[quote name='alexclaber' timestamp='1503657141' post='3359999']
I like high pass filters for taking out the pointlessly low stuff that just sucks amp power and wastes cone excursion - but if a cab is well designed then it shouldn't need highpassing to remove audible lows that are part of the sound of bass guitar.
I suspect a lot of the popularity of highpass filters is because bassists going tiny with rigs often end up pushing the speakers beyond what they can handle, which messes with the tone. Remove the deepest lows and that lets the cabs work as intended. I think there's also a a technique issues - you are in control of the sounds coming out, if you don't want deep rumble then don't play like that! But that woolliness that can happen, I don't think that's always (or even often) because of the presence of the deepest lows but because making those deepest lows is forcing the woofers to over-excurse and thus their transient response is no longer half as good as it should be.
There aren't many bass amps on the market that let the lowest lows through anyway, almost all have some degree of highpass filtering built in!
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Sounds sensible to me.
I have tested in my home studio about what frequencies I like in bass and, of course, done the same live. In the studio, turns out anything below 50Hz is basically non-essential for my listening pleasure (so low B fundamental and even low E fundamental aren't that important), so I high pass stuff in the studio at 50Hz for bass, as a rule. I really like bass sounds with a boost at 80 - 100Hz, especially Jazz type basses.
Live, too much bass seems to swamp the mids/clarity (of course). The John East preamps need some care with the bass boost, as the higher you turn it, the lower the frequency of boost goes. Some rooms have resonances that can be a problem at anything up to 100Hz, and the Zoom pedal HPF is helpful in those situations. I don't like cutting signal at that frequency, but it has rarely been needed.
Apart from that, the tone is mostly in your hands anyway