Leonard Smalls

I think I'm definitely going for last place this month... My thoughts appear to be heading more and more Brotzmann/Bailey-ward! Especially if I get my banjo out! (and no, that's not a euphemism)

Leftfield is good! [media]http://www.youtube.com/watch?v=7gNCjjBJ86E[/media]

Excellently groovy!

I find that lots of folks find a genre or era they like, and stick with it... It's always easier to say "kids nowadays haven't got a clue" - just like their parents said before them! Frinstance, in 1990ish I was in a punk-funk band; the keyboard player was only into Led Zep or the usual 70s stuff. According to him everything else was rubbish. But he also didn't attempt to listen to anything new, because he'd already decided it'd be cack. Who knows why he was in a punk-funk band - we even made him dress up in daft clothes (not as daft as I wore though!).

Does the Zoom have a digital out? If it has you can input that into Ableton and use that as a master clock.

I've been listening to my Derek Bailey and Peter Brotzmann albums in anticipation. You can run but you can't hide!

I felt that you need foot-tapping to go with head chopping! After all, our guest bedroom has the double delights hanging on the wall of The Beheading of Lady Jane Gray and the truly joyous Witches At Their Incantations. Our visitors sleep well... As for compression rates, 28kHz would allow a maximum frequency of 12.72kHz. Even my half-century-old-increasingly-flappy ears can hear higher than that! At 96kHz it sounded really open with space between all the instruments; you could even hear the 4 individual basses in the last bit... And horn-wise, the 'bonist and I will hopefully be getting together with a local (lady!) drummer and electronic whizz to form the Bucknell Noise Collective. Shropshire folkies will love it!

I'd like to apologise for any distress caused by my entry this month. I blame Soundcloud for not allowing 96kHz upload... https://soundcloud.com/dredd-and-the-badass-weed/tired-and-emotional

[quote name='Skol303' timestamp='1407841527' post='2524481'] In a word: no! You've been around 'ere long enough to know better [/quote] I'll have to take out the sousaphone solo then!

Most excellent! Does that mean I can get away with a long mix of my headache-inducing opus? Though y'all probably wouldn't thank me for it!

I've just recorded something with a trombone playing mate which my Mrs describes as "like a building headache"! Just a bit of mixing to do before I inflict it on y'all...

They're a nightmare! I used to book bands for a local festival where the venue was a large village hall. They had a limiter - supposedly as a condition of their licence. On close inspection I discovered that the limiter was rated at 13amps (i.e. about 3kW), and covered all the sockets on the stage. Not only that, but it was set at 92dB, c weighted, which meant almost any bass would set it off. And we had Wilko Johnson booked! So basically, the village hall committee expected us to run PA (20kW!), plus lights (500W LEDs) and backline off a 13A circuit. With a digital desk, no soft-start on the PA amps and valve backline, damage would definitely have been done when the power went off - and back on again. So I contacted the council, who said we could have special dispensation to bypass the limiter; I told the committe this, and they said we still had to use it - even after I'd explained the difficulties... Luckily both the PA engineer and I are sparkies, so we quickly ran a 25mm cable to the stage and it all went swimmingly - traffic light happily on red for much of the gig! As a further happy ending, the local community also decided that the village hall committe were useless and they've all now gone to be replaced by reasonable folks!

We need 29000 more votes!

Good boy!

Who knows! We were all terribly off our faces - for all the early gigs we just plugged in and played with no real idea what we were going to do. For up to 4 hours. Poor audience!

Only 18 votes so far! Some of us need all the help we can get

[quote name='The fasting showman' timestamp='1406879270' post='2515474'] Kim Annette Clarke, Defunkt (great Stingray sound on 'Thermonuclear sweat') [/quote] +1 [MEDIA]http://www.youtube.com/watch?v=VKDFDdsFRVU&index=1&list=PLE5CC5A2C282E06B9[/MEDIA]

In the 80s I used to play in a band with Keith and Jez from the Utah Saints, as well as Chris Haskett (Rollins Band) and Andy Spearpoint from the New Fast Automatic Daffodils. And bizarrely, we had Jay Rayner on keyboards!

I was in a band once that got paid. Just the once, mind. Usually we had he get out of there sharpish before the audience started throwing heavier things!

Albums I couldn't be without? Jamaalaeen Tacuma - Dreamscape Bootsy's Rubber Band - Aah, the name is Bootsy. baby! Praxis - Transmutandis Zapp - 2 Infectious Grooves - Groove Family Cyco

[quote name='jonsebass' timestamp='1406057133' post='2507943'] Id steer away from superglue. I played a gig on a Friday night and was struggling to hear myself so I dug in more. It was in my early playing days so I blistered quite badly. My amp wasnt the loudest or best and there was no room on the pa for a di. [/quote] The secret with superglue is to use it unless you know that your fingers aren't going to blister!

Give it away by the Chillis? Or Pump it up by Elvis Costelo?

[quote name='EssentialTension' timestamp='1405860222' post='2505862'] ... how was that gig? [/quote] After the laughter had stopped, the drummer sorted me out with a spoon and some warm water.

Here's mine... Doubles up as music listening and movie watching room.

I've been using superglue for years. I put it on the tips of the left hand fingers first, and when it's dry (!) do the right thumb (tip and cuticle need it most), then 1st, 2ned and 3rd finger tips. Means I can play even if the fingers are already blistered; after all, super glue is often used in medicine to bind wounds together! Within a day or 2 it all comes off as cyano-acrylate is water-soluble. And I've only stuck my fingers together once...