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Everything posted by Beedster
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Absolutely This ^ You could spend multiples of your budget on the best audio gear and still not get the solution you want. The difference between listening to even unamplified speech in an acoustically treated verses untreated space is huge, and it the difference usually increases the more the voice is amplified/processed. Treating the room would not only reframe and likely optimise any audio solution you choose but significantly reduce the costs of that system.
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It might be, but if so I don't think it's a 77/78 as the seller states, I think I'm correct in saying that Siennaburst was very much an 80's thing. And certainly every Siennaburst I've seen has a standard board (i.e., no block inlays). We should never discount the idea that Fender found an unused 70's neck and stuck it on a new 80's instrument of course, but the bass is so far from original anyway that I doubt it the question of whether that body left the factory with that neck could be established to any reasonable degree. Given this I suspect that in marketplace terms it's a bitsa, and as you say, around £2000 too expensive 👍
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....or as I'm currently really enjoying, some very very old rounds on a 70's Precision, glorious sound, and all the squeak has been played out of them 👍
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Buy some used from here and that way you can sell for the same price if they don't work out, they're always popping up for sale 👍
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At the height of my electric playing albeit more than 20-years ago - even I was probably getting through around a set per month - in those days I was all about the zing, funny how things change! I guess the reality is that electric strings have probably been affected by the same inflation as guts, it's just more exaggerated with the latter?
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I think it’s easy to get into false logic along the lines ‘strings should cost 10% of the value of the instrument’. DBs are simply too unpredictable
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My present guts, gamuts, have been on my bass for around 3-years. I know electric bassists (and guitarists) who change strings after each gig. i’m probably spending less on strings despite the massive one-time hit
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I disagree Jack, even my old Alu - not a machine built for tone - sounded way better with guts than with Evas or Spiros, and the guy I bought it from was playing Eudoxas on it. High quality strings can significantly improve the tone of even quite inexpensive instruments
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The same guy has been selling this monster for over a year and IIRC it started out with a flamboyant description and a £299 price tag. You don’t need to be trained in psychoanalysis to diagnose optimism here….. https://www.ebay.co.uk/itm/125653279648?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=1QKe1QltT7q&sssrc=4429486&ssuid=155UlNbXQGW&var=&widget_ver=artemis&media=COPY
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….or a bitsa?
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Seller says not released until ‘81 with back stock necks, so it’s an ‘81…?
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Well I’m not a fan 😕
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Some pics Front (in case you're not aware that this is the front), lovely aged, yellowed, cracked.... Back, you can see the buckle rash and other wear under the new finish
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Folks I have an old Jazz body that was once Oly White but now a lovely nicotine yellow. A previous owner has however overpainted the back, which has some serious buckle rash, in white. I have no idea what paint they've used, but it looks quite thinly applied. I'd like to get that new finish off the back but leave as much of the original worn finish as possible. Importantly where the original finish is worn through to the wood I'd also like to explose the wood if possible. Gut feel is several hours with sandpaper which will at least allow me some control of the just how much of the finish comes away, but I'm happy to hear better suggestions if you happen to have any 👍
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We used to glower at the guitarist irrespective of who'd made the mistake, not nice but ore fun
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Thanks Paddy, might give them a go, a couple of guys on TB have commented that they're worth a look also 👍
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Blu De Tiger. This girl is going to go far.
Beedster replied to Mickyk's topic in General Discussion
Probably exceeded it's intended usefulness, useful in a whole different way now...... -
I went to a boys school where nearly the entire population recognised and worshipped Lemmy. The girls who I knew at the time were very much into Japan and could recognise Mick Karn albeit as the second most important band member. I'd say that the most recognisable bass player of that era was however Nick Beggs, largely as the result of him getting quite a lot of visual real estate on TOTP (mostly hair-related) and the fact that people were aware that the rhythmic percussive sound he was making was the result of abusing playing a bass guitar
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Not sure they’d do much better with guitarists, likely Sheeran and Swift would top the list as people most photographed with guitars round their neck
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I sincerely hope that she puts Mr H at the top of the list 👍
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Tried listening to The Stranglers today....
Beedster replied to Beedster's topic in General Discussion
That's pretty shocking given.... 1. They had one of the most iconic bass players ever (hey, he has a Sig....) 2. People here often say they aspire to JJB's tone 3. They wrote some awesome songs and produced some incredible albums 4. BC members generally like Prog? -
Blu De Tiger See what I did there 👍
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You’ve overdone it by about 6 Tim 👍
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Keannu 👍