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BottomEndian

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Everything posted by BottomEndian

  1. [quote name='Stuart Clayton' post='990435' date='Oct 16 2010, 06:12 PM']Awwww..... sniff.... that's sad! ;-)[/quote] Forgot you were a member on here, Stuart. So I'll just say again... great book! If I actually liked the sound of slap bass (and it's taken me a long while to realise that I just don't ), there's no way I'd be parting with it. If you ever do a book on fretless bass, I'll pre-order.
  2. [quote name='Stingray5' post='990192' date='Oct 16 2010, 01:47 PM']I've been mulling this over and I'm sorely tempted myself, BE. (Even though I'm not local! ) I'm just considering selling my beloved 4-string fretless Ray to fund this. If there are any interested parties, I'll have mine with me at the South East Bass Bash.[/quote] Your 4-string looks like an absolute corker too!
  3. [quote name='cd_david' post='990099' date='Oct 16 2010, 12:20 PM']Its a slippery slope mate. [/quote] I'm happy to slide down it for now... Speaking of which, you don't happen to fancy [url="http://basschat.co.uk/index.php?showtopic=106141"]a fretless 5-string augmentation to your Ray collection[/url], do you? I could do you a special local deal for local people.
  4. Oh lord... something ridiculous happened. I ended up with [i]another[/i] ACG! It's one of Alan's Graft models (his budget range), and this one's a prototype for a satin black finish. I think it's worked out really nicely. It's a Recurve shape, with 4 strings, frets and a John East 2-band preamp. Weighing in at a featherweight 7lb 11oz, here it is: And that finish was an absolute swine to photograph.
  5. [quote name='mistahbenn' post='989714' date='Oct 15 2010, 10:16 PM']I was merely jesting. I have an 89, I love the older SR5's. Sound so much betterer than the new ones. Best of luck with the sale, she looks lovely![/quote] Thanks, man. It's a lovely, lovely bass. Sounds great in series, parallel or single-coil modes. From fat to funky.
  6. [quote name='Chris2112' post='989416' date='Oct 15 2010, 04:41 PM']Met halfway in Haltwistle[/quote] Gah! I wish you'd shifted a few miles east and met in my shop in Hexham! Could have had a little meeting of the Grafts.
  7. Tom Waits - [i]Closing Time[/i] Nick Drake - [i]Pink Moon[/i] Aphex Twin - [i]Selected Ambient Works Vol II[/i] (although some tracks might give you nightmares...) Esbjörn Svensson Trio - loads of stuff
  8. [quote name='mistahbenn' post='988746' date='Oct 15 2010, 02:05 AM']Could you make it into a fretted?[/quote] Fifteen lashes and ten hail-marys for you, lad! Er... TBH, with the poly-coating on the fingerboard, I don't know. It's [i]seriously[/i] hard, like a sheet of glass over the whole board. You might have to either strip that off (if that's possible) or put a whole new fingerboard on. This is not my area of expertise, although from what I've seen around here, a good luthier can do almost anything... at a price.
  9. [quote name='skelf' post='988350' date='Oct 14 2010, 07:49 PM']You wont be disappointed with the pre-amp. If you look inside you will see two white trim wheels which allow you to change the frequency of the bass and treble pots. This allows a degree of customisation to suit your own needs.[/quote] This is aimed at me, rather than Peter, in case anyone's wondering. The ACG preamp's ridiculously flexible, completely removing the need for internal trimpot shenanigans. Anyway, I have the strange feeling my SUB might be getting the boot soon.
  10. I've got one of Alan's black Graft "specials" (wink-wink, nudge-nudge ) coming in tomorrow. Simple and straightforward and an absolute bloody bargain. I've just stuck with the East 2-band for now, and I'm sure the raw quality of Alan's build will shine through beautifully.
  11. [quote name='Higgie' post='988066' date='Oct 14 2010, 02:15 PM']If I had the cash I'd be all over this. Seriously looks to be an amazing bass. Wish I could take it off your hands, I really do![/quote] So do I! No, it's a real corker. I'd keep it if I could think of a sensible reason to own three fretless 5-strings.
  12. And seriously... I'm still looking for someone to share my lonely drive to and from Northumberland/Tyneside, if only to keep me awake on the way back! Any takers?
  13. Dave, if you can't get these shifted quick enough, it might be worth getting in touch with First Avenue in Heaton. These heads are what they (still) use as their in-house bass heads for hire. (And bloody great they are too.) They might be interested in having another one to add to the stockpile for backup purposes. No guarantee of a sale, but it's worth a shot. They probably wouldn't go for the cab, but again it's worth a shot.
  14. [b]***SOLD*** ***SOLD*** ***SOLD***[/b] I got this book around the start of the year. I thought it might be fun and useful to learn how to slap. So, after a brief dalliance and a blinding epiphany that I just don't like slap, it's up for sale. It's a great book (going gently from basics to bonkers in 206 pages), and a really interesting read with all the player biographies and interviews... but just not for me. Minty-fresh condition including both CDs, and just [b]£20 delivered in the UK[/b]. This is the book: [url="http://www.basslinepublishing.com/tuition/ultimate-slap-bass.html"]http://www.basslinepublishing.com/tuition/...-slap-bass.html[/url] And here's the publisher's blurb: [quote]Ultimate Slap Bass covers every aspect of the slap technique from the absolute basics through to advanced techniques such as double thumbing, open string hammer-ons and how to combine slapping with other techniques in a musical way. There are over 200 exercises in the book, which are also featured on two audio CD’s. Also includes a detailed history of the slap technique, as well as biographies of all of the major contributors to the technique. Additionally, there are exclusive interviews with Marcus Miller, Stuart Hamm, Mark King, Ray Riendeau and Vail Johnson. The book contains the following chapters: * Slapping Basics * Adding the 'Pop' * Using Hammer-ons, Pull-offs & Trills * Ghost Notes * Popular Scales and Modes for Slap Bass * Left Hand Slaps & 16th Note Lines * Introducing Tenths * Machine Gun Triplets * Doublestops * Double Popping * Strumming * The Shuffle Feel * Open String Hammer-Ons * Double Thumbing (Part 1) * Double Thumbing (Part 2) * Double Thumbing (Part 3) * Combining Techniques * Biographies[/quote]
  15. Seriously... nobody? Someone tell me what I'm doing wrong. This very instrument sold in a wild frenzy last year.
  16. [quote name='pantherairsoft' post='987151' date='Oct 13 2010, 05:04 PM']Very smart. I never thought to use Audacity for that!!! I shall be comparing GB to RIM when they arrive now! :-)[/quote] Not going to be long for either, is it? I've been following their progress.
  17. [quote name='Meenie' post='987124' date='Oct 13 2010, 04:42 PM']I am yet to see a "youngster" "rocking out" with a chapman stick.[/quote] I assume that's down to the relatively high price of entry into the market. There's no one making a £50 starter kit for Stick, so the average kid can't get into it in their bedroom. It's only when you've got a fair old bit of disposable income that it becomes viable to give it a go. I'd love one, I'm only 30, and I've wanted one since I was about 18. Definitely a Stick though. The Warrs just don't do it for me.
  18. [quote name='sk8' post='986955' date='Oct 13 2010, 02:02 PM']not sure, may have got that wrong! Could be the ER's Will check when i pick them up saturday [/quote] Ever the man for details.
  19. [quote name='sk8' post='986931' date='Oct 13 2010, 01:34 PM']this thread prompted me to finally get some protection sorted out. Pick up my [url="http://www.hearingprotection.co.uk/index.php?option=com_content&task=view&id=141&Itemid=278"]HF-20[/url] plugs on saturday [/quote] Just out of interest... why HF rather than ER?
  20. [quote name='lanark' post='986590' date='Oct 13 2010, 08:34 AM']That's exactly why I find it frustrating - I know the note, I know where it is on a keyboard, but it takes a second or two to figure out where it is on the fretboard. It'll come, but it takes a while.[/quote] Don't worry; it will indeed come. I was in that same boat a year or two back (having grown up playing piano), and I'm now pretty comfortable with sight-reading moderate stuff. I can read my way through most of the [i]Standing in the Shadows of Motown[/i] transcriptions without having any WTF moments. Just a quick question to the guys who get reading gigs: do you have any things that really get the pulse racing when you spot them on the stand? For me (on bass at least), it's any more than four flats or five sharps in the key signature, and any 8va sections. I have to concentrate extra-hard for those, but I'm getting there. (Outside the realms of bass, it's alto and tenor clefs that really do me in. Thankfully I don't meet them very often.)
  21. Suddenly had a thought yesterday: Audacity has a frequency-spectrum analysis tool built-in. So I went into geek mode. More so than normal. Behold the results! Both of these are the open A-string notes from the recordings posted above, analysed over the whole length of the notes. This might be a bit skewed, because I let the Skelf ring out for longer, but the rough idea should be there. The fact they're open strings means that the fingerboard material is essentially removed from the equation. First, the Recurve: Next, the Skelf: Doesn't look enormously different, does it? But it's easier to see the differences when we overlay the two (ignoring the fact that the Skelf curve is around 6 dB quieter at the fundamental): The Recurve remains in purple, while I've recoloured the Skelf as a sort of beige. (If you have trouble separating the two then, basically, the curve that stays louder in the higher frequencies is the Recurve.) As you can see, they stay pretty similar in the lows and low mids, but then the Recurve suddenly has this whacking great peak in the higher mids (around 1.4 kHz), which the Skelf just doesn't have. The Recurve then just stays higher all the way up (and follows roughly the same shape) to where the sound just disappears. Note also that the Recurve appears to have almost a full octave of highs that the Skelf doesn't (and remember that this is just the low-pass filter -- there's plenty of highs left in the high-pass if you wanted to dial it in), even from the same filter at the same position. So that kind of matches up with the difference you can hear. The Recurve has that high-mid peak which works really well with the fretless growl/mwaah.
  22. [quote name='Lfalex v1.1' post='986676' date='Oct 13 2010, 10:21 AM']That's because Tony Levin's playing it!!![/quote] The man can do no wrong. Oh... ...apart from Funk Fingers:
  23. [quote name='Conan' post='985857' date='Oct 12 2010, 04:08 PM']Wow! Twelve quid a set if I buy six sets! I don't seem to be able to select gauges though... is 40-100 all they do? [/quote] I see lots of options, at least on the double-ball rounds:
  24. [quote name='Conan' post='985599' date='Oct 12 2010, 12:22 PM']Worth a look then! Who is selling them at that price?[/quote] [url="http://www.status-graphite.com"]http://www.status-graphite.com[/url]
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