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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. Oh dear
  2. He’s got a P-PUP in there already
  3. Keep it mate, you look at one with it in the photo above, and why will a Precision be any better?
  4. Great demonstration of the truth that it’s not about the notes, but about how you play them
  5. Amazing track and yes, so much more going on the more you listen. Hard as f**k to play with that feel. I always assumed it was Jamerson
  6. Yes they do, as do I
  7. Re-reading the O/P, my advice would be that if you want a Ric to sound like anything other than a Ric, you've bought the wrong bass. They absolutely have a core tone that, whilst they're extremely versatile around that tone, is in their DNA. It's like a clarinet and an oboe, same sonic range, and good players can create a huge array of tones from each, but whilst at extremes one can sound a but like another, they will never sound the same to the players. And the Ric tone is not just in the PUPs, you can change them but whilst it will sound different, it will do little more than you can do with the tone controls on your amp or Sansamp, it will still sound much like a Ric, and importantly will still play much like a Ric. This isn't to say that your average audience, or even band members are going to notice, although I worked with a singer years ago who begged me to play a Precision over a Ric because in his opinion the Ric sounded wrong for the music (I think he was blagging) - but you as a player need to feel that you're producing the tone that's in your head. A Ric with both PUPs open, strung with flatwounds, and played with a pic through a B-15 is one of the most glorious bass sounds I can imagine, with a beautiful pipey hollowness sitting on top of a powerful fundamental. It's a tone that just draws me in whenever I hear it - irrespective of genre - but a lot of people hate it
  8. Not sure you're going to have much luck getting Warwick tone out of a Ric. Rics aren't very good impersonators of other basses, but the opposite is also true. Learn to love the Ric tone
  9. Agree 100% Nik
  10. Broom cupboard bass at BBC was a Telebass in those days
  11. I was given my first DB by a music shop owner who, having seen us gig, thought we'd sound better with DB than electric (and biy, he was right). He used to provide them to schools and found that schools were asking him to take them back FOC because no-one wants to play them anymore, and they were simply too big to store (I passed it on to a guy on BC once I'd upgraded to my current 4/4). His shop is still going well, but perhaps only because he matches best internet prices, and we live in a town with two universities and a few public schools so there's a decent amount of disposable cash around. There are times when I want to say "mate, charge me full whack, much as I like the cheapness, I also like having a decent music shop in town". I bought all my daughters various instruments from there (including the World's loudest tambourine which was not clever), and send all my friends and colleagues there, because they can try the gear. I still worry that the shop won't be there much longer though
  12. Frankly, I'd save yourself the legwork and hit BIN (or make a decent Best Offer) on this Walkabout 12", the best bass combo ever made by a long way https://www.ebay.co.uk/itm/Mesa-Boogie-Walkabout-Combo/233164745491?hash=item3649b3ab13:g:00wAAOSw24hch9tj I'd be quick as well. If you buy it and don't like it, it will move pretty quickly on BC Good luck Chris
  13. Having thought about this, I'm also remembering those times when combos make things safer, for example I've pulled a Speakon/Speakon cable out of my bag to find I've bought my 1x15 which needs a Speakon/Jack. Last week in fact
  14. Agreed, I like combos for using at home for not for rehearsing or gigging. The only combos that have ever really worked live for me have been pretty bloody heavy and hard to move anyway, Walkabout Scout 15" being a case in point
  15. And that is what I has always assumed was the case, thank you WoT
  16. That was indeed what I was asking, thank you Luke
  17. I decided not to sell this about two months ago, but having realised yesterday that in those two months it's sat in its box unplayed, I guess that once again I have one amp too many. As per the above, I have all the original packaging so I'm very happy for either collection or courier. This is a sublime sounding amp, and with a decent cab (or cabs), can be gigged comfortably. It's not an SVT for sure, but isn't far off the V4-B in many respects. Chris
  18. Thanks Martin
  19. And we won't realise what a seriously bad thing that is until it's too late.
  20. Mmmm, that's not really what I was asking though is it? I love Mesa gear, but I worry that the very very high prices, plus the discontinuation of all-tube bass heads to compete in an already very overcrowded Class-D marketplace, is a very bad strategy (excuse the pun). I hope I'm wrong
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