when I take it out tonight. I was going to use my RightOn strap but decided to go with a neoprene one instead

It looks even better in the flesh - under lights it sparkles lots of different colours

When I was watching Lockdown Licks with Guy Pratt back in 2020, I had this idea to put a truly outstanding bass together based on things that I love and things I really loved in a lot of Guy's basses. I decided that now was the time to get myself a Status neck, and I'm glad that I did, I don;t think anyone saw the end coming so soon for the production of Status necks. I've had 2 Warmoth basses in the past and they were exceptional in terms of quality and fit and finish so I decided to go with a chambered alder body Dinky jazz bass with a mahogany top with 70s pickup spacing and routed for a double battery box. After watching many Warmoth videos, I settled on Taos Turquoise but not gloss - the satin finish. The rest was easy - EMGs, BTS 2 band EQ, Fender Hi mass bridge and neck plate and the humungous Gotoh EB=P3 strap buttons with Fender rubber washers. Once the bass was put together I played it for a few years and loved it, except from about the middle of 2023 I had an unexpected issue - I had lost lot of weight, going from a mighty 19 stone down to 13 and a half and the bass no longer sat right. I tried other basses and they were all the same. Eventually, I got fed up one night and decided to resurrect my Harley Benton 75 thing with the heavy ash body - that was it, the extra weight made it balance properly. For some reason, after 30 years of playing, I couldn't play unless the headstock pointed upwards. Level was no good to me anymore, I needed the headstock to be higher than the body so I began designing Lockdown Bass #2. It had to be heavy so I decided to go with solid maple and specified somewhere between 6-7 pounds and omit the truss rod trench as the Status neck adjusts at the top and I didn't want to have a scratchplate. I tried many different finishes until my wife saw one of them and said - That's the One! I wanted to do something slightly different so have this time gone with EMG X series pickups and the BQC 3 band EQ but used the same bridge and neck plate. Anyone with a weak back or a fear of heavy basses might want to look away now as I weighed it once completed. The body they sent was 7.4 lbs and the whole bass, considering it has Hipshot Ultralites fitted weighs 13lbs! That's nearly a stone. Luckily I am in great shape and train three times a week so the combination of that and a really good neoprene strap should see me through many a wedding gig. Anyway, here it is in it's original form followed by the new and improved (and heavier) version in Holoflake:

I love the ASAT but never considered one due to the neck dive that something that shape will always have. Which reminds me that when someone was mentioning famous users - Tom Hamilton from Aerosmith's name popped into my head and sure enough, here it is:

Surely the first thing that Gibson would do would be to remove the upper horns from all of the guitars and basses that G&L make in order for the headstock to want to head to the floor as soon as you take your hand off the neck

Has anyone managed to track these down in the UK yet? I've seen a few sites in the US that have them but wanted to find out how much they'd be in the UK first. Although I haven't been using it recently, I kept a hold of my Cort headless to give me a chance to try them.

In the end I replaced the battery box with the Musicman one but changed the jack to a normal one using the wiring diagram below

I could post a link confirming this story but the answer will shock you! Watch till the end ! And so on, Click bait, etc 😄

I normally just mask off the fretboard and use 000 steel wool on the frets

I've built 2 using Warmoth parts. I used Gotoh bridges on both and put a bridge cover over them. ( the correct way round 😂 ) that way it doesn't matter if you use the period correct original 2 saddle design or not as no one will see it

Im trying to figure out what's wrong between the diagram and the list of wires on the box as they match. 🤔 On the diagram I can see brown going to one side of the switch and yellow to the other. Then there's a red wire going to the volume pot. White, green and black go to the bottom of the switch and then onto the back of the volume pot.

Jamie Lee Curtis' official title is Lady Haden-Guest