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Everything posted by Sparky Mark
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You could email Andrew (John's son) at Jaydee Custom Guitars and ask how specs may have changed?
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I have both lightweight and midweight cabs. The heaviest are my 56lb Bergantino HD210, the lightest are 29lb MB NY121P, with a few others in between. My choice for gigs depends partly on the venue, partly on the fee and partly on load in attributes. I use a folding trolley to move my cabs almost every time. My 100lb cabs went years ago, and I will be sad the day I can't shift my HD210s (one at a time). At 62 years old, I know that will happen before too long and I completely agree modern systems can be more accurate and go louder, but I don't want FRFR or huge volumes, so I'll gradually work my way down my cabs until I fade away.
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I'm a little sceptical of Alex's choice of the extra compact Markbass JB combo for this comparison. One of the larger format MB single 15 cabs would've been a fairer comparison to the BF. Anyhow, my one single 15 cab is a Trace Elliot compact 15 ( can't recall the exact product reference number ATM) loaded with that Fane axiom driver. It sounds absolutely beautiful and I've gigged it in medium sized venues successfully for rock covers, no problems with being heard.
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Yes,I did see that but wasn't sure what Brian's assertion was based upon? Perhaps a confession from the seller, or more photos not posted here?
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Apologies, I didn't see that? Where's that confirmed please? Thanks
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I'm not quite as sceptical about this bass. I like to refer to Geddy's Big Beautiful Book of Bass as a starting point on these occasions. There are examples of similar tortoishell around 65/66 in there, but I agree it could be a later replacement. The machine head design is the part I cannot find examples of around that date, but their condition/finish looks much more authentic than modern Road Worn parts. Photos of pots/wiring/cavity/pickup assemblies/windings and neck pocket are also essential evidence. The neck plate is correct for the neck date. Torres started with Fender early to mid 60s, so I'd expect his stamp to be nice and defined after only 3 or 4 years use. The Torres stamp looks in line with many other examples found via online searches. The neck decal looks correct to me for a 65 to 69 according to The Fender Bass (Black and Molinaro). Other than the machines, the neck looks genuine to me. I'd ask the Talkbass community about the machines in particular, as there's a lot of knowledge on there too. I'd be surprised if someone trying to create a fake of this quality cocked up by using the wrong machines. The body also looks correct to me. More photos as above are required, but I'm leaning more towards genuine overall. "What's the price?" is also relevant for a CBS Fender. Why bother faking a CBS era bass, when pre CBS commands much higher prices?
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Agreed, most likely a refinished sunburst.
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I would guess there's enough slack in the neck plate screws to allow that gap to be reduced at the same time as correcting the obvious neck alignment bias towards the G string.
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2011 Fender Custom Shop 1960 Jazz bass in faded 3 tone sunburst nitro lacquer. Weight 9.12lbs. Comes in Fender G&G brown tolex case with certificate of authenticity, Custom Shop Cruz tool kit, bridge and pickup covers, thumb rest, all with reliced screws. Sold fitted with a superior Montreux Retro tortoishell pickguard and currently wearing TI flats. The original pickguard and CS roundwounds will be included in the case. Price is £2,800 or near offer, collected or free insured UK mainland delivery via Lenspeed Logistics, no trades please. Thank you for looking and happy to provide further details, just message me.
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2015 Fender Custom Shop 1962 Precision bass in Chocolate 3 Tone Sunburst. Body sorted for lightweight ash and fretboard sorted for dark AAA rosewood. Weight is 8.5lbs. Bass comes in G&G Fender Custom Shop tweed case, Certificate of authenticity and all candy including reliced bridge and pickup covers and screws. Also included is a beautiful Avantguard tortoishell pickguard worth £££ in addition to the original pickguard. Price is £3,300 or near offer, collected or free insured delivery via Lenspeed Logistics to mainland UK, no trades, many thanks for looking. Happy to provide further details, just message me.
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I believe the fan cooled version came after the heatsink version. Fan cooled should be lighter weight as the solid aluminium heatsink is pretty hefty. Personally, I prefer the heatsink version as it has no fan noise for low volume practice and keeps the internals dust free.
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Yes, the chamfered edges are quite rounded off, but still look good IMO.
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Indeed, although I don't think the processes used by Avantguard and Spitfire are scalable to the numbers that would be needed by Fender CS. I cannot think of another reason why Fender wouldn't fit an admittedly expensive, but infinitely more accurate pickguard to its £4-5k+ instruments.
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Thank you, and I agree entirely. Avantguard are as close as modern tortoishell pickguards get to early 60s IMO. All modern Fender "vintage" tort is distinctly average unfortunately.
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Whilst I agree, it doesn't look so bad in situ.
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Avantguard fitted vs Fender Custom Shop on right hand side.
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Fenderbird, hand painted cow print with emg ta set - *WITHDRAWN*
Sparky Mark replied to Gank Bass's topic in Basses For Sale
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I kinda agree regarding Fbasses, but *you did ask about any musical instrument. *correction; it was jazzyvee that asked the question.
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30 years +
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This guy from France gets closer than almost everyone else IMO; at a price though. https://www.avantguardshop.com/
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Unfortunately, I'm now approaching antique status.
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30+ years old is more commonly accepted as vintage for guitars.
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Now £250. The recent acquisition of a Markbass 210 cab now renders this brilliant combo excess to my needs. In excellent condition. Capable of delivering its full 250 watts into the Turbosound drivers, I have used this combo in pubs and even outdoors to really good effect. Comes with TC Helicon Switch 3 which selects mute and the two onboard programmable Toneprint effects. I am not a fan of "tech" when it comes to my bass rig, but using the Toneprint App on my Android phone to access the dozens of dedicted bass effects is really easy, including various useful chorus, compressors and octavers. This combo is cooled via natural convection, so no noisy fan to disturb quiet playing or studio environments. It took me ages to find such a pristine example, but I really have run out space so it has to go unfortunately. User manual, sticker, mains and pedal connection cables included. Price is based on sale only by cash/bank transfer collected or localish delivery from Bury St Edmunds, Suffolk. Many thanks for looking. Link below to full technical details and a video of Roger Glover having a play through one:- https://www.tcelectronic.com/product.html?modelCode=0707-ABY