[quote name='Musicman20' timestamp='1486462645' post='3231932']
I used to use a fairly scooped sound with a Sansamp BDDI, but if I were to go back playing hardcore and punk, (I don't play the slower heavier stuff unless it's more like QOTSA dirty bluesy rock) I'd use a Sansamp BDDI (the latest one with mids helps!) or the VT Bass pedal...I really think Tech 21 nailed the tones of slightly slightly hairy notes all the way to much more grind.
Personally, I think Darkglass need WAY more demo videos with bassists using Fender Ps, Js, Rics and Stingrays...you'd be surprised how many heavier bands just using a P bass and have some hair on the notes. The P bass just 'sits' in the lower mids properly to me. Using much more scooped tones from dual pickup active Dingwalls is pretty niche, despite the popularity of Dingwall in the heavy genre recently.
I still think one of the best metal bass tones I've heard is Billy Gould's old aggressive tones....that is one of the best examples of a heavier overdriven bass that cuts through the recordings like a knife! Very punchy and tight. Funnily enough Billy now uses Darkglass! I'd like to hear his tone with it.
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Talking of a Pbass with a DG. You can hear my USA P with a B7K here http://shadowsintolight.bandcamp.com/track/beautiful-monsters